Sonic Arts Repetoire Essay- Poeme Electronique
VARESE- POEME ELECTRONIQUE STUDENT REGISTRATION NO: 080058926014 2/21/2008 MODULE NO: MUS-10026 Varese- Poeme Electronique A composition that demonstrated that it is possible to use electroacoustic sounds in producing a rational piece of music was Varese's 'Poeme Electronique' (1958). This particular piece paved the way for other electroacoustic composers to come in the future, and popularised the electronically-generated style of music for the other half of the 20th century (1900s). It was presented in the form of a prepared tape. The composition appears to be narrating some stories which supposedlyhints at the pieces title 'poeme electronique'. These stories distinguish life in the western world (i.e. countries such as the United States of America and the United Kingdom) which are more developed and emphasise a more modernised culture of living, as well as non-western countries (i.e. like countries in Africa), which are less developed and they emphasise a more traditional culture of living. Sounds you would hear in a city environment indicate that the story of life in the western world is being narrated. On the other hand, sounds you would hear in a jungle or village environment in third world countries indicate that the story of life in the non-western world is being narrated. This separation is illustrated by the two main contrasting electronic interpretations,
Kant Essay
Kant Essay In the context of the essay, 'escape' will equate with a rejection of Kant's notion of the beautiful, giving a clearer direction to the essay. Investigating the 'beautiful' is a difficult task, because it escapes any concrete definition, but the most substantiate knowledge we have to date comes from Kant's 'Critique Of Judgement', the ideas formulated provide a foundation for others dealing with the beautiful. Cardinal points of the Critique to develop are: the pleasure created in the harmony of faculties, whether beauty can be seen differently from the viewpoint of the laymen and that of the artist, and the level of harmony and symmetry needed in artwork to induce beauty. It is difficult to entirely escape from Kant's notion of the beautiful, as almost all writings on the topic refer to his Critique in some manner. In terms of the viability of his ideas, some writers point criticism, but they also develop fresh lines of enquiry. We can escape from Kant by looking at the new points raised around the subject of beauty, but analysis of their feasibility will determine how far we can either reject or move away from Kant's established principles. Before the argument is developed it is crucial to define Kant's notion of 'beautiful', this instructs that a beautiful object causes harmony in our Imagination and Understanding, once this reaches a pleasurable level, then
Signal flow & the console
Jack Abbotts Signal flow & the console Through the next few pages I will identify and describe the different areas of a mixing console and their possible use/ uses in a studio environment. The prefixes opposite will be used in the following diagrams to show the functions of parts and show what the diagram should represent The long column on the left hand side of the diagram above would be just one channel taken from a 24 track mixing console made by behringer. From the top of the channel the inputs are shown first. On this diagram the switch (1) is to change the initial input into the channel from mic/line depending on which input is being used on this particular channel Switch (1a) is used to drop the volume of the mic input by 20dB The dial P2 is used to control the volume of the incoming signal into the channel and so therefore turning it to the right offers a volume increase whereas to the left offers a volume decrease. This is the next section down in a channel as it is directly below the input settings and it is known as the Eq section. This is where the input sound can be altered through the desk by increasing/ decreasing the amount of bass/ mid /treble boost that are altered through the desk. P (4) &P (5) are the higher end of the sounds and so moving one of these dials to the right would boost the hi end of the output sound and so would increase the hi-hats
Sgt Peppers Lonely hearts Club band and 1960's
How might it be said that Sgt. Pepper's Lonely Heart Club Band reflects wider social concerns in 1960's Western culture? Does this reflection reside solely in the lyrics, or can it be detected in the musical material and/or structures? 'Cultural Movement among the young which may become part of the history of our times...'1(Pg. 157) These words where spoken by Sir William Deeds about The Beatles in the late 1960's. 1960's in Britain was a time of counterculture; taboos were being broken and a psychedelic movement in music, art and society was causing a break away from conventional society. Surrounding Western culture was the Vietnam War (1965-1975) as well as the Cold War (1945-1989) creating a prominent peace and love movement particular through out the youth's. Unemployment levels were low and the standard of living rose in the West leaving the youth of the day excess amount of money; creating a mind expansion towards rock music, eastern philosophy, drugs, and sex-a revolution in the mind. Radio had become a mass cultural phenomenon aiding music to be spread to a new and larger audience. Sgt Peppers Lonely Hearts Club Band released in 1967, encapsulated all these factors: it 'captured psychedelia, fashion, the vogue for eastern mysticism, the spirit of adventure, peace and love, and the anti war movement' 1(Pg.157). Sgt Peppers had become the summary of the 1960's through
What does it mean to understand music?
Aesthetics and Philosophy of Music Assignment 2 BMus 2 What does it mean to understand music? Is understanding important to musical experience or can one experience and enjoy music without understanding it? Or do you imagine, hope or suspect music to be inherently beyond understanding? And how would one know that? To understand, as defined by the Collins English Dictionary, is: "to know and comprehend the nature or meaning of; to realise or grasp (something); to assume, infer or believe; to know how to translate or read; to accept as a condition or proviso; or to be sympathetic to or compatible with " I believe that this definition of what it is to understand in general will be a useful starting point from which to begin our discussion of understanding in connection with music. From the above definition it can easily be deduced that to understand music must mean to know and comprehend the nature or meaning of music, to realise or grasp it, to know how to read (translate) printed music and to be sympathetic towards music. However, such a definition of the understanding of music raises many questions when we try to comprehend what this elucidation of the understanding of music implies. What does it mean to be able to "know and comprehend the nature or meaning of music", or "realise and grasp music"? And indeed how is one to know if they truly know and comprehend the
The Beatles Influence
The Beatles Influence American rock and roll was influenced by many different types and styles of music. The Beatles, a British pop band, were one of the many influences. They were a group of four young men who came together to form a band in the prime of their youth. Their success made them a household name in the 196os. The Beatles, England's most popular and influential rock band, were major contributors to the popularization of American rock and roll. The Beatles were brought about and organized by a man named John Winston Lennon. He was born to Alfred and Julia Lennon on October 9, 1940 in Liverpool, England. Alfred deserted the family and Julia was killed in an automobile accident leaving John to be raised by his Aunt Mimi (Moritz Yearbook 1965 255). John was a bright child but often had countless acts of rebellion (Magill 226). He was no longer allowed to attend Sunday services at church after repeatedly making up obscene lyrics to hymns and for urinating on the clergy (White 144). As an outlet form him rebellious acts, Lennon formed musical groups (Magill 226). In 1958, John met Paul McCartney, who as a team helped each other to master the guitar (Moritz Yearbook 1965 255). The second person to join Lennon and the Beatles was Paul McCartney. James Paul McCartney was born to Jim and Mary McCartney on June 8, 1942 in Allerton, England (Mortiz Yearbook 1965
Live Music and Festivals
Live Music and Music Festivals The Events Industry MK1001N 5/14/2010 08020220 Table of Contents .0 History and Development 3 .1 Key Moments and Shift over the Last 50 years 3 .2 Timeline of Events 3 .3 Last 5 main events and their historical significance 5 2.0 Analysis of the Live Music and Festivals Sector 6 2.1 C-PEST/PESTLE Analysis of Live Music and Festivals 6 2.2 Political Analysis 6 2.3 Environmental Analysis 6 2.4 Sociocultural Analysis 7 2.5 Technological Analysis 7 2.6 Economic Analysis 7 2.7 Competitive Analysis 7 2.8 Entertainment Analysis 7 3.0 Key Impacts and Ethical Concern 8 4.0 Careers 10 5.0 Future Trends and Challenges 12 .0 History and Development Live Music Events are commonly known as concerts. Concerts come in a range of forms, from Orchestral to Artistic performances. Concerts are becoming more and more popular within social groups and wider audiences, as these offer people days and nights less ordinary, and can also become part of key milestones in peoples' lives. Festivals as well as live music events "have an increasingly vital role in our leisure lifestyles...events and festivals play a very significant part in their whole life." (Frew, E & Robertson, M. (2008) Events and Festivals - Current Trends and Issues, Routledge: London). Festivals and events can be generated the private or corporate sectors. .1 Key
What are the essential features of Chopin(TM)s style?
What are the essential features of Chopin's style? The two Nocturnes which form Opus 62, written three years before Chopin's death in 1846, were described by Kleczynski as 'evidence of an enfeebled creative power.'1 This essay will highlight and explain Chopin's essential stylistic features, aim to discover if they are still prevalent in this work and then decide whether the opinion of Kleczynski is valid or not. One of the most essential features of Chopin's style was 'freedom of melodic line' and this can clearly be seen in both Nocturnes.2 Figure 1 shows the first bar of the second Nocturne's opening theme and how it is varied on its two returns. Chopin's conception of rubato was to 'release the melodic part from all metrical features' and to give his melodies the 'perfect freedom of inflection found in singing.'3 The melody feels "released" and sings out over the metrical left hand which remains the same in each variation. This certainly doesn't sound enfeebled and the melody although initially simple is enjoyable to listen to. If Chopin were enfeebled then it is doubtful that he would have been conscious to keep 'exact repetition to a minimum' in each return of the melody.4 Fig. 1 F. Chopin Nocturne Op. 62 No. 2 Bars 1, 9 and 25 In the first Nocturne of the work the original theme returns with what Fielden calls 'perennial trills' and these do give the music
The Yorkville district located in Toronto was a village where young musical and artistic talent could gather and share their love of music during the 1960's.
The Yorkville district located in Toronto was a village where young musical and artistic talent could gather and share their love of music during the 1960's. It was a place that launched the careers of many Canadian artists such as Gordon Lightfoot, Joni Mitchell, Ian Tyson, and Neil Young, just to name a few. The area began its legacy with a couple of coffeehouse's that offered live entertainment named the Half Beat and the 71. The entertainment was usually irregular with different styles playing on any given night, such as a flamenco guitarist one week and a folk-rock singing duo the next. As time went on, many other coffeehouses and clubs sprouted up along Avenue Road, Cumberland St. and Yorkville Ave., and at its peak there were over forty clubs and coffeehouses in the area.1 A "scene" was created which attracted musicians from all over Canada and the World but most importantly, solidified Yorkville as a starting point for the most talented and creative musicians in Canada. Yorkville was the foundation in a progression toward popularizing Canadian music in Canada during the sixties. Once musicians became popular in the Yorkville scene, they usually chose to migrate into the United States in search of fame and fortune, which the Canadian Music Industry could rarely provide for them. Yorkville also served as grounds for a youthful social movement which thrived through the
Media. Music. You.
Media. Music. You. In our society today, people are influenced by many different things. The media uses advertisements and commercials to sell us what "we think we need" in order to fit in. This type of media hype is everywhere; in our magazines, on our television screens, on billboards, and in our music. Yes, music does control society in some aspects. Little girls idolize pop stars, and young men look up to the clever lyricists in our popular culture. Yet, sometimes these role model artists are not sending the right messages to young adults. Girls may judge what a man should be based on her current pop star crush, and guys may judge girls in the same way. Not all boys can be Justin Timberlake, and not all girls can be Britney Spears. This should not be the message to young people in the first place; they should listen to artists who present diverse issues in their music, so the young minds of these teenagers can form their own opinions about the world. The media and the big corporations that own the record companies place such a big hype on certain artists that some people may not take the time to dig deeper and find genuinely good music, or to see what underlying issues are taking place in the music industry. There is a website called Downhillbattle.org that provides information for music activists; the site shows the world how the big record labels are controlling the