The use of literary techniques in the extract, Killed at Resaca, by Ambrose Bierce
19 September 2008
Britney de Beer
Word count: 1025
The use of literary techniques in the extract, Killed at Resaca, by Ambrose Bierce
“These were the words that on a sunny afternoon, in a distant region, had slain a hundred men. Is women weak?” Ambrose Bierce Portrays his negative disposition towards women by the choice of vocabulary he uses. We can explore this and how his negative thoughts are closely linked to the theme of the extract, that being betrayal. He makes use of the literary techniques, diction, narrative voice, and irony to create the contrast between heaven and hell throughout the writing.
With the use of diction, Ambrose creates the religious connection of both heaven and hell and how the two contrasting ideas develop from the beginning of the writing to the end. He uses words like, “suddenly repented”, “uncovered heads”, “white flag”, “sacred burden” and “dirge” in the opening paragraph to create the imagery of heavenly or peaceful, good things. In the last paragraph or two, Ambrose makes use of words like, “deepening colour”, “changed colour”, “blazing coals”, “sight of blood”, “involuntarily”, “light of burning”, “stain” and “snake” which we associate with imagery of hell or harsh conditions. He uses his bias against women to highlight how unfaithful and unsupportive Marian is towards Brayle. We can see this by how she reacts to letter once the narrator hands it back to her, throwing it into the fire. Ambrose uses harsher terms to describe her even though she is beautiful and well bred. He recognizes this, but it does not concern him and therefore, her beauty is not emphasized. Another significant fact is that he chooses to portray the heavenly images on the battlefield, where as the images of hell and harshness is portrayed in the home of Marian. Ambrose relates his characters, themes and contrasts to that of biblical ones. The contrast between good and bad things portrays the contrast of heaven hell. He uses Marian as a metaphor, making her the snake in the Garden of Eden that is, everything else. This is all told through the vocabulary Ambrose choice to use in his writing, and his disposition for women.