MACBETH

Aristotle – “Tragedy is a form of drama exciting the emotions of pity and fear. It’s actions should be single and complete, presenting a reversal of fortune, involving persons renowned and a superior of superior attainments and it should be written in poetry, embellished with every kind of artistic expression.”

According to definition, a tragedy is when a hero or heroine has a personality fault which leads to a downfall in the course of their life. It’s tragic because, there is nothing that the person can do to change the flaw in their personality and this evidently leads to the tragedy. Tragedy is perceived as a reversal of fortune, a fall from a high position. Aristotle first believed that tragedy was reserved only for someone of a high status or noble statue although; modern tragedy does not strictly follow this rule.

According to A.C Bradley who wrote ‘The substance of Shakespearean tragedy’, Tragedy consists of many things.

“Shakespearean tragedy must involve the death of a powerful man or woman in high estate and be of an exceptional calamity…”

(Calamity means, ‘ a disaster or great misfortune’.)

“… The death must be a deliberate action of a man or woman. It must include events leading up to the death of an important character or main protagonist and must affect the well being of a whole nation. The events must give a sense of the powerlessness of man and the omnipotence of fate or fortune. Shakespearean tragedy can involve the supernatural or abnormal conditions of mind.”

(Omnipotence means, ‘having great power’.)

A tragic hero is the person who meets their downfall and often their death through a fault in their own character. Macbeth was a tragic hero. Shakespeare’s other tragic heroes include, King Liar, a man who lost his kingdom and family due to vanity and Romeo who died because, he was head strong and hasty in his actions. These characters are known as tragic heroes because, they are usually the heroes of the play who are good people, but their one defect brings them down, for example; Romeo’s head strong and hasty actions were his one defect.

   This is Tragic, as they cannot stop their defect from meeting their downfall.

A tragic hero can be described using a fortune wheel. The Elizabethans used this way to describe tragedy.

The Elizabethan’s like those centuries before them, believed in fate. From Medieval times, critics of literature and tragic drama had been familiar with the Greek Terminology of writers like Aristotle. The Elizabethan’s added to this concept of Tragic drama. They believed that fate could be personified in the character of Dame Fortune, a woman who controlled a wheel of fortune for every person. It is described as a fortune wheel as the person starts high at the top of the wheel which represents greatness, with everything, going well for them and the wheel ends with them at the bottom of the wheel, reduced to a self – effacing statue. Therefore, the Elizabethans believed that the top of the wheel represented good fortune and the bottom of the wheel represented bad fortune. They believed that Dame Fortune could turn the wheel at any time, with no warning and so fortune could be changed dramatically. People believed that the tragic hero had five stages in life, in accordance with Aristotle’s definitions, so the wheel of fortune for a tragic hero would start off at the top with the hero initially being great. Then the wheel would turn to the second stage in their life Hamarita – the tragic flaw being exposed that leads them to bad. The third stage in their life would be, Perpeteia – which is where the tragic hero has a change of fortune. The Forth stage is Anagnoriosis – which is the ‘moment of truth’ for the tragic hero when he/she realises what has happened but can’t do anything about it. Finally, the fifth stage is Catharsis – which is the release of tension for the audience.

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Most medieval plays are written this way and are based on this fortune wheel. They follow these five stages just described. We can see in the play Macbeth that Macbeth starts off as many tragic heroes do, being regarded as brave and great.

“For Brave Macbeth, well he deserves that name”

The plat starts where the witches meet Macbeth, they tell him that he will become Thane of Cawdor. He is made Thane of Cawdor and is loyal to the king. Macbeth again meets the witches, whom plant the seed of evil in Macbeth that bring his ...

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