How do the writers of The Red Room, The Signalman and The Man with the Twisted Lip create suspense in their stories?

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With particular reference to “The Red Room”,

How do the writers of “The Red Room”, “The Signalman” and “The Man with the Twisted Lip” create suspense in their stories?

In this essay I will be referring to three nineteenth century stories: The Red Room (1894) by H.G Wells, The Signalman (1865) by Charles Dickens and The Man with the Twisted Lip (1891) by Sir Arthur Conan Doyle. My main focus will be on The Red Room. In the nineteenth century, there were so many things that was happening which might have led to each of these author to write their stories. For example, the new invention of the railway and trains in the early 1960’s was a chosen setting for The Signalman. Having been a surviving victim in a train crash that occurred during this time, Charles Dickens used something he had experienced to write this story.

In the 19th century, it depended on what class you were to be able to provide yourself with medicine, because of this, there were a huge amount of deaths. The popular medicine was Opium. Unfortunately, this drug was highly addictive so more and more people bought it. This is what probably led Sir Arthur Conan Doyle to write his story. The Red Room was probably written because, in the late nineteenth century, there was a lot of people that claimed that there were ghosts and that they had seem them, this is was probably why H.G Wells wrote The Red Room.  

All three stories represent the Gothic genre that was very popular at the time. The Red Room reflects more on the gothic genre than the other two stories. A gothic novel shows horror and mystery in the story. The types of gothic stories normally involve ghosts, haunted places, secret locations and many more spooky events. Having a story that include these things, adds suspense. It makes the reader want to read on because they are so drawn in by what is happening. One key feature of a story is to hook the reader in. in the opening of The Signalman, the narrator seemed curious to know what was “Below There!” he was attracted to what he had seen. It is very rare for a person who has seen something so different to go down and meet that something even though he does not know what it is. This draws the reader in because; they would want to know what is going to happen to him, whether he is going to be safe going down to meet this person. It adds tension because it makes you feel frightened for the narrator. In The Red Room, the narrator claims he is not afraid of ghosts. He says that “it would take a very tangible ghost” to scare him. This hooks the reader in and makes them want to read more because, what if he finally gets scared? He comes across as someone acting brave but it is obvious he has fear in him. In The Man With The Twisted Lip, the narrator is talking about somebody else. Compared to both the other stories, The Man With The Twisted Lip is the only story in which they identify the characters. In the story, Isa Whitney is addicted to the drug opium. He is described as a person with a “yellow pasty face, drooping lids, and pin point pupils”. He is also described as “the wreck and ruin of a noble man”. This use of words makes you feel sympathetic for him. This story hooks you in and adds suspense because, you actually wonder whether he is going to be able to throw away this habit and become the man he was before all of this had happened to him.

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The Red Room is most effective in building up suspense because the writer use a range of techniques to draw in the reader. The setting of The Red Room is in a castle that is apparently infested with ghosts in one particular room. The castle comes across as ancient because there are senior residents and they seem to know everything that is going on in the castle. In the beginning of the story, it seemed as if they were in a living room at night. This is because the old woman is sitting near a fireplace. The use of ...

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