Analyse the character of Inspector Goole. Compare and contrast him with Arthur Birling. What do his investigations tell us about British Society in 1912? The state of society in 1912 represented an era when

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Post 1914 Drama

Analyse the character of Inspector Goole. Compare and contrast him with Arthur Birling. What do his investigations tell us about British Society in 1912?

     The state of society in 1912 represented an era when all was very different from the time he was writing. These events include World Wars I and II, communist revolutions in countries like Russia and China, the rise of fascism and the sinking of the Titanic. There were strong distinctions between the upper and lower classes. Women were subservient to men, all a well off woman could do was get married; a poor woman was seen as cheap labour.  

     Priestley deliberately set his play in 1912 because the date represented an era when all was very different from the time he was writing (1945). In 1912, rigid class and gender boundaries seemed to ensure that nothing would change. Yet by 1945, most of those class and gender divisions had been breached. Priestley wanted to make the most of these changes. Through this play, he encourages people to seize the opportunity the end of the war had given them to build a better, more caring society. J.B Priestley used many dramatic devices, such as dramatic irony and tension in order to effectively put across his political message throughout the play. Priestley used them suitably for the time in which he wrote the play and for the time in which he set the play.

     In the 1930’s J.B Priestley became very concerned about the consequences of social inequality in Britain. J.B Priestley political views were that everybody should be treated the same, with the same amount of respect, no matter what their income was, so they could get rid of problems like discrimination. Mr Birling represents Priestley hatred of businessmen, who are only interested in making money. Priestley expresses his view through the mysterious character of Inspector Goole. He wants to teach people like Mr Birling a lesson, or else they would learn in conflict; Priestley wanted everyone to learn that they are all members of one body.

     The description of Inspector Goole on page 11 in the Heinemann edition uncovers a lot about his physical side. He is a man in his fifties, dressed in a plain darkish suit. He is described as creating ‘an impression of massiveness, solidity and purposefulness’ (Act 1, p .11) this is a key characteristic, helping to explain his surprising ability to dominate the arrogant and two-faced Birling’s and Gerald. He grows and remains solid when each of the other characters break down. Inspector Goole speaks carefully, weightily, and has a disturbing habit of looking hard at the person he addresses before actually speaking.

     The inspector begins a sense of right and wrong seeking with each character to bring confessions out of them. He seems to know and understand an extraordinary amount:
- He knows the history of Eva Smith and the Birlings' involvement in it, even though she died only hours ago. Sheila tells Gerald, "Of course he knows.”

     The Inspector’s questions about the suicide are complicated and through this questioning the audience understand that all the family had some connection, and therefore responsibility, in her death. The Inspector forces them all to realise that it is their collective actions that have contributed to her death. The Inspector manages to have each character confess, through inner searching, as opposed to outward blaming. He can see the real person inside each of their appearance. It is this understanding that makes each character confess. Through his questioning the audience can see how authoritative he is in situations, and how he can can bring information out of them. In fact, the inspector manages to have the characters admit to the truth and does not have to force them into confession at all. He works very systematically; he likes to deal with one person at a time. As Sheila puts it, “He’s giving us the rope – so that we’ll hang ourselves.” By doing so the characters are not able to support each other’s arguments of innocence and are forced to stand alone and accept the truth.                                                                                                  

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     The Inspector only stirs up the truth about the young girl’s life, therefore provoking their consciences, by showing diaries, photographs and letters of the girl, as a constant reminder of her tragic life and death. His constant talk of Eva helps the audience to form a bond of sympathy with Eva and a corresponding hostility towards the Birlings, who are made to appear heartless. “I think it would do us all a bit of good if sometimes we tried to put ourselves in the place of these young women counting their pennies in their dingy back bedrooms”(pp1920). The Inspector ...

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