'Blood Brothers' Theatre Review.

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Jessica Smith 10WYT                01/05/2007

‘Blood Brothers’ Theatre Review

On Thursday the second of October 2003 3:00pm my drama group went to the theatre production ‘Blood Brothers’ at the Phoenix Theatre in Charing Cross Road, London.

The theatre appeared to be quite old, like many theatres around Covent Garden its rooms were furnished with red carpets on the floor, glossy serving counters, wooden carved decors and chandeliers in the hallways. The actual auditorium, however, was quite small; the seats were set and had boxes on either side. My group sat in the stalls, which is on the lowest level and I did not have the time to venture up to the other circles. My seat was L 23 and I faced the stage from stage right but the angle didn’t come in the way when the play was on. The stage was an end on proscenium arch. Instead of a curtain, when I went in I saw a gauze, through it some dark outlines could be made out I think that the shadowy effect created by the gauze helped emphasize the suspense.

The play started with an overture coming from the second floor of the set while the auditorium was still light and noisy, when the lights dimmed a red flood light was lit behind the gauze and the outlines turned out to be stretchers at this point they also lit a gobo onto the gauze. The gobo was in a strange shape that could have been veins or something very close to it, the shape was a contemporary shape used to make the audience think. Then, people started to come on slowly, two lay down on the stretchers and a red cover was used to cover them, the others stood around looking grieved. Suddenly the overture went quieter and the narrator started to speak, I listened and realised that this was the end of the story, I thought this a very effective way to start, especially how the mood suddenly switched as the story went back in time.

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Other uses of lighting were also interesting, in the scene where the twins go to the cinema, the light flickering onto their faces made it look very real and the fun fair and bar signs that were flown in gave extra set effects to the night time town. Also lights were used to make the tableaux more effective, it darkened or shed blue lights to where the tableaux were going on while spotlighting the narrator. The tableaux were not the only time that the purples and blues were used, at scenes were Mrs. Lyons is going mad all the lighting ...

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