Dracula - Nosferatu Comparison.

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25/11/2002

Dracula-Nosferatu Comparison.

I have recently watched clips from the beginnings of two vampire movies. The two films were, of course, very different things. One was 'Nosferatu' a product of the 1920's. I am lucky to have seen it considering how it was banned by a judge of the time and all copies ordered destroyed. Of course as attitudes change in cinema and with the introduction of the BBFC 'censorship' system it was released again.

The other movie though was a completely different kettle of marine life; it was 'Bram Stokers Dracula' and bore about as much resemblance to Bram Stokers story as myself to a chimp. If it was named 'Parody Of Bram Stokers Dracula', 'Allegorical Tale Featuring Characters Based On Bram Stokers Dracula', I would understand. Maybe even 'Shameless Cash In On The Name Of Bram Stoker' would be more appropriate.

The reason for the differences? It seems to me that movie has changed due to social reasons as well as technological reasons (I will return to this subject later). Monsters are out - antiheros are the new black. So what surprise is it to us that by the beginnings of the nineties Dracula was less a monster and more a tortured soul? Why are the Jewish style garb and appearance of 'Orlock' (the Dracula equivalent from Nosferatu) gone only to be replaced with a Dracula who answers the door looking strangely like one of the good Chairman Mao's henchmen? This is particularly interesting considering that at the time of Nosferatu's filming anti-Semitism was rife and the people were battling a 'International Zionist Conspiracy'.
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It seems strange too me that while Nosferatu was truer to the tale that both were clearly based upon it is the one who denies its heritage. At the time of course the Bram Stoker Estate was most intent on suing it for the theft of copyright which possibly makes the reason for the denial clear.

These and other social factors influenced the making of the films to a great extent, while 'Nosferatu' was considered scary at the time of its making, most of the enjoyment derived from it by a modern audience is either amusement at ...

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