The Design Argument for the Existence of God

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Lulu Wimbush

The Design Argument for the Existence of God

  1. Outline the Design Argument for the existence of God

The Design Argument for the existence of God also called the teleological argument makes the basic assumption that there is order and design in our universe, which everything fits together and all things function to fulfil a specific purpose. The key idea associated with design arguments are that God's existence can be argued for, by the way things in the world are structured, or that the world cannot have come to be the way it is through the course of chance, but by a great designer - God (the God of classical theism.) The Design argument is concerned with showing that God is the Creator of the world; the basic argument for design is:

The universe has order, purpose and regularity

The complexity of the universe shows evidence of design

Such design implies a designer

The designer of the universe is God.

It is argued that such design cannot come about by chance and can only be explained with reference to an intelligent, great designer. It is possible to demonstrate this by drawing an analogy between the works of human design and the works of nature, concluding that there are sufficient similarities to infer design of a similar nature. This is illustrated particularly well through the famous analogy by William Paley comparing the world to a watch. However it is also agreed to be on a different scale; due to the fact that the works of nature and are far greater than the works of man.  Therefore the designer of nature and the world is infinitely greater than the designer of for example a watch. This point is made particularly by the philosophers Hume and Kant.

The design argument is an a posteriori argument, which means that it is based on observation of the apparent order in the universe and the natural world. Socrates an ancient Greek philosopher gave an excellent quote to summarise this point. “With such signs of forethought in the design of living creatures, can you doubt they are the work of choice or design?”     

The design argument can be split into two main parts. The first is Design qua Regularity which looks at design in relation to the order and regularity in the universe. The second is Design qua Purpose which looks at the evidence for design in relation to the ways in which the parts of the universe appear to fit together for a specific function.

2) What are the strengths of the design argument?

        The design argument cannot be argued in any instance to be a week argument; history runs with the argument showing that philosophers as early as the ancient Greeks like Socrates in around 300BC discussed the teleological argument. This argument has continued through the 12th century by Aquinas and on into the 17th century. Still no philosopher has been able to truly abolish this argument so it has carried on with Paley in the 17th century and on with Brown in the 19th century were it still has not managed to be ruled out. Philosophers to this day like Vardy are arguing it; therefore this perennial argument which comes up year after year is in its self a strength.

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