Commentary on the film 'Save The Last Dance'.

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I decided to commentate on the film ‘Save The Last Dance’. The film is primarily a romantic drama, lying on the theme of racism. The two protagonists, Sara and Derek, share a love for dance, which leads to romance. However Sara, a small – town white girl finds herself in a predominantly black neighbourhood after her mother dies.

The three extracts I have taken from the film demonstrate how Black English, otherwise known as patois shown among friends in informal situations. The extracts illustrate how it can diverge upwards towards more ordinary English when speaking with white people.

I also intend to show the essential characteristics of spoken language, and how one can see that this is scripted and not ‘spontaneous speech’.

The extracts all show informal speech between the characters such as ‘yeah’, ‘doesn’t’ (extract 1), ‘why you sweatin’ me’ (extract 3) I presume as the film aims for an audience from 12 till mid 20’s, formal speech would make the tone dull. So by having one of the film aims to give an idea of the ‘real’ language used in society, it makes the film more realistic and enjoyable. However, although the language is informal Derek’s language seems to alter when with Sara being white, than with his friends who are black. An example of this is when Derek speaks to Snookie he says ‘Why you sweatin’ me Snookie?’ whilst he speaks to Sara in Standard English. Whilst thinking of his black friends though, he inadvertently switches to his original way of speech. When he reflects on the past of Malakai and him, he says ‘I woulda been guilty as him if they had caught me.’ (Extract 1) Whereas in Standard English that statement would be ‘If they would have caught me I would have been as guilty as him.’ – changing the order of the verb and the noun in the statement. He also speaks of his friends as m’boy (extract 1) which is abbreviated from my boy, which is also another common characteristic of patois.

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Throughout all 3 extracts turn taking is present. Each character takes a turn in both listening and speaking. Characters go out of their way to make one utterance relevant to another character, applying the co – operative principle. Such as ‘I don’t get you guys’ (extract 1), here Sara involves Derek on her thoughts about him and Malakai.

According to an American linguistic philosopher H Paul Grice, there are four particular ways, which people co-operate in conversation, now known as Grice’s Maxims.

These maxims are widely kept by all the characters. The four maxims are as follows, Maxim of Quality, ...

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