Cultural Compliance and Critical Media Studies

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Cultural Compliance and Critical Media Studies

This article is a challenge to social scientists. In it we ask why much of social science and in particular media and cultural studies can now communicate little that is that is critical or relevant to its own society. In the ferment of social and political ideas which we associate with the 1960s, it was assumed that science could be ‘for the people’ and that it would be possible to link theory and practice in progressive rational critique. These ideas were not new and indeed had their origins in enlightenment thinking. But the period of post war consensual politics certainly increased demands for academic approaches which were relevant and critical. In the period which followed there was a profound shift in political power towards the right, in both the US and in Britain. The 1980s saw a ferocious struggle to establish a new dominance for the free market. This involved pushing back the restraining influences of the post war consensus with its commitment to full employment and social welfare. This period was therefore a high point in the development of news management and of state public relations - the age of spin doctors. Yet strangely it was also during this period that the concept of ideology disappeared from much academic work in media and cultural studies. A new set of theoretical questions and issues now preoccupied cultural theorists. We will argue here that much media and cultural studies had in fact wandered up a series of theoretical dead ends. To illustrate this, we will look first at the cultural and material changes which did occur in our society and then at the problems with the new directions taken by media and cultural studies.

The rise of the New Right in the 1980’s did not signify a new age or a new type of society. The same social relations of production existed (between employers and employed) and the same tendencies of capital to accumulate. It continued to agglomerate into larger and larger units giving greater power in the market. For example, in 1996 the £28 billion merger or Boeing and McDonnell Douglas in America gave them nearly two-thirds of the worlds commercial airline market and over half of the US military aircraft production. In the same year, the proposed MCI/British Telecom merger was valued at over £35 billion. The essence of such ‘modern’ economic relationships is that capital will agglomerate, will move and will do whatever is necessary to secure the conditions of its own existence. The same can be said of mass communication systems where a small number of corporations now control the bulk of all privately owned commercial communications (Herman and McChesney, 1997). The political dominance of the new right and the deregulation of the market also produced a cultural shift with an increased emphasis on the values of individualism, interpersonal competition and material power. Lewis Lapham, the editor of the New York Harper’s Magazine, has written of how the press in America celebrate the new world order:

As might be expected, the shining face of the global economy wears its brightest smile in the show windows of the media owned and operated by the same oligarchy that owns and operates the banks. The accompanying press releases predict limitless good news in the world joyfully blessed by open markets, convertible currencies and free trade. The financial magazines make no attempt to quiet their emotions or restrain the breathless tenor of their prose. Behold, men of genius and resolve, - Billionaires! Visionaries! Entrepreneurs! - trading cable systems for telephone lines and telephone lines for movie studios and movie studios for cable systems, buying and selling the wells of celebrity that water the gardens of paradise. (1998:19).

The politicians and theorists of the new right sought to remove the limits on accumulation and the power of capital on the market. In this they were in fact looking back to an older society rather than creating anything very new. Their project was to roll back the priorities of the social democratic state with its commitments to welfare, full employment and ‘high’ taxation to fund these. The role of the state would instead be to remove the ‘restrictions’ on the free market in labour (union powers, minimum wages etc.), to de-regulate and allow larger units of capital to form (to increase profitability) and of course to reward the ‘wealth makers’. To do this they would reduce direct taxation which would in practice be of most benefit to the top 20% of the population. This would allow the market to develop in a more unfettered form, but it would still be a capitalist market and still therefore a modern society. These changes, however, did have a profound affect on material and cultural life. The most obvious change was in the social division of wealth. In Britain between 1979 and 1991 the disposable income of the top 10% of the population rose by 62% while that of the poorest 10% fell in real terms by 17%. There was also a crucial change in the pattern of social ownership. The privatisation programme undertaken by the Conservatives meant that the majority of the population were poorer in the sense that what they formally owned was sold for a fraction of its worth. The loss to the state caused by the discounted sales of the nationally owned industries was estimated at over £20 billion (Hutton 1995:184). The privatisation of public utility such as gas, electricity and water also signified a crucial change in the public service ethos of care and security which had been promised by the ‘old’ consensual politics. What had been seen as public services became merely commodities to be sold. In a free market the social right to have clean water or to be warm could depend on the ability to pay. Policy in this area was no longer to be determined by ‘public service’ companies but by private industry whose ownership and shareholders were international. To be secure and to have rights in such a system depends on the ability to purchase in the market. Those who cannot do so are deemed to have ‘disconnected themselves’. The language of this society revealed the new relationships. On the railways ‘passengers’ became ‘customers’ and in inner cities the cardboard box became the symbol of homelessness. The state thus moved away from social priorities and the key commitment of the post-war years to the welfare of all its citizens. This was confirmed by other changes including the reduction of unemployment and social security rights. The net result was the production of insecurity. This was greatly added to by the economic policies of the New Right which relied on interest rate rises to curb inflation. The result was two serious recessions between 1979-83 and 1989-94, resulting in very high and sustained levels of unemployment (As high as 3.75 million people in 1983). This in combination with the reduction of trade union rights very much weakened the position of the work force in the Labour market. Labour was casualised and versions of this including short term contracts spread through the manufacturing finance and service sections of the economy. As the power of management increased it was possible to impose arbitrary changes in work practices, to enforce longer periods of work for the same reward. Levels of stress associated with work increased and unemployment was also linked to ill-health and suicide. With weak unions and a demoralised workforce, Britain’s private sector was on the way to becoming either the sweatshop of Europe or to being a ‘flexible labour market’ depending upon political perspective.The public sector was intensely disliked by the new Conservatives and free marketeers. It was portrayed in New Right demonology as bloated and incompetent and in need of ‘control’. It was to be disciplined by the appointment of layers of managers and accountants who constantly pressured those who were actually providing services, whether they were teachers, civil servants or health workers. This was presented as accountability but is actually a kind of ‘punishment by counting’. These groups were constantly made to account for and justify their work as its ‘quality’ is assessed from above. The true function of the new layers of management is to impose ‘efficiency savings’ which can amount to enforcing more production for the same or less reward. At the same time levels of bureaucracy increased because of the constant demands for measurement - national testing, league tables, quality assessment, and other variations of ‘performance indicators’ were extended through the public sector. This new ‘accounting’ meant that the social values of production for the public were eroded. They were replaced with the processes by which production and ‘efficiency’ were measured. Teachers spend less time teaching and more on assessment - of their pupils and themselves. Hospitals are measured in terms of the ‘through put’ of patients. Social security staff are given ‘targets’ for the reduction of numbers of claimants rather than having the provision of help as the central goal. In this new market, rewards are given for ‘performance’. So in place of a collective commitment to the use and value of what is produced, there is division and competition. Instead of a collective demand for proper funding, individuals and institutions compete with each other for a share of the dwindling resources. Most importantly, the ethos and purpose of activity in terms of social use is lost in favour of simply meeting the formal criteria for the latest performance targets and plans. We become adept at demonstrating on paper how we have performed. But there is little room in such a system for collective discussion about the purpose of what is being done or what social interests are actually being served. This period also saw other major social developments in the transformation of political culture most notable these included the reduction of democratic control through the growth of government patronage and a very sharp erosion of civil liberties. There were intensified pressures on the public sphere in the form of direct and indirect censorship and secrecy with a specific impetus on Northern Ireland (Miller 1994a;1995; Robertson and Nicol, 1992). None of these processes suggest a weakening of the state or the detachment of the ‘cultural’ from the exercise of state or economic power. They do not suggest a weakening of determining forces or the growth of a ‘post-modern’ society. They point instead to the centralisation of political and economic power.Finally we want to examine what changes have occurred at the level of ideologies and core social values - specifically how free market culture has a new prominence both in representations and in every day lived experience. As we have seen, acquisition and material desire are officially sanctioned and parts of television (notably the news) took on a public relations function for these key values of the 1980s (Philo 1995b). But there is another important reason why the products of television begin to change in this period. The opening of the market increased the pressure on television companies for ratings and signified a move away from the traditional concern with quality and ‘good taste’. The priority that television should be seen to be popular and to be responding to the demands of its market erodes the original Reithian ideal that it should in some way set and lead standards. The key issue in terms of the changes which we are identifying is that the media as a whole struggle for audiences in what has become an intensively competitive market. One tendency is therefore to push back the boundaries on what can be shown or written. A newspaper such as the Sunday Sport or magazines such as Loaded are interesting examples of this. We are not suggesting that all social values can be ‘derived’ from, or reduced to, these changing market relationships. The values of sexual consumption, male power and aggression are certainly not new. What is new is that pressure to dominate markets in communication moves such values into mainstream products and removes barriers on their presentation and celebration. The embracing by the BBC of ‘laddish’ culture is another interesting example of this in the Corporation’s dive down market for ratings. Thus a programme such as Top Gear can become a celebration of the speed and sexual pulling power of cars. The values of the market celebrate a social and material world which is for sale and that is reduced to a mass of commodities. Human relationships and people are ‘commoditised’. The millionaire hero of the film Indecent Proposal (1993) can afford to buy another person’s wife and justifies it with the view that he ‘buys people every day’. When the film was first shown on television in 1996 it was advertised on billboards showing a woman in underwear, along with the phrase ‘The price is right so they come on down’. This culture both parallels and promotes the commodification of relationships - in which the greatest expression of interpersonal power is the power to buy the person.

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In 1997 The Conservatives were followed in power by the New Labour party of Tony Blair. ‘New Labour’ is an odd term. With its commitment to free market liberalism, its moral tone, its exhortations to the lower orders to discover the merits of work and its designation of the deserving and undeserving poor, it is actually a version of old fashioned Christian Liberalism. It would certainly have been recognised by 19th century Liberals such as Gladstone. In practice, many of the sermons delivered by New Labour owed more to the concerns of the tabloid press than to a rational social ...

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