Far from the madding crowd - Exploring chapters 39-40.

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Exploring Chapters 39-40.

I specifically chose to discuss these chapters as I think they are the turning point of the novel. Bathsheba realises the mistakes she has made, the most important one being her marriage to Troy. She discovers this whilst also finding out about his affair with Fanny which he has been trying to hide for so long.

Also from this section of the book you can see that the novel was originally published in short sections, and as you read it, you can see that Hardy intentionally leaves the reader in suspense; to motivate readers to buy the next issue of the magazine.

One of Hardy's central concerns in all of his writing was the problem of modernity in a society that was rapidly becoming more and more industrial. One of his projects as a writer was to create an account of life in the swiftly changing Dorsetshire as it had once been. He was particularly interested in the rituals and histories of that part of England, as well as the dialect of its locals. The title Far From the Madding Crowd suggests avoidance of the life of a city, modernised government, crowds and industry; in it, Hardy tries to fashion a portrait of what he saw as an endangered way of life and to create a snapshot for future generations.

We can see this in the imagery used and the vivid description of events throughout the novel.

The start of chapter 39 is the first glimpse we have of the two of them alone together, and the marriage does not seem to be going well. "You have lost all the pluck and sauciness you formerly had," is the first thing we hear Troy telling Bathsheba during their marriage implying that he regrets having married her.

Then ironically they meet fanny. We learn that Troy had no idea where to reach her, and that she was afraid to write to him. When he catches up with Bathsheba she is suspicious, accusing him of knowing the woman's name and not telling her. Troy denies all acquaintance with the woman. Chapter 40 tells the extraordinary story of Fanny's difficult walk to Casterbridge that night. We know it is Fanny, but the narrator identifies her only as "the woman." Hardy uses an anonymous, distanced tone to describe Fanny, thus, conveying the lack of attention that others pay her.

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Stumbling weakly, she comes to a haystack and falls asleep beneath it. Upon waking, she thinks she may be dead by the time she is to meet Troy.

In the meantime Bathsheba and Troy argue she notices a curl of yellow hair in his watch and asks him about it. He explains that it belongs to "a young woman I was going to marry before I knew you." After she demands that he burn it and he refuses, Bathsheba bursts into great sobs, hating herself for being so weak as to fall for Troy.

Poorgrass then approaches Bathsheba with ...

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