In relation to the archetypal American Dream, compare and contrast the main characters in The Great Gatsby and Gone with the Wind: to what extent can Jay Gatsby and Rhett Butler be considered heroes?

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In relation to the archetypal ‘American Dream’, compare and contrast the main characters in ‘The Great Gatsby’ and ‘Gone with the Wind’: to what extent can Jay Gatsby and Rhett Butler be considered heroes?

Neither Jay Gatsby nor Rhett Butler can be considered stereotypical heroes, them not being fairytale princes or purveyors or moral justice; yet they are protagonists in their own stories. Why do people believe they fulfil the model of a hero? Both Gatsby and Butler are the creations of authors with a great deal of satirical distaste for the situations they describe. Is this a clue to the type of character both Jay Gatsby and Rhett Butler are? They both seem to aspire to the ‘American Dream’ but are missing love from their lives. Could it be their pursuit of true love that persuades readers and characters to consider them as heroes? I believe that it is integral to both the stories to consider the main character’s heroism, as our trust in the characters depends on this. I also want to account for the author’s own visions for their characters – whether they wanted them to be wholesome, strong hero types or purveyors of moral guidance to the other characters. There is a chance that they did not wish them to be heroes at all, but created them as some vision of an antihero to contrast against people’s hopes. However, I think it more likely both authors wanted to make their hero into characters who could be related to because they are not perfect or flawless but share the same needs and wants as us. Both authors step away from a fairytale hero, and give us an insight into what real heroism might be.

According to the Heinemann English dictionary a hero is ‘a man who displays courage or noble qualities’ or ‘the main male character in the story, play, film etc’. Obviously within both novels the protagonists are heroes if you use the second mode of identification; if the main male character is always a hero though, is the term hero pointless, because it doesn’t indicate bravery or nobility? If we use the former definition however, both display heroic qualities at times, but are more feeble and weak than heroic at others. Jay Gatsby shows nobility in telling the truth about his life and courage, as he answers yes when Nick asks him: ‘Was Daisy driving?’  This is courageous as he puts the needs of his love over himself. Butler also shows courage and helps save Scarlett from the fire in Atlanta before fighting in the war: ‘Why had he gone, stepping off into the dark, into the war, into a Cause that was lost, into a world that was mad?’  Rhett is either being extraordinarily brave here, or extremely cowardly, since his feelings for a woman scare him even more than going into war. He can also be noble: ‘Accept, dear Madam (Melanie), this token of my reverence for your courage and do not think that your sacrifice has been in vain, for this ring has been redeemed at ten times its value. Captain Rhett Butler.’  Mitchell creates a character who tries his best to be a friend to arguably the most moral character in the book, making him likeable. In ‘The Great Gatsby’, by making his character similarly likeable, Fitzgerald may be asking us to question that a ‘hero’ hovers on the brink between weakness and strength.

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Perhaps the best way to assess a hero is through how they affect other characters. One reader said:

‘That is why Gatsby is so “great” and could even be considered somewhat of a hero. He opens Nick up, even after his death, to who and what he should, and should not become, and changes his way of thought and living in ways that will reverberate in him for the rest of his life.’

I agree with this because I think it displays accurately the meaning of Fitzgerald’s character and why he chooses to place Gatsby in the ...

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