The marriage between Darcy and Elizabeth uncovers the qualities that create a successful marriage. One of these qualities is that the feeling cannot be carried on by look, and should continuously improve as individuals as they get to know each other. At first, Elizabeth and Darcy were far off from one another because of how prejudice they were towards one another. The succession of occasions and bumping into each other which they have both encountered gave them the chance to understand each other and the chance to reveal their true emotions for one another. They discussed and shared that their understanding of each other will head them to a tranquil and enduring marriage. This connection between Elizabeth and Darcy uncovers the significance of getting to know the person before marrying.
Both Elizabeth and Darcy are pressured to understand their beginning misunderstandings. The first part of the novel follows Darcy's movement to the point at which he is right to allow his affection despite his opinions. In the second part, Elizabeth's mixed up impressions are replaced by changed feelings about Darcy's loyal personality. Darcy's two proposals to Elizabeth show the true advancement of their relationship. His first proposal on page 185 of the novel shows he has grasped his fondness and love for Elizabeth but has not yet developed his hate for her family. When Darcy proposes for the second time, he positively confirms his affection for Elizabeth, now with full understanding of Mr. Darcy's exceptional person, joyfully accepts. It shows how they finally achieve the ability to view each other fair eyes.
Hermia and Lysander are the lovers where nothing goes their way. Their affection is so solid that nothing would get in the way of their love. This shows their relationship to be really passionate just like Darcy and Elizabeth. Hermia is confronted with a determination to marry Demetrius, the man she doesn’t have feelings for. The father of Hermia is the one setting up the marriage. Their affection is so strong that they will let nothing stop them, so they run together into the woods. This sincerely is an indication of correct affection. However, Hermia and Lysander’s relationship is almost completely opposite to Darcy and Elizabeth because their relationship is pulled apart by the magic potion, while Darcy’s and Elizabeth’s is growing as they are getting to know each other more.
In my opinion, I believe that Hermia is the singled out person that speaks thoroughly, articulately, and is most unbelievably civilised in this play about love and any person "… Now much beshrew my manners and my pride If Hermia meant to say Lysander lied. But, gentle friend, for love and courtesy, Lie further off, in humane modesty. Such separation as may well be said becomes a virtuous bachelor and a maid, So far be distant; and good night, sweet friend. Thy loves ne’er alters till thy sweet life end." This implies that Hermia is most obviously expressive when she explains her love to Lysander.
An additional case is "Why are you grown rude! What changed is this, sweet love?" This indicates that Hermia is definitely caring towards her love to Lysander I think that Hermia is the most appropriate person in A Midsummer Night's Dream that speaks articulately, and most incredibly sympathetic in this play about love.
Pride and Prejudice is a novel in which people marry for love, personality and happiness, however, A Midsummer Night’s Dream portrays it as mad and a bit ridiculous but there is nothing to do about it.
The marriage between Jane Bennet and Charles Bingley is also a case of successful marriage. Elizabeth shows her feelings of the relationship when she says, ‘...really believed all his (Bingley) expectations of felicity, to be rationally founded, because they had for basis the excellent understanding, and super-excellent disposition of Jane, and a general similarity of feeling and taste between her and himself.’ Bingley honestly adores Jane for who she really is.
Unlike Darcy and Elizabeth, there is damage in their connection. The imperfection is that both characters are too naïve and too great-hearted to ever act positively in conflict to outer forces that might try to split them: ‘You (Jane and Bingley) are each of you so complying, that nothing will ever be resolved on; so easy, that every servant will cheat you; and so generous, that you will always exceed your income.’
Lydia and Wickham's marriage is an illustration of a regretful marriage. Their marriage was dependent on appearance, exceptional looks, and childish life. Once these values can no longer be viewed by one another, the once passionate connection will gradually disappear. In the novel, Lydia and Wickham's marriage slowly breaks down; Lydia ends up being a typical guest at her sister's home when “her husband was gone to enjoy himself in London or Bath." Through their association, Jane Austen indicates that quick marriage dependent upon meaningless reasons rapidly fails and leads to sadness.
Midsummer Night's Dream is a play by William Shakespeare about four specific stories that change throughout the play. Passionate love shows up on numerous occasions in ‘A Midsummer Night's Dream’. Hermia and Lysander show young, foolish fondness, while Helena's cherish is that of desperation. Demetrius' love is inconsistent. Theseus earns his "affection," Hippolyta, as a trophy of war. Titania and Oberon, married for advances, dispense pain and slyness on one another normally. While there is no living relationship of love that suits all the couples together.
The marriage between Theseus and Hippolyta is used by Shakespeare to show compelled affection: "I wooed thee with my sword." Hippolyta, having been the Queen of the Amazons, has been prevailed over by Theseus and is in this way under commitment to marry him, consequently indicating compelled affection. She is devoted to Theseus, who in return treats her well. When Theseus declared "wooed" it implies that Theseus is truthfully in love with Hippolyta and does wish to treat her properly.
Hermia and Lysander are the lovers where nothing goes their way. Their affection is so solid that nothing would get in the way of their love. Hermia is confronted with a determination to marry Demetrius, the man she doesn’t have feelings for. The father of Hermia is the one setting up the marriage. Their affection is so strong that they will let nothing stop them, so they run together into the woods. This sincerely is an indication of correct affection.
Helena talks deeply describes, "Love looks not with the eyes, but with the mind and therefore is winged cupid is painted blind" This implies that when you love someone, it doesn’t matter what they look like but what is on the inside. Since Cupid is painted blind he doesn’t love with his eyes but with his mind as he loves what’s on the inside.
One of the sorts of love that is not quite love but a large number of individual’s oversight it as love is lust. This isn't being attracted with the person but loving one of their qualities. This is demonstrated with the association among Demetrius and Hermia. Demetrius just needs Hermia for the interest and not for who she is. An additional sort of adoration that might be exhibited is an unrequited love. This might be communicated by Helena and Demetrius. Helena adores Demetrius with every last trace of her heart but he doesn't want anything to do with her since there is no interest. It's a restricted sort of affection. Helena says, ‘We should be wooed and were not made to woo’. This means that she is attempting to tempt Demetrius, not him trying to tempt her.
