A surprising amount of Translations depends on suppression, both political and personal, and the unspoken.(TM) To what extent are suppression and the unspoken important in the text?

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Caner Cifci

English Literature

‘A  surprising  amount  of  Translations  depends  on  suppression,  both  political  and personal,  and  the  unspoken.’

To  what  extent  are  suppression  and  the  unspoken  important  in  the  text?

The  play  ‘Translations’  by  Brian  Friel  is  set  in  Ireland  in  1833,  During  this  time Ireland  was  undergoing colonisation  by  the  English  and  the  play  represents  a microcosm  of  the  events  occurring  all  across  the  nation  at  the  time.  Throughout the  English  empire’s  reign  many  Irish  people  were  left  without  say  in  what  was being  happening  to  their  own  country  and  having  to  encounter  suppression  by  the overwhelming  power  the  English  had  had  over  them.  The  play  very  much  portrays   this  image  within  itself  and  Friel  has  deliberately  done  this  in  order  to reiterate  history  and  reveal  the  struggle  the  Irish  had  to  encounter.  Suppression  and  the  unspoken  are  heavily  used  within  the  play  and  the  importance  of  its  role within  the  play  varies.  Although  some  being  more  important  compared  to  others,  the  issues  as  a  collective  seem  much  valid  in  justifying  its  importance.  It  can  be argued  that  Friel  illustrates  it  like  so  in  order  to  aid  the  audience  in  judging  for themselves  the  issues  surrounding  the  colonisation.

Suppression  is  a  key  theme  which  is  used  through  Translations;  ultimately  it  is  the  intrusion  of  the  English  which  is  deemed  the  biggest  suppression  the  Irish  had to  confront  and  the  unspoken  nature  of  the  Irish  is  what  inevitably  lead  to  the suppression. It  is  apparent  in  the  early phases  of  the  play  that  characters  within  the  play  encounter  suppression  even  before  the  English  arrive.  A  character  which would  be  deemed  as  being  suppressed  is  Manus.  Culture  plays  a  major  part  within  Manus’  suppression  as  it  comes  from  his  father.  Manus  is  described  as  a “Monitor  to  his  father”. It  seems  that  despite  what  Manus  may  want  for  himself,  it  is  the  oppressive  hand  of  his  father  which  ultimately  decides  what  happens  to  him.  A  further  sign  of  Manus’  oppression  can  be  noted  through  his  acceptance  of the  position  he  is  in.  Despite  being  in  his  early  thirties  and  the  eldest  son  in  his  family,  Manus  is  still  treated  in  such  a  way  that  it  seems  people’s  respect  for  him  is  very  limited.  During  the  early  phases  of  the  play,  it  seems  that  Manus  has  no  other  alternative  to  his  lifestyle  and  must  accept  it.  He  is  ignored  by  Maire several  times  and  has  to  cover  for  his  dad  who  is  late  for  class.

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Suppression  also  affects  a  character  who  we  would  not  have  presumed  as  being  a target.  This  character  is  Owen.  Since  the  introduction  of  when  Owen’s  character  appears  in  the  play,  we  assumed  he  had  a  unique  bond  with  the  English.  It would seem  normal  for  Owen  to  be  treated  fairly  for  assisting  the  English  in  completing  the  mapping,  however  we  discover  that  Lancey  is  just  as  suppressive  to  Owen  as he  is  to  all  the  other  Irish  people  and  Hugh  is  to  Manus. The  audience  is  quick to  have  a  negative  feel  towards  Lancey  as  his  character  is  very ...

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