Analyse the methods used to make the opening battle sequence of 'Saving Private Ryan' both shocking and realistic, and say how effective you find it as an introduction to the film

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Analyse the methods used to make the opening battle sequence of

‘Saving Private Ryan’ both shocking and realistic, and say how

effective you find it as an introduction to the film

‘The last thing I wanted to do in this picture was use the war simply as a springboard for action-adventure. I was looking for realism all the time’.

Steven Spielberg.

Saving Private Ryan, by Steven Spielberg is said to break the traditional conventions of the war film genre. The film tries to include the audience in the chaos of battle by using handheld cameras. The handheld cameras show the emotions of the soldiers and were also used to make the audience feel as though they are involved in the battle. Steven Spielberg purposely does this because he wants the film to be as realistic as possible. During the opening battle, sequences that lasts for twenty-four minutes, the camera gets splattered with blood. This helps immensely to create the idea of the audience seeing action through the eyes of a soldier. Those scenes helped to win the film several Academy Awards, including Best Director for Steven Spielberg, who has been directing films since 1975. The film also uses de-saturated colour during the battle scenes. The sky is dull, the sea is rough and all the soldiers look very sombre. It isn’t surprising that they felt this way and Tom Hanks, a leading actor in the film, did well to create this emotion. The only bright colour used is that of the blood that you see of the American soldiers who had been shot. These factors make Saving Private Ryan a lot more realistic than war films before it, which is what Spielberg was aiming to do.

The first item you see of Saving Private Ryan is the American Flag. This demonstrates to the audience that the film is made from an Americans point of view. Patriotic music is also played here. The first real movement we see in the film is of the old man and his family in the Normandy War Memorial Grounds. Here, a long camera shot is used to show the family but when the old man is looking for a specific memorial, the camera angles change. The camera zooms in on him, so that we can see his emotions clearer in a very close up shot. It shows he is alone in his understanding of the war, although we can see from a long shot that he has the support of his family. We can see his eyes in a very close up shot, and can tell that he withholds many thoughts and secrets about the war.

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During this, the sound becomes non-diegetic, we hear changes to the sea, and we hear the sounds of waves crashing as the Higgins boats plough through the water. This is quite interesting as we are seeing the present whilst hearing the past. The man’s eyes vibrate before the picture turns to that of the boats on the sea. The very slow editing involved in this scene allows the viewer to absorb the atmosphere and try to connect with the elderly mans thoughts and emotions. The audience see a change in camera shot from a long shot of the boats ...

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