'Follower' by Seamus Heaney, 'Last Lesson of the Afternoon' By D.H. Lawrence and 'My Last Duchess' by Robert Browning

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Poetry Assignment

The following three poems have the something in common while they are totally different in the way they have been wrote, the poets and the time in which they were written. The thing they have in common is that they are concerning relationships; they deal with the parent, child relationship, the teacher, pupil relationship and the husband, wife relationship. Relationships can change the way we act, think and deal with life’s path of uncertainty. Everyone has had these types of relationships, or knowledge of them and how they feel.  

The first poem is entitled ‘Follower’. It shows a typical father and son relationship of admiration. The writer of this poem is a local man and the literature pride of Ulster, he is undoubtly known by every Irish family. Seamus was born in 1939. He taught in various schools and also lectured for six years. For a few years Heaney became a freelance writer and broadcaster but finally resumed teaching. Heaney has won many award s for his poetry including Whitbread book of the year in 1987. Seamus Heaney is also valued for basing his poetry around the land and signifying the farming community Seamus came from a rural background at a time in which farming was the major industry.  

  The most common relationship and meaningful is often parent, child relationships. I myself have a deep admiration and respect for my parents and I would say we have an open relationship. My father is a farmer too and his stature like Heaney’s description is tall, broad and muscular, a fine example of a real man. Heaney shows the relationship between himself and his father.

   His father was a farmer as we find out in the first line as Heaney comments on his father’s use of a horse-plough. A horse-plough is a heavy awkward piece of machinery and the operator must be strong to use it correctly. Heaney used a simile to show his father’s strength:

 “His shoulder’s globed like a full sail strung”

This gives us an impression of immense strength; particularly in his upper body his shoulders and upper arms.

Heaney tells of how by a click of his father’s tongue, the horses “strained” into position, he uses the word “strained” to  explain the control his father had over the horses. This shows control and experience with horses. The poet uses onomatopoeia to mimic the sound of his father’s tongue “clicking tongue”.  Heaney emphasized how accomplished he was by calling him:

 “An expert”

This clearly shows his admiration for his father. The writer saw his father as someone who was highly skilled and did his job perfectly.

Heaney obviously admired his father’s capabilities of using this plough and the manner in which he does. Heaney is amazed at how his father can perfectly curl the sod over with out it breaking:

 “The sod rolled over without breaking.”

In the third stanza he uses words such as “sweating team” to show the hard work of him and his horses together as a team. Heaney mentions his father’s “eye/ Narrowed and angled” to show how precise his father kept the lines. Heaney uses the description of “exactly” to give the impression of his father’s experience and skill at manoeuvring the plough.

  In the fourth stanza he tells us of how he “stumbled” in his father’s “hob-nailed” boots wake. Heaney was young and unused to the uneven ground left by the plough, he was inexperienced. Hob-nailed boots were widely worn by men around forty or fifty years ago. They had the sole nailed on and made a clicking noise when walking on hard ground. Heaney remarks on the “polished sod” that held the soil tight, it shows experience, knowledge and precision, as it didn’t crumble or break. Heaney’s father swaged as he walked giving the motion of “Dipping and rising” that Heaney watched with admiration.  Heaney loves and adores his father this is shown as he tells us:

“I wanted to grow up and plough,”

Heaney wanted to be just like his father, he was his idol. Heaney watched keenly his father’s actions and followed him like a lost puppy. He wished to be in control, skilled and able to:

 “close one eye, stiffen my arm.”

Heaney wanted to be a strong capable man, ploughing but he only ever followed in his father’s “broad shadow”. Heaney wished to be that broad shouldered man.

Heaney realizes that he was too young to help with farm tasks and held his father back with his whinging and tripping over. He knows he was a nuisance to his father:

 “I was a nuisance, tripping, falling,

Yapping always.”

There is a complete tonal shift and a complete role reversal. The writer now has a sense of irritation as it is no longer that follows but his father who follows him. The tables have turned as Heaney has become a man, and his father is now older and out of his prime.  There is a change from past tense to present tense:

  “I was a nuisance, / It is my father”

Heaney is now the strong farmer and his father the nuisance. His father now follows him asking questions and giving orders, feeling stranded as he is elderly, unfit and unable to do the farm needs. He’s now dependant on his son, just as Heaney as a child was dependant on his father, stumbling behind him but now it has been upturned.

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  It gives a sense of time and place as his father is using a horse plough, a fairly old machine for mass use. Heaney does a magnificent job at describing his father vividly, using fabulous language to describe his adored father.

 The poem is divided into six stanzas, each have four lines that are quite regular in length. The AB rhyme scheme is used to emphasis the precision his father had with the plough, it gives unity and regularity just like the furrows that have been ploughed.

  The first five stanzas give a tone and sense of admiration ...

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