• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

OPERA AND DRAMA: DIFFERING VIEWS

Extracts from this document...

Introduction

OPERA AND DRAMA: DIFFERING VIEWS Opera and drama are two closely linked disciplines in the world of performing arts; although many view these as individual aspects which should be combined to create a greater result, others seemingly view opera as drama although it would be seen as illogical to view drama as opera. The mere fact opera has a narrative, although told through music and libretto, combines the two. Michael Tippett's opera, The Midsummer Marriage, contains influences from other established form's (drawing examples for Wagner and Verdi) ...read more.

Middle

Kerman recognises that 'no distinction is drawn publicly between works like Orfeo and The Magic Flute'2, describing opera as a huge umbrella with seemingly no sub-categories. In Kerman's book he discuses how the opera (or the musical aspect) plays to the drama on the stage - the music is used to develop and enhance the drama. This is demonstrated in the musical example shown on page 8 where the music reflects the agony of Desdemona. Tippett also has a similar view on the relationship between the music and the drama, stating that: 'in opera the musical schemes are always dictated by the situations'3 Although opera has been established ...read more.

Conclusion

In this instance, the drama contrasts the opera as simple contrasts against the complexity of the score. Kerman comments upon this analysis of opera as drama and opera as a musical piece of entertainment, writing... More popular writers on music eschew, indeed scorn, any close analytic approach to opera. Having no dogma and no intractable mass of detail, they lose the work of art in other ways.4 Although scholars, composers and music writers alike would argue the case of opera as drama, it seems there is no right or wrong answer. It is certain that opera could not function without drama, however, the necessity for combining these two genres for purposes of analysis seems somewhat contrived. ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our GCSE Music section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related GCSE Music essays

  1. The history of Music

    Some of the bands have reformed and, in spite of the advancing years of their members, continue to perform on stages throughout the world. With The Beatles, 'Merseybeat' was huge and continued to be for a number of years until like every musical fad, it faded.

  2. The Symbolism Used by EM Forster in "A Room With A View"

    Lucy plays Mozart in chapter 18 at the time when the engagement has been broken off. Again, the music represents the situation. The atmosphere has a sense of confusion, much like the music. The words of the song that Lucy and Freddy recite also have significance.

  1. Ludwig van Beethoven, his life story and music from the Bonn peroid.

    For his subsistence in Vienna he had only 100 ducats (nearly 500 florins) per annum. He had hoped to receive the whole of it on his arrival in Vienna, at which time he had to make considerable outlays, but it seems to have been paid quarterly.

  2. Censorship - are the arts dangerous?

    --Morality in Media (Morality in Media is "a national, not-for-profit, interfaith organization established in 1962 to combat obscenity and uphold decency standards in the media.") Censorship 1. The denial of freedom of speech or freedom of the press. 2. The review of books, movies, etc., to prohibit publication and distribution, usually for reasons of morality or state security.

  1. Evolution of opera

    The strophic variation, the representative aria form of the early Baroque opera, was at first retained in the middle Baroque opera, but became a fully audible form since the bass line was as distinctly organized as the melody so that the strophic repeats could be perceived by ear.

  2. Comparing and Contrasting the life and works of Bach and Mozart

    In this piece we see how the horns are altered across each movement. Apart from this, every instrument is used in all movements. This is different to Bach?s concerto, where the instrumentation between the first and third movements and the second movement is dramatically different.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work