For this essay I have selected the Statue of a Wounded Amazon, height 80 1/4inches, and Aphrodite holding a Winged Eros, height 49 3/4 inches, as my subject to compare and contrast.
Celita Hamilton Unit 2 Individual Project Comparing Ancient Art Melissa Zimberg For this essay I have selected the Statue of a Wounded Amazon, height 80 1/4inches, and Aphrodite holding a Winged Eros, height 49 3/4 inches, as my subject to compare and contrast. Title: Statue of a Wounded Amazon Title: Statue of Aphrodite Holding Winged Eros Artist: Unknown Artist: Unknown Date: 450-425 B.C. Date: late 4th Century B.C. Style: Roman copy of a Greek bronze statue Style: Hellenistic Cypriot; said to be from the temple at Golgoi The Amazons were a mythical race of warrior women known for their skills in archery and horsemanship. This marble statue depicts a wounded Amazon. She has been stripped of her weapons and horse, and wounded underneath her right breast. She wears a short, sleeveless chiffon unfastened at one shoulder and belted at the waist with a makeshift bit of bridle from her horse. Despite her misfortune the warrior appears calm and shows no signs of pain or fatigue. She rest her right arm on her head, this is usually a sign of sleep or death. Of this marble copy, the lower legs and feet have been restored with plaster casts from other marble copies;
The Hebrides - Mendelssohn.
Oliver Stevenson The Hebrides - Mendelssohn 829- Mendelssohn and his friend Carl Klingemann caught a paddle steamer in Scotland to the town of Oban. They the went to the town of Tobermory and while staying in accommodation, Mendelssohn wrote home heading this letter, 'On one of the Hebrides.' This contained this famous sentence and 20 bars of music, 'In order to make you understand how extraordinary the Hebrides have affected me, I have written down the following which came into my mind.' These bars were inspired by islands and sea between Fort William and Oban (or Tobermory). He called the first draft of his overture Dieeinsame Insel ('The Lonely Island') and on publication the full score it was headed Fingals Hoble, and therefore it is assumed that the island of Staffa (uninhabited, tiny and very rocky) was the lonely island and the main inspiration for his music. But in Mendelssohn's published letter's there is no mention of Staffa and the title foisted by the publishers meant that it wasn't the Fingel caves which inspired him and Staffa wasn't the lonely island. Mendelssohn composed the Hebrides over just under a 3- year period but there were 2 different versions written. The first version was finished in Rome in December 1830 and he headed it Die Hebriden bur someone took a copy of it before Mendelssohn had made most of his alterations called Die einsame Insel. In
Language is a system of arbitrary symbols and grammatical signals which meaning is attributed and used for the expression or communication of thoughts and feelings.
ID number: 4580175 ERS section 3 Assignment 4: Definition Due Date: 8 November 2002 Language Language is a system of arbitrary symbols and grammatical signals which meaning is attributed and used for the expression or communication of thoughts and feelings. Language has certain things in common. They are sound-pattern, words and grammatical structure. A sound-pattern is a group of sounds that the human can utter. Words are sounds or sound-patterns that has a meaning. Words may stand for objects, actions, or ideas. According to this definition, there is no resemblance between words and objects which they describe. Grammatical structure is the manner in which words are combined to form larger, meaningful units such as sentences. Undoubtedly, spoken language such as German, Spanish and English are examples of language because they are used for communication in society and they have grammatical rules for speaking and writing. Algebra and mathematical functions are also type of language since they have rules for expression of mathematical meaning. For example, '4/5' has a meaning, but '4/0' is not mentioned for mathematical meaning. Furthermore, the order of symbols in algebra has an effect to the meaning. For instance, 'x = 5x - 2' compares with 'x = 2 - 5x'. It has different meaning and rule for solving the problem. This definition also
TMA 02 There are many differences which I see between Cezannes Bathers and Vecchios Bathing Nymphs which make them both interesting yet very different pieces.
TMA 02. There are many differences which I see between Cezanne’s Bathers and Vecchio’s Bathing Nymphs which make them both interesting yet very different pieces. Firstly, both Cezanne and Vecchio use colour very differently to create two extremely contrasting pieces of art. Cezanne has used a restricted palate of cool colours with only a splash of warm hue; this creates a dark and almost cold feeling to the figures in the foreground. Vecchio on the other hand has used a more wide range of both cool and warm hues to give the cooling effect of nature and the warmness of the models. Vecchio also gives each figure incredible life like qualities by highlighting detail vividly with colour. Cezanne and Vecchio both use light, but they use it differently. Cezanne has used a weak light source which appears to be coming from the viewpoint of the spectator and it is carefully highlighting the outline of the figures. The light source in Vecchio’s Bathing Nymphs on the other hand is rather difficult to pinpoint. It appears to be coming from the top left of the painting, highlighting the background landscape and buildings. The middle ground of the painting appears to be darker, as if overshadowed, but Vecchio’s use of colour vividly picks out the figures. This use of light gives a dramatic contrast between light and dark. The perspectives of the two paintings appear to be
Jean Dubuffet's Urgence.
Jean Dubuffet's Urgence After acquainting myself with Jean Dubuffet, I felt that I could then, and only then, make an informed critique of his work, without merely injecting my pure opinion. My arguments are based on artistic analysis. It's useful to remember that my viewpoint may be informed, but it's still also subjective, and I found upon analysis of Dubuffet's piece, Urgence(89, fig. 3.19), a critique may raise more questions than it answers. I find this is especially true of contemporary art, because we have abandoned traditional agreements of inspiration. Jean Dubuffet was a self-taught or untrained artist who was unaffected by artistic standards of the time. He focused on the art drawn by children and the insane; people who were free from corrupting cultural influences. Often, the first thing to ask yourself is "What was the artist trying to express?" Dubuffet rejected the view that art must be aesthetically pleasing or that it should illustrate visual reality. He was basically trying to shake up the established ideas and disturb the rules and procedures of the domain. Overall I believe his piece achieves his goals. And while this sounds a little idealistic I do agree with what he believed. However, I must ask "Can a person make advancements in a domain which he or she does not study it rules?" (Or at least be aware of them?) I believe Dubuffet falls short in
Comparing two Cezanne paintings of Mont Sainte-Victoire
Compare and contrast Plate 1.3.20 ‘Paul Cézanne, Mont Sainte-Victoire with Large Pine, c. 1887, Courtauld’ with Plate 1.3.22 ‘Paul Cézanne, Mont Sainte-Victoire from Les Lauves, 1904-6, Kunstmuseum. Cézanne’s Mont Sainte-Victoire with Large Pine and Mont Sainte-Victoire from Les Lauves, are both interesting pieces of art with their own unique style and technique. Plate 1.3.20 was painted 17 year earlier than Plate 1.3.22. Both paintings are similar in size and the artist used oil paint and canvas in both of these works. Another similarity is that both of the paintings depict the same landscape around the artist’s homeland. The two most apparent differences between the paintings are in the use of colour and the technique. In Plate 1.3.20 Cézanne used a limited palette of green to yellows with a hint of orange and blue which suggest a warm climate with a sense of calm. The warmest colour is on the side of the mountain which is painted with a mix of different hues, assembled into a recognisable object. In Plate 1.3.20 Cézanne used strokes of dark colours mainly to outline forms like the tree trunk in black and the fields in dark blue. In Plate 1.3.22 Cézanne seemed to play with the colours more. He used more vivid colours with a greater contrast between the light and the dark hues. Different colours of green created a sense of depth which increases the
Topdog Underdog
Topdog/Underdog Susan Lori-Parks The Rep and Rev of Brechtian concepts Topdog/Underdog is a fated play in which all Americans instantly know the fate of the two main characters Booth and Lincoln; the emphasis becomes how Parks will go about portraying this death with African American characters. Parks' main tool is the "rest" taken from a jazz influence to portray a structure in which African Americans struggle against an inaudible force of oppression. This rest found every couple of lines never lets the characters gain any momentum going. Ironically, although their forward progress is broken up by this rest, they never truly get a rest from day to day struggles. The "rest" itself becomes very Brechtian as actors must take musical pauses in which the audience can process the action that is occurring on stage. These unnatural pauses are not only alienating in their use but also mimic the operatic style used by Brecht to classify his work as blatant fiction. Theatrical "rests" set up images for the audiences in which to analyze Parks' portrayal of African American life much as Brecht's gestures allowed audiences to analyze his portrayal of the lower classes. Furthermore these wordless images of African American life cause the audience to notice their surrounding and better their understanding of what may not be able to be said through words. The emphasis on noticing
". . . The pre-war suffrage movement paved the way for votes for women"
Jenna Mooney 6.3 Extended Essay The Suffragettes ". . . The pre-war suffrage movement paved the way for votes for women" A quote from historian Paula Barley which is suggestive in saying that the actions of the Woman's Suffrage Movement were the decisive factor in women gaining the vote in Britain. In the Representation Of The People Act in 1918 the vote was given to all men over the age of 21 provided they had resided in Britian for over 6 months. Women over the age of 30 who were householders, married to a householders or university graduates were also given the vote. It can be said that the actions of the Women`s Suffrage Movements undoubtedly played a major role in woman gaining the vote in Britain in 1918. However many historians hold debates regarding whether the actions of The Woman`s Suffrage Movement were soley responsible for the achievement of the vote in 1918. This essay will discuss the importance of the Women`s Suffrage Movement whilst also examining other contributing factor to women gaining the vote. It is useful to establish the social political and economic position of women in the years leading up to 1914. In the 1850`s, a steriotypical view of the family life existed in Britian which centred on the middle class conception of the family, which was the dominant male figure of the family being the proctector, breadwinner and dicision maker and the
For this weeks task I had to read a quite difficult extract from Fashion as Communication by Malcolm Barnard about how fashion is regarded in todays society
For this week’s task I had to read a quite difficult extract from ‘Fashion as Communication’ by Malcolm Barnard about how fashion is regarded in today’s society, whether it is trivial or not and highlighting how important it is in today’s economy. The first idea exposed is that fashion is ‘fit only for the intellectually disenfranchised’, suggesting that everyone working in the fashion industry lacks intelligence. Having chosen to study Fashion Marketing I completely disagree with this statement, but I am fully aware of the prejudices held against it. When I decided to pursue this course I realized most people did not consider Fashion Marketing a serious career, but the truth is that it takes a lot of dedication and hard work to succeed in this industry and most people do not understand what it really entails. What struck me most was a quote from a letter in The Guardian’s Women’s page arguing that ‘fashion is irrelevant to serious minded persons’. As Anna Wintour says in The September issue ‘Just because you like to put on a beautiful Carolina Herrera dress or a pair of J Brand blue jeans instead of something basic from K-Mart it doesn't mean that you're a dumb person’ and even if you make a choice that you think completely leaves you out of the fashion industry, you are nevertheless engaging with it. Fashion is a way of expressing yourself;
The MoThe erhu is a Chinese string instrument which possesses a 500 years history.
The MoThe erhu is a Chinese string instrument which possesses a 500 years history. The instrument is built of different hard woods. It has two strings between which the bow is tightened. The resonant body is covered with snake skin. The erhu is in China the most widespread string instrument and in traditional Chinese music it has the rank which the violin holds in western classical music. One of the unique features of the Erhu is its lack of a fingerboard. Without a fingerboard, the player has great freedom when executing vibrato. The snakeskin belly gives it a unique timbre that allows the erhu, in its low and mid registers, to cut through a western symphony orchestra. Unlike the violin, the tone is soft and thin at its highest register. on Reflected Reflections of the Moon on Er Lake in Two Streams The erhu is one of the oldest musical instruments in the world; existing for more than one thousand years. It became known as a solo instrument around 1920 when the contemporary composer Liu Tian Hua modified the register to one and one-half octaves and began to write music which became popular very quickly. This traditional Chinese instrument possesses a very unique sound. The bow is fashioned out of horsehair, the two strings are made of metal and the resonating box is made of snakeskin, most of the time from python. While the violin is played horizontally, the erhu is