Dal, Salvador (1904-1989).
Dalí, Salvador (1904-1989), Spanish painter, writer, and member of the surrealist movement. He was born in Figueras, Catalonia, and educated at the School of Fine Arts, Madrid. After 1929 he espoused surrealism, although the leaders of the movement later denounced Dalí as overly commercial. Dalí's paintings from this period depict dream imagery and everyday objects in unexpected forms, such as the famous limp watches in The Persistence of Memory (1931, Museum of Modern Art, New York City). Dalí moved to the United States in 1940, where he remained until 1948. His later paintings, often on religious themes, are more classical in style. They include Crucifixion (1954, Metropolitan Museum, New York City) and The Sacrament of the Last Supper (1955, National Gallery of Art, Washington, D.C.). Dalí's paintings are characterized by meticulous draftsmanship and realistic detail, with brilliant colors heightened by transparent glazes. Dalí designed and produced surrealist films, illustrated books, handcrafted jewelry, and created theatrical sets and costumes. Among his writings are ballet scenarios and several books, including The Secret Life of Salvador Dalí (1942) and Journal d'un génie (1964; Diary of a Genius, 1965). Artist, born in Figueras, NE Spain. After studying at the Academy of Fine Arts, Madrid, he moved to Paris and joined the Surrealists (1928), becoming one of
Personal Study - Journeys.
A2 Personal Study Journeys MUD FOOT CIRCLE, 1985 RICHARD LONG By Caroline Mackenzie Contents * Introduction * Biographies * Comparisons with traditional painters * Primary Source research, questions & responses- Richard Long * Evaluation of response * Research on Richard Long * My response to the work of Richard Long * Analysis of Works: Andy Goldsworthy Richard Long Robert Smithson * Comparison using my own work * Conclusion * Bibliography Introduction I have always liked travelling, exploring different countries and collecting items on the way to keep as a physical memory. This fascination with discovery made me interested in the Serpentine gallery, in Hyde Park, which had an exhibition called 'en route'. It featured the work of twenty-three established and emerging contemporary artists who take the theme of travel as a basis for their art. The human journey, both physical and imagined, is one of the most long-standing themes in art, literature and mythology. Many artists attracted my attention. One of them was Francis Alys, who travelled on foot and each day of his travels, was under the influence of a different drug. He recorded his experience through photography- 'I will walk in the city over the course of seven days, under the influence of a different drug each day. My trip will be recorded through photographs...' Above is one of
Virginia Woolf Lecture 1 - aesthete or feminist revolutionary?
English 315 Part I 2004 Virginia Woolf Lecture 1 aesthete or feminist revolutionary? In this lecture I want to: ) offer a very brief sketch of Woolf's life 2) look closely at Lily Briscoe, the artist figure in the novel, and compare her to Mrs Ramsay 3) consider the dinner party 4) consider the relations between politics and art in the novel ) Basic biography Adeline Virginia Stephen was born 1882 into an upper-middle class intellectual family, part of the Victorian intellectual aristocracy. Her father, Leslie Stephen, was a man of letters, responsible for the Dictionary of National Biography. Virginia was self-educated, mainly by way of her father's large private library. Her mother was a great beauty who died when Virginia was 13. Two years later her sister died. These deaths, perhaps like those that marked Janet Frame's childhood, sparked mental instability that would remain with her throughout her life. Throughout her life she suffered from manic depression, although the name of the condition was not then known. She committed suicide in 1941. Leslie Stephen died in 1904 and the siblings moved into a house in Bloomsbury, then considered bohemian, where they set about distancing themselves from the Victorian legacy of thought, values and habits, even to the extent of exchanging
What is Interactive Media
Interactive Media 3000 Word Essay Francis Nicholls What is Interactive Media? I am going to begin my essay with a brief definition of the phrase Interactive Media; "Interactive media is the integration of digital media including combinations of electronic text, graphics, moving images, and sound, into a structured digital computerised environment that allows people to interact with the data for appropriate purposes. The digital environment can include the Internet, telecoms and interactive digital television." In the simplest of terms, Interactive media is any type of media that you can interact with. Whether it be a mobile phone, television or a website, as long as your interacting with a piece of digital technology, it then comes under the phrase Interactive Media. How is Interactive Media Developing? Interactive media is vastly developing each year, not only in the amount of users but also the amount of creators, inventors and developers. The scale of young people opting to take further education all around the world in areas such as media, means potential for new ideas and concepts which are already rapidly evolving and emerging every day, is going to be greater. Also with large media companies ever expanding and developing, not to mention newer and smaller companies starting every week, the demand for talented individuals with new ideas and up-to-date
Chirico Art and Comparison
Anne Chen Per: 2 Journal "Giorgio de Chirico, Hector and Andromache" "Hector from Andromache's embrace went to arms, and it was his wife who placed his helmet upon his head.1" The poignant love story of Hector and Andromache can draw "tears down Pluto's cheek.2" Andromache, the epitome of the loyal and beautiful wife, sends her husband, Hector, off to the Trojan War. Although Hector does not believe in the cause of the Trojan War, he fights out of obligation to his country. The brave Hector leaves his wife and son, Astyanax, behind the safe walls of Troy. Upon leaving Troy, Hector faces the Greek warrior, Ajax. These two courageous warriors fight to a standstill; both admit their admiration for each other, trade gifts, and depart. However, Hector must face a tougher opponent. After a long and savage battle, Achilles rises as the victor. He drags the body of Hector throughout the battlefield, around the walls of Troy, and right under the weeping eyes of Andromache. The wailing Andromache declares, "Then [myself] having been overpowered and ruined, whatever has come to pass, I endure rigid and without emotion, being numbed by hardships.3" The tragedy of their romance rings true in Giorgio de Chirico's painting. The haunting dreamscapes infused with illogical images, bizarre spatial constructions, and a pervasive melancholic mood perfectly portrays the chaos where Hector
The faces of an epoch.
THE FACES OF AN EPOCH By Robert Hughes (Time, March 15, 1999) You can't look at great portraits today without a certain nostalgia The painted portrait is a form that like blank verse drama in the theater or the caryatid in architecture would seem to be on its last legs. Indeed, with few exceptions it has no legs and seems unlikely to grow new ones. Photography took them away. But older portraits have hardly lost their magic and their grip on the imagination. This is why "Portraits by Ingres: Image of an Epoch" which is on view (through April 25) at the National Gallery in London and will be seen later this year at the National Gallery of Art in Washington and the Metropolitan Museum of Art in New York City, is such an invigorating show. And the subtitle fits. Almost from the time they left the easel, the portraits of Jean-Auguste Dommique Ingres (1780 1867) were seen as being more than personal likenesses. They had a defining character Ingres s period has coalesced around his art In the first half of his life, when he was in Italy, the Mecca of the aspiring French painter, his pencil drawings caught the upper crust of foreigners there - the milords Anglais and their families on the Grand Tour, the French officials who ran Napoleon's kingdom m Italy, his fellow expatriate artists-with stylish brio and steely exactness. It is fascinating to see him shifting through different
Analysis of Popular Stereotypes.
Analysis of Popular Stereotypes Popular stereotypes frequently present the scientist and the artist as extreme opposites in their pursuit of understanding - the scientist as being objective, disciplined and rational, and the artist as being subjective, impulsive and imaginative. Yet are they really so very different in the ways they look at the world? To what extent do you consider these stereotypes accurate, and to what extent do you consider them distortions of the ways in which the sciences and the arts give us their knowledge? Is there a difference between an artist and a scientist, except their profession? Are people born to be professors? Have some people a 'rational' brain? Or is it so that the artist have a bigger right brain-half that the scientist? Has an artist a greater ability to express him- or herself? - Is it a genetic question? One thing is obvious: people are not the same, everyone is individual with individual interests and hobbies. Some like to paint and some like to play with atoms and molecules. But the question remains; Is there a genetic difference between a scientist and an artist? Undoubtable is that the public opinion of scientists and artists is as two extremists. One as rational, often alone, thinking, and the other as impulsive, 'flower-power' and poetic and philosophical. How come? I believe that the human brain works in a way that is
Arcimboldo - Water
ARCIMBOLDO - WATER The picture is of a head made up of many different sea features with a plain black background. It would be nearly impossible to name all the aquatic animals that make up this head. It seams as though there is a chest plate at the top of the body which is made of a crab and there are also shoulder plates which are made up by using a turtle and a large mussel, an octopus has also attached itself to the shoulder plates. Hanging around the neck there is a necklace made of pearls. The cheek is a ray of some sort, the ear is a mussel with a pearl as an earring. There is some sort of crab in place as the eyebrows and the mouth seams to be a dogfish with its jaws open revealing all its teeth. The figure seams to be wearing a crown which is made up of whales, seals, sea horses and coral. The nose is also made up by a fish. There is an array of different colours used but only the coral and a lobster seam to be bright and really stand out. Arcimboldo has arranged this piece so that when you look at the picture you are not struck by individual features but the picture as a whole and I found that happened with me. Arcimboldo has used oil on limestone to create this picture and it seams as though he has built the picture up from the background and added layers as he painted. The ideas used are obviously derived from the sea and sea creatures and are created together in
"Taoism explains art and art explains Taoism. Art validates Taoism's identification of the fundamental principles of reality." (B. Willis). How far would you agree with this view?
Coversheet Chinese Studies Coursework "Taoism explains art and art explains Taoism. Art validates Taoism's identification of the fundamental principles of reality." (B Willis). How far would you agree with this view? Derek Matthew Lam Word Count: 2046 "Taoism explains art and art explains Taoism. Art validates Taoism's identification of the fundamental principles of reality." (B. Willis). How far would you agree with this view? Taoism is one of the most important and influential philosophies in China. It is a philosophy that is extremely hard to define, because when attempting, we are already challenged by the first sentence of the Tao-te ching "The Tao that can be spoken of is not the real way."1 However, by scrutinizing Chinese art and paintings, we may catch a fleeting glimpse of Tao, the mysterious energy of the universe which is the source of life.2 Many of the fundamental concepts and ideas of Taoism are expressed through Chinese paintings, and by studying them, we may get a better grasp and understanding of this abstract yet beautiful philosophy. Taoism is the combination of a religion, philosophy and tradition that has shaped the lives of the Chinese for more than 2000 years.3 However, what are 'the fundamental principles of reality' of Taoism? To the Taoists, there is only one reality, and that is the Tao4. "Tao" or "the Way" is the core of Taoism, it is a
Gavin Turk was born in 1967 in
Gavin Turk was born in 1967 in Guilford. He made his debut as an artist at his MA show in 19991 in which he was refused his degree certificate. His exhibition consisted on one blue English Heritage style plaque reading "Borough of Kensington, Gavin Turk, Sculptor, Worked here 1989-1991". He called this piece cave and it was this "memorial to a career that hadn't even started yet" that got him the attention of people like Saatchi and Jopling. From then on he's continued to explore what it means to be an artist using iconic figures such as Sid Vicious and Che Guevara to put across his ideas about identity, originality and status. Turk became more widely recognised in the art world in 1993 when he first unveiled his sculpture "Pop". This work is a life-size waxwork sculpture of himself as Sid Vicious posing as Warhol's painting of Elvis Presley imitating a cowboy. This deep layering of references and influences is typical of Turk's view of the issue of artistic originality and status. "Pop" is probably Turks most well known piece of work to date. "Another Bum" unveiled in 1999 was a life-size waxwork model of the artist as a homeless person. Turk had turned up dressed in a similar way to the glamorous opening party of 'Sensation' at the Royal Academy of Arts the year before. Just as he draws links between himself and celebrities from the