How convincing is the claim that 'because art is informative, we value it'? (30)

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How convincing is the claim that 'because art is informative, we value it'? (30).

        The view that we value art because it informs us is one held by those who believe art can: be seen as imitating the world or be seen as illuminating our experiences of the world so we can see things in a new and exciting way – differently to how we have looked at it in the past. Because of this, they argue 'good' art is that which informs us about the world in the best way, or that tells the truth. This implies artists who create work have a 'vision' and have the skill to portray it to the rest of the world in a realistic and authentic way for us to be able to understand it.

        Plato believes art acts an 'imitation' or 'representation' – for him, the sole purpose of art is what he calls 'mimesis', or 'accurate imitation'; to the extent that the best art is the art that tricks us into believing it is real. He then however goes on to say that this is evidence that art can be and is a bad influence on us – and in an ideal society we should focus on the (Realm of the) Forms, which consists of the perfect 'Form' of everything. Plato says that art can distract us by imitating something that is itself already an imitation of its Form equivalent. As an example, Plato would say that Andrea Pozzo's painted ceiling in the Church of St. Ignazio (c. 1685-1694) would be an extremely good example of representationalism as it was devised to make an observer (looking from a particular spot) seem to see a raised roof decorated by statues, when in fact the ceiling is actually flat – even if this is a bad influence on us according to Plato as it is deceiving, it is the most effective form of art.

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        Another way of looking at the informative value of art is to think about the message that an artwork portrays, and how this can help us to illuminate our lives. Artwork could be seen as 'giving  us a lesson in being human'. The thing that an artwork shows may not necessarily be the objects on display, but the attitudes or vision behind those objects. They may be a hidden message or simply something that allows us to perceive something in a new way. As an example, we don't necessarily value the Mona Lisa by Leonardo da Vinci (c. 1503–1519) because it ...

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