"A Reader privy to Miller's Commentary would view 'The Crucible'very differently to a Theatregoer".

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Laura Edwards 10A

“A Reader privy to Miller’s Commentary would view ‘The Crucible’

very differently to a Theatregoer”

In ‘The Crucible’ by Arthur Miller the commentary and stage directions are very important and they tell the reader a lot of information that they would not know if they had only seen a production of the play at the theatre. This fact, however, does not stop people from going to see the play and also does not stop people producing new versions of it. ‘The Crucible’ was first performed in America in 1953, then in England in 1954 and since then there have been countless productions of it in theatres worldwide as well as at least two films made of it. One possible explanation as to why the play is so popular is because it is such a powerful and timeless depiction of how intolerance and hysteria can tear a whole community apart, and people can still relate to this.

        

At the beginning of Act 1 there is a very long commentary followed by some stage directions. These portions of text give us a full introduction to the play itself and the setting, and through them the reader learns that Salem is a relatively newly established town (even though the book tells us also that by today’s standards the town would “hardly be called a village”). It was also very sombre place with a strict Puritan society and religion played a major part in their lives. Also in the commentary there is a character profile of Reverend Parris, who is one of the first characters encountered in the play. The reader learns some very important information that theatregoers would not pick up from the play – that Parris has quite a dubious past, that he is a widower and that he really dislikes children. From the stage directions we also learn that Tituba, Parris’ Negro slave, is afraid of her master because it states that:

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” Her slave sense has warned her that, as always, trouble in

this house eventually lands on her back”

This suggests that Parris is quite a dominant and dictatorial man.

        A little further into the play the reader is first introduced to Abigail Williams, Parris’ niece, and from the stage directions preceding her appearance we learn that she is seventeen years old, “strikingly beautiful, an orphan, with an endless capacity for dissembling”. A theatregoer would not know any of this so the reader is clearly at an advantage because they are immediately able to form accurate first impressions ...

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