A historian must combine the rigor of the scientist with the imagination of the artist. To what extent, then, can the historian be confident about his or her conclusions?

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IB Theory of Knowledge Essay 2: History

Title 2: “A historian must combine the rigor of the scientist with the imagination of the artist.” To what extent, then, can the historian be confident about his or her conclusions?

Thursday April 29th, 2010

When studying or learning history, will anybody ever achieve a state of absolute certainty? Is there even such a thing as certainty? The hardest part of studying history is the gathering of evidence that supports information that is being processed. This evidence is necessary to unravel information about events that have occurred in the past. Evidence is ultimately the main factor that leads to the understanding and knowledge of the occurring of an event. It plays a role in the ‘difficult aspect of studying history’ because there is a question of reliability and credibility of the piece of evidence. The degree of reliability is correlated to the creation of different opinions and points of views that are developed over past events. Different conclusions are made based on the different evidences presented, and even though the historians who make these conclusions believe in them, they know that absolute certainty is unrealistic. Because the evidences that some interpret are biased, the historians need the ‘rigor of the scientist’. And because the ‘rigor of the scientist’ will most typically not tend to fill in every question mark, the ‘imagination of the artist’ helps fill in the voids.

The use of rigor is crucial when it comes to studying history. The use of a scientist’s rigor implies accuracy, which means that there wouldn't be biased opinion, therefore objectivity. Objectivity is necessary for the job of any historian. Historians record and observe main facts with objectivity, while being subjective in getting the cause/results, purpose etc. A noticeably subjective historian will be subject to criticism or questioning because of inaccuracy and a bias; be it cultural, religious, political, etc. Objectivity entails eliminating bias and increase consistency of a neutral stance. For example, if a historian is interested in writing about the increasing role of women in the household during World War I, all the information should be presented. A biased historian would only provide and defend evidence that shows information favoring the thesis about the increasing role of women. Evidence and reports that show the contrary should also be presented, just like the normal argument. The rigorous and objective scientist would include the counter-evidence. Rigor in history entails objectivity and reaching a state of impartialness by having  neutral perspective.

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The imagination of the artist also plays a key role to studying and recording history. The use of rigor does not always answer all questions and fill in all the gaps, because of the limited availability and amount of information released from evidences. Therefore, imagination plays a big role in connecting the information acquired from the rigor of the scientist. Imagination, not the fictional-character nor fake-super-hero imagination, but the creative-and-logical imagination-that of an artists-, allows the proper interpretation of history. Imagination allows historians to recreate the past by analyzing things that could have happened as a result of an event ...

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