With reference to setting and stage directions, examine how J.B. Priestley uses the characters of Birling and Goole in An Inspector Calls to give a social and political message to his audience.

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With reference to setting and stage directions, examine how J.B. Priestley uses the characters of Birling and Goole in An Inspector Calls to give a social and political message to his audience.

J.B. Priestley’s thought provoking play An Inspector Calls is an engaging and compelling story from a time that was largely controlled by capitalist principles and the mistreatment of the working classes. Written in 1945 the purpose was to challenge the ideals of the general public of Great Britain and to convey his own social and political message through the contrasting characters of Birling and Goole who are capitalists and socialists respectively. Priestley uses different techniques to great effect. For example he shows how wrong his characters could be. Mainly by using hindsight he shows the viewers that a character may give the impression of confidence and poise, this idea may well be extremely far off mark.

The act starts with a description of the Birling house, which portrays a strong feeling of affluence and prosperity, and is supported by the quotes ‘heavily comfortable’ and ‘substantial’. This gives the impression of power and authority, but the excerpt ‘not cosy and homelike’ imply that there is greater interest concerning the outward appearances of the family and how other people see them, rather than their emotions and feelings of one another. The introduction then goes on to describe the lighting of the set. It is to start of as ‘pink and intimate’, which is another example of Birling’s desire to conceal what his family is really like , and instead portrays them as the perfect model family. the use of dim and soft lighting means that there are many shadows and the audience have trouble seeing what is really there and so hints that there is maybe more than meets the eye with this family and secrets lurk within the shadows. The lighting then switches to ‘Brighter and harder,’ highlighting the change of mood in the room when Inspector Goole enters. Priestley also uses it as an effective method to show the Inspector as a voice of social conscience which is in addition representative of the revealing of the pasts of all the characters in the room, and the uncovering of secrets that they have kept hidden from the rest of the group for so long.

One thing that is obvious from the opening scenes is Mr Birling’s almost obsessive nature with bettering himself and being more like the upper classes. As well as this the audience witnesses him attempting to prove himself to his family and his daughter’s fiancée Gerald Croft, which seems to emphasize a hidden insecurity that he feels about his position. He then struggles to cover this up by drawing parallels between himself and Gerald’s father. One example of this is when Birling attempts to make Gerald think of him as a relation, by telling Gerald that he is “one of the family” which would in turn compel Gerald to consider Birling as an extension of the Croft family. Another example of Birling’s apparent pleasure in drawing similarities is when he remarks off hand as if it is a coincidence that he and Gerald’s father “drink exactly the same port,” therefore implying that there is more of a link between the two of them than Gerald might think. The highly noticeable emphasis on “exactly” is as if he thinks that by making a link with Gerald’s father Gerald will be more impressed because his father is a vastly successful businessman and the exact image that Birling models himself on.

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Mr Birling is made known to be a very self-centred man and his main concern is how other people view him and if he is able to drag himself up his imaginary ladder of social standings. He informs Gerald that he is “the son-in-law that I always wanted.” This illustrates the fact that he has forgotten that they are supposed to be celebrating his daughters engagement, but instead his eyes are fixed on impressing Gerald and sucking up to him, which in turn displays his overly sycophantic nature. This continues when he goes onto talking about how they can ...

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