Miss Emily Grierson as a Symbol of the Old South.

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Holcombe

Brian Holcombe

Mrs. Beverly Simpson

English 1102

6 October 2003

Miss Emily Grierson as a Symbol of the Old South

As demonstrated in his short story “A Rose for Emily,” author William Faulkner’s lifetime was dominated by a prodigious interest in the downfall of the aristocratic days of the Old South.  This interest became a subject in most of his writings, non-exclusive to “A Rose for Emily.”  In this memorable story, Faulkner uses vivid imagery to symbolize distinctly the collapse of the refined and stately nature of both the people and the time of the Old South with the life of Miss Emily Grierson.

        Structurally described, Faulkner contrasts the appearance of Miss Emily’s house and its contents in both their hey-day with their now dilapidated existence, paralleling the downfall of the aristocratic Old South.  The size and beauty of a house in the Old South acted as a scale for determining the amount of wealth and influence that the family garnered. Faulkner illustrates Miss Emily’s house as once “a big squarish frame house that had once been white...set on what had once been our most select street” (74).  His intention with this description is to prepare the reader for the contrasting next sentence, which details her house in the present day.  He portrays her house as a victim of time and commercialization with: “Only Miss Emily’s house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps--an eyesore among eyesores” (74).  Traditionally, the interior of the old Southern home was often just as ornate and impressive as the exterior of the home.  Describing the atmosphere of Miss Emily’s home, Faulkner employs vivid descriptions such as “dim” (74) and “shadow” (74) to detail the house, which smells of “dust and disuse” (74).  Faulkner further explains that cracks and splits cover Miss Emily’s leather furniture, and the furniture emits dust when someone sits upon it from misuse.  Faulkner continues with describing the putrid quality of furnishings in her house as being “yellow and moldy with age and lack of sunlight” (79).  Faulkner also makes the front entrance of Miss Emily’s house relevant.  In the Old South, the front door acted as more than just an entrance into the house.  It symbolized the intricate elegance and lavish grandeur of the entire home and property.  Faulkner depressingly describes the front entrance of Miss Emily’s house, as he says that it was a door “through which no visitor had passed since she ceased giving china-painting lessons eight or ten years earlier” (74).  Through these descriptive images, Faulkner provides the reader with insight as to the downward progression of Miss Emily’s home, which is an expressive figure of the Old South in this story.

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        Keenly developed as the main character, Miss Emily is brilliantly described as being a woman of snobbish magnificence and long-established prestige.  To grasp fully the scope of her social influence, the reader must deduce from her post-mortem status as “a fallen monument” (74) that she represents a past era of Southern aristocracy and dignity.  Of her own opinion, Miss Emily represents the last of “the high and mighty Griersons” (74) who were once an influential and affluent family in the town’s society.  Faulkner further details Miss Emily’s pretentious opulence as he describes her demeanor: “She demanded more than ever the ...

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