The Umbilical Brothers are a pair of comedians who use violent and farcical situations to create comedy
Year 11 Drama Unit 1: Task 1 Due: 22nd March 2005 Anousha Gilroy Bibliography - Anonymous (2002) Thwak2 Available URL: http://news-info.wustl.edu/images/2002/thwak2.jpg [Accessed 2005, March 20]. - Anonymous (2005) Class Handout (from Comedy Resource Booklet). - Burton.B (1995) Making Drama Longman Australia Pty Limited: Melbourne. The Umbilical Brothers are a pair of comedians who use violent and farcical situations to create comedy. This essay will analyze the comic elements such as parody, slapstick and farce. It will also discuss in short the use of symbol, movement and some gestures. By analyzing these dramatic elements it will become clear how the Umbilical Brothers use comedy to create dramatic meaning. "Parody shows one thing to do with the (person/objects) we are sending up and takes it to the extreme" (Class handout, 2005). In the Umbilical Brothers there is a parody of a Roadie. The short clip that was viewed showed the Roadie chronically smoking in front of children, walking at the same slow pace all throughout the show all whilst wearing a clown suit. This is a send up of a stereotypical Roadie. It is saying that Roadies are all chronic smokers and they do not care who sees them smoking. It is also a definite parody of their laziness in a working show. The slow walking pace represents them never rushing for anything or anyone. It depicts Roadies as
Part 1 - Comparison of Blood brothers and Bouncers
Part One Essay: A comparison of Blood Brothers and Bouncers In this essay I am going to compare the play 'Blood Brothers' written by Willy Russell To 'Bouncers' written by John Godber. The two plays are very different in a number of ways in terms of setting, language and dramatic form but in a few ways they are quite similar as they both are based on the theme of broken dreams. In this essay I aim to show their similarities and differences in a number of different points. The settings of these plays are both similar as they are both set in England at similar times. Blood Brothers is set in Liverpool in the 1960's where the council estates are just outside the city. Bouncers however could be set anywhere in a city in England. The play does not mention where it is set and because the play is based on the stereotypical city 'punters' it could be set in any nightclub in urban England. 'Bouncers' revolves around the 1990's urban nightlife so the two plays are fairly modern. The two plays are very naturalistic as they show what life was at the particular times they were set in. Willy Russell was born in Liverpool and left school at the age of fifteen, therefore he has an idea of what life in Liverpool was like. Both plays are based around the same idea of broken dreams. The bouncers wish away their lives and are stuck in a dead-end job working long hours for low pay. Blood
Comparison between two Rebus's, the first Rebus will be the character from Ian Rankin's first book Knots and Crosses, and tne Rebus now from the latest Ian Rankin novel, 'A Question of Blood'.
When Ian Rankin's creation Detective Inspector John Rebus gets involved in a case, he just does not get involved to assist in solving the case but makes it a personal objective to solve the case single-handed. In this essay I will conduct a comparison between two Rebus's, the first Rebus will be the character from Ian Rankin's first book Knots and Crosses from when Rebus was a DS in the force and compared to the Rebus now from the latest Ian Rankin novel, 'A Question of Blood' when he is a DI and biding his time until his pension. While I construct this comparison, I will also have a look at the progression of Rebus from then to now. When Ian Rankin introduces DS John Rebus of Lothian and Borders Police Service in 'Knots and Crosses', it is the first time that the reader hears of him. He is standing in the rain at the grave of his dead father in Fife, as it was the fifth anniversary since his death. This is compared to the modern day Rebus when he is in the hospital being treated for burns to his hands. Now in the modern day he is a DI and known in the force as one of the old school coppers left in the force. The differences between the two are great as in 'Knots and Crosses' Rebus is working on the night shift and working to aim for promotion. Whereas in 'A Question of Blood' Rebus is working in the dayshift and not caring about what happens to him as he has been through
Act II, Scene 5: By looking closely at language and imagery, what impression is created of the brothers in the following dialogue? In what way is this scene significant in the play as a whole?
Act II, Scene 5: By looking closely at language and imagery, what impression is created of the brothers in the following dialogue? In what way is this scene significant in the play as a whole? Act II, Scene 5 of John Webster's, The Duchess of Malfi is a crucial point for both the plot and of the critical understanding of two of the play's main characters: the Aragonian Brothers, Ferdinand and Cardinal. The scene is a dialogue between the two brothers and has an abundance of imagery, providing an insight into the pair's differentiating mentalities, moods and motives. The significance of this scene can be explained in terms of the recent developments of the plot and how the two brothers react to and intended to deal with them. These developments are the recent news that Bosola has brought to Ferdinand in the form of a horoscope, telling that "The Duchess was deliver'd of a son" [II.3.56]. This must mean that the Duchess has allowed someone to "sway your [her] high blood" [I.2.218]. The revelation of the birth of a son asks the brothers whether or not they are going to carry out their previous threats: "This was my father's poniard: do you see, / I'll'd be loathe to see't look rusty," [I.2.251-2]. Ferdinand begins to suggest means in which to punish and eventually kill the Duchess and her children: "I'll bequeath this [his handkerchief] to her bastard / .............to make
Blood Brothers. In my essay I will discuss the way the actors played the roles of Mickey and Edward and how they interacted together on stage in the scene
Question 7 Choose one production you have seen during your curse in which the actors worked well together on stage. Discuss, in detail, the way n which any two performers played their roles and interacted together on stage in at least one specific scene or section. You will need to include reference to voice, movement, characterisation and relationships between characters on stage. Play: Blood brothers Theatre: Phoenix theatre. Location: Tottenham Court Road Date: 4th of December 2008. Blood brothers is a musical about fraternal twins who were separated at birth one was brought up in a rich family and the other in a poor family. When they reunite there fate was written and the play ended in a tragedy when both twins met and both died a tragic at the same time and place. In my essay I will discuss the way the actors played the roles of Mickey and Edward and how they interacted together on stage in the scene where Mickey and Edward first met when they became blood brothers. I am going to talk about the way the actors projected their voice, their movement on stage, the characterisation and relationships between characters on stage. The scene that I'm referring to is the scene in which Mickey and Edward become blood brothers. The only characters in the scene are Mickey and Edward. In this scene the actors who played as Mickey and Edward were grown men acting as children. The
The stereotype image of Japanese anime and manga has lately gotten worse.
The stereotype image of Japanese anime and manga has lately gotten worse. Once upon a time, for those who knew, Japanese animation meant KIMBA THE WHITE LION, or BATTLE OF THE PLANETS, and SPEED RACER. It meant (to us who were kids at the time) some of the best and most addictive shows on TV, animated or otherwise. Once upon a time, a TV reporter would report on the sales of transforming robot toys in Japan, and not even mention the animated TV shows that spawned them. Now, TV has picked up anime. Now, the WWW is filled with anime pages. Now, reporters show us sensational footage of anime fans in anime-postered seclusion, apparent victims of a new mental disease from Japan. And what is the new stereotype of anime in this suddenly anime-aware age? Things have gone beyond the "big-eyes and big-hair" stereotypes. For today's pigeonhole, try the phrase "big-breasted women, mechs, and lots of gore," and see if that doesn't sound familiar. For example, look at CNN: "...the standard for the cartoon genre in Japan ... usually involves a series of blood-and-guts battle scenes in futuristic space settings." Battles in space? Sure, some anime have that-but the majority don't. Even beyond big-chested women is the implication of sex. Take a US mailorder catalog characterizing RANMA 1/2: they called it a "sex comedy." Action adventure romance, yes. Occasional nudity, yes. Sex? There
Fear and Confusion: Psycho (1960) and Carrie (1976),
John Heylin May 8, 2007 Section AD Recipe for Horror In horror films, there is always one scene that opens up the perceived realm of normality to that of fear and confusion. Directors and authors alike use these scenes to show the change in the pace of the film. In both the movie Psycho (1960) and Carrie (1976), shower scenes are used to mark this epic turning point with sexuality, blood and voyeurism; the most important ingredients to horror. The idea of sneaking around and peering into forbidden places gives just about everyone a thrill. Voyeurism is used strongly in both Psycho and Carrie due to its ability to entice thrill in the viewer. In Carrie, we start the scene by looking into a girls' high school locker room; scantily clad or naked girls moving in slow-motion in front of the camera give the thrill of both trespassing and the chance of being caught. The camera gradually slides across the locker room floor, slowly so as to allow us to look at the changing girls. We stop at the last row and are slowly walked into the steamy row of showers where we find a naked Carrie White (Sissy Spacek). In Psycho, after Norman Bates (Anthony Perkins) leaves Marion Crane (Janet Leigh) to her room, he goes back to his office for a reason we're not quite clear about yet. He hesitates at the wall between his office and Marion's room, glancing around for anyone who might be
Images of Blood inMacbeth Blood is known to all of us to represent life, death and often injury. Blood isan essential part of life, and without blood, we could not live. WhenShakespeare uses the blood imagery to represent treason, murder and death, ...
Images of Blood in Macbeth Blood is known to all of us to represent life, death and often injury. Blood is an essential part of life, and without blood, we could not live. When Shakespeare uses the blood imagery to represent treason, murder and death, it is easily understood and fits in perfectly with the ideas we have of blood. Blood is mentioned often in the play and most times in reference to murder or treason. The first reference to blood is in Act 2, Scene 1, when Macbeth sees the dagger floating in the air leading him to Duncan"s room and he sees "on the blade and dudgeon gouts of blood", indicating that the knife has been visciously and violently stabbed into someone. The next reference, in Scene 2, is when Lady Macbeth smears the blood from the dagger on the faces and hands of the sleeping servants "I'll guild the faces of the grooms withal, for it must seem their guilt". This is another evil reference to blood, setting up the innocent servants of the king. Again, blood is referred to when Malcolm and Donaldbain are discussing what to do and Malcolm says: "there's daggers in men's smiles: the nearer in blood, the nearer bloody." Meaning that their closest relatives are likely to kill them. Again, blood imagery is being used. In Act 5, Scene 1, the sleepwalking scene, while Lady Macbeth is sleepwalking, there are constant references to the evil deeds that Macbeth
'Blood Brothers has been very successful on the stage. Write about some of the elements in the play that you think have made the play so popular.
'Blood Brothers has been very successful on the stage. Write about some of the elements in the play that you think have made the play so popular. 'Blood Brothers' has many features that appeal to its audiences. The play has a very strong plot, with many dramatic incidents. Doing this makes the play very interesting, and helps keep a quick pace, therefore keeping the audiences attention. There have been many themes that have interested audiences of 'Blood Brothers'. The theme are particularly like is the one which expresses the friendship between Mickey, Edward and Linda; and the ways their friendship alters through the play. I feel the purpose of the play is to show us how the social divide of life, that we all experience, can have a dramatic affect on many different aspects of everyone's lives. Here in particular we can see that it affects the friendship between Mickey, Edward and Linda. We can see this affects their relationship because, at the beginning we can see that they have to go against what their parents have told them, to be able to meet up and play out together. We are shown this when Edward goes and plays with Mickey and Linda, regardless of what his mother has told him not to do. We are shown how the divide is against them, when Edward comes back from university for Christmas, and Mickey tells him to go away because he has some problems. We can see
Which Three Stories by Tobias Wolff Have Most Impressed You and Why?
Which Three Stories by Tobias Wolff Have Most Impressed You and Why? The stories I was most impressed with were: the chain, Smokers and Hunters in the Snow. In these three stories, I think that one of Wolff's most impressive skills is his characterisation. He has the talented ability of forming a full image of the character, both of their physical appearance and their personality, in just a matter of a few sentences. In Smokers, my favourite characterisation is of Eugene, near the beginning: "As our train was leaving New York, Eugene, moving from another coach into the one where I sat, managed to get himself jammed in the door between his two enormous suitcases. I watched as he struggled to free himself, fascinated by the hat he wore, a green alpine hat with feathers stuck in the brim. I wandered if he hoped to reduce the absurdity of the situation by grinning as he did in every direction." Eugene is obviously an unusual child, and is prone to drawing attention to himself due to his dress sense, facial expression, and his clumsiness. Wolff is very good at characterisation even with brief descriptions, for example in The Chain: "He yelled at the driver, a black man wearing sunglasses and a knit cap. The driver ignored him. He looked straight ahead and drove across the lot into the road, but not before Rourke got a good look at his license plate. It was a vanity tag, easy