Critically Assess Media Representations of Youth Crime.

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Cara Hannis

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Critically Assess Media Representations of Youth Crime.

Youth culture is a twentieth century phenomenon that has had repercussions in so many aspects of life. It has allowed us to define a rite of passage that all must experience. However, the connotations that the term holds are rarely positive, youth are perceived to be confused and dangerous.

Therefore, the question arises; what single entity is largely to blame for such misrepresentation. The answer to this question lies in an unavoidable part of life, the media.

‘Media’ and ‘youth’ are very hard to define as they are always changing and becoming something different. The dictionary defines ‘media’ as a “means of communicating information” (the new choice English dictionary). This includes a range of sources, for example, television, radio, newspapers, advertisements and the Internet are the most obvious of media devices. ‘Youth’ is defined as “the period between childhood and adulthood” (the new choice English dictionary). Both definitions are unspecific and therefore difficult to clarify.

The two main schools of thought regarding the media and how it represents the world we live in are the Marxist and Plurist ideologies. According to Marxism, the media is a form of government control. The media represents the ideology of the dominant class. Therefore there are strong political and economic interests within the media, which are aimed at highlighting social inequalities. Plurists believe that we have the freedom to choose what we read, believe and say. Therefore the media promotes ‘freedom of speech’ (120soc lecture 8 notes).  

Media surrounds us daily; therefore it is not surprising that the images it portrays have a profound effect on public opinion. This often results in the formation of entirely new sub-cultures; youth has now become a sub-culture.

Dick Hebdidge (as cited in The Guardian, 18/12/1999) believed that cultural diversity in post war Britain defined new sub-cultures; one of the contributing factors to this is the rise of black culture in Britain as this introduced new genres of music, a different style of speech and a new code of dress all of which represented the repressed society that many people lived in. Increased standards of living, leisure time and post war consumerism offered the public increased choice. Over the decades these have included scooters or “Harley-Davidson’s, speed or acid, Dr Martens or desert boots” (The Guardian, 18/12/1999). With each of these groups came controversy and an opportunity for the media to intervene. However there is sometimes the portrayal in the media of what is often classified as good; ever-rising education standards; the wider variety of employment prospects for young people; initiative to promote community acceptance and young people participating in political and social consciousness. But this cannot exist without opposition; youth violence; teen sex and pregnancy; alcohol and drug abuse; unemployment; graffiti and vandalism and many other forms of unsocial behaviour.

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Disturbances that occurred in Brighton in 1964 that apparently caused destruction, injury and terrorised tourists gave Stanley Cohen the opportunity to conduct some research. From this research Cohen coined the term ‘moral panic’ which suggests that the media portray events to be far more severe or prevalent than they are, causing the public to have a distorted view of reality, become afraid and therefore panic (this applies to all media representations of crime, not solely youth crime). Therefore, according to Cohen “news representations neither simply reflect reality nor simply invent it” (cited in Understanding Youth and Crime). The groups of ...

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