The credits for the first film which I will analysing is the Sixth Sense

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The credits for the first film which I will me analysing is the Sixth Sense appear from the centre of the screen in a ghostly way, and are relatively faint and shimmer almost like a ghost in the way that they appear and disappear. The background of the screen is black and the actual credits are a whitey silver colour. The music in the background begins quite low and allegro to build up the tension and then just before the title appears, the music crescendos and gets a lot louder as “The Sixth Sense” appears on the screen. Over the white of the letters a shadow appears to cast over it and swiftly sweep across and then the music climaxes as a black screen appears try and make people jump!

The beginning of “The Others” starts with the credits in darkness and there are some old cartoon like drawings rolling in the background with a candle light flowing through and over them telling a short tale. The pictures start off rather innocent, showing children being read a bedtime story but then as you follow these through and move further along the pictures they become much more sinister because they begin to show children sleeping with shadows leaning over them and these children as puppets with their heads hanging half off. The music is dark and played by flutes and oboes and it is quite “twisted” music to also build up the tension. The final picture is of the house which eventually cleverly merges into a real house surrounded by fog and completely isolated and surrounded by fields on the Channel Islands.

Both films use music to try and set the scene and try and add an ere of mystery and suspense to make you watch the rest of the film.

Then the opening scene of the Sixth Sense begins with an extreme close up of a dimly lit filament bulb hanging from a ceiling. Then we see a lady through some wooden shelves which are covered in a layer of dust, this makes her look very vulnerable and also makes the viewer feel quite intrusive and add an sense of insecurity to both the lady and the viewer. The camera follows her up and down from behind the shelves whilst she looks for a bottle of wine. In the very distance you can hear the breaking of glass, this makes the lady feel uncomfortable and jump. The camera zooms in on the ladies face to show the anxiety and the look of fear.
The cellar seems to get a lot colder and she shivers and there is now a long shot to portray her vulnerability and she suddenly rushes up the wooden creaking stairs. The atmosphere down in the cellar is dark, cold, gloomy and very unwelcoming but there is a sudden contrast here, because as soon as she goes upstairs the colours suddenly change to be bright reds, oranges and yellow- this shows warmth and security. She enters the lounge and cuddles up to her husband who is drunk whilst they talk over the framed award which the husband (Malcolm) had been presented with. The cameras pan over towards the award and you can hear the couple talking and only see their reflections in the award with the flickering of a flame in the corner of the screen. You as the viewer can see that these two characters love one another very much and are very close. The music is no longer spooky but it is now romantic and happy. Then there is another long shot through the hall showing how large the actual house is and it also shows the couple in the background on one of the sofas, because of this camera positioning as the viewer you again feel like an intruder in this house.

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Then the couple go upstairs and enter their bedroom and again these two people are extremely happy and are stripping when the wife hears the faint beeping of the telephone. She looks down towards the floor and here there is a point of view shot from the lady who also notices there is broken glass from the window on the floor. Then there is a close up of Malcolm’s face and he goes over to see what the matter is and here there is an up build of music as a shadow rushes over the screen. Here the music intensifies ...

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