How does Dickens create an atmosphere of violence around the characters of Sikes and Nancy?

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How does Dickens create an atmosphere of violence around the characters of Sikes and Nancy?

Oliver twist, a novel written by Dickens & set in the late 1830’s, shows the story of a young boy “Oliver”, an orphan whose mother dies at his birth. He goes on to work at the workhouse & not long after, he gets bought by the undertaker to work for him.

He flees the undertakers workplace, to escape the brutal life he had faced; only to find himself mixing with criminals, but he soon gets rescued by Mr Brownlow. The whole story reflects the violence, children like Oliver; and adults like Nancy and Sikes faced, lived-with, overcame and were exposed to in Victorian England.

Dickens displays a high level of violence in the Victorian era by creating characters like Sikes, who for instance, isn’t even trusted by his right hand man, due to his ruthlessly violent & snappily aggressive ways. The way in which Dickens creates an atmosphere of violence is quite the brutal type. He portrays the violent manor in which Nancy is treated by outlining the controlling relationship she has with Sikes, displaying Sikes’ incredibly violent ways, through this strong use of intensely, violent language. Showing he doesn’t care about anything or anyone, saying “I could smash your head as if a loaded wagon had gone over it”, laying out the reason for the forceful fear Sikes has over Nancy in their relationship.

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Dickens cleverly reflects the different moods and differences in the lives between the rich and poor, describing the area in which Nancy and Sikes live as “a labyrinth of streets”, leading us to believe that this could also be a metaphor for Nancy’s life, helping us to understand that she was trapped in her own life.

In the lead up to Nancy’s death. Dickens uses a wider, more powerful array of violent words in the build-up to Nancy’s death, and the scenes graduate close towards her death, the rain and darkness start to intensify faster, this reflects Dickens’ clever ...

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