Madness and Sanity of Tragic Heroes.

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Madness and Sanity of Tragic Heroes

        In William Shakespeare’s Hamlet and Arthur Miller’s Death of a Salesman, each of the two main characters, Hamlet and Willy Loman, are put up to the question of whether they are mad or sane, but in each situation their so-called madness differs.

        The Shakespearian play Hamlet offers a puzzling main character by presenting an apparent sane man portraying an insane one for revenge. The question of Hamlet’s lucidity is perceptible throughout the play. At first glance, the view of Hamlet is simply a heartbroken individual bent on revenge. He is seen having lost a father to death, a mother to remarriage and a kingdom to his uncle in a span of two months. However, as the play progresses extenuating circumstances and events arise that speed the deterioration of his mind. Therefore, the notion of Hamlet being a sane individual playing the role of a madman can be disputed with an in depth analysis of his character and his actions.

        The temperament of Hamlet can allude to his mindset throughout the play. In other words, by studying Hamlet’s view of himself an answer to the stability of his mind is provided. The first clue is in act one scene two where he makes a comment about the king. “My father’s brother, but no more like my father/ Than I to Hercules,” this quote is stating Hamlet doubts his strength and his heroic capabilities. Another clue can be found in the quote, “O, what a rogue and peasant slave I am”. Here, he blames himself for his lack of passion and accuses himself of cowardice. The final clue is in his famous suicidal thoughts. In the “To be or not to be” soliloquy, Hamlet is questioning the living and if he should try to exist among them. Singularly, these clues state he is unsure of himself however, if combined they show his slow deterioration from being uncertain to suicidal.

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        The actions Hamlet demonstrate as the play progresses provide a glimpse at the stability of his mind. Hamlet’s downward spiral into genuine madness proved to be just the beginning by deciding to act mad instead of continuing with his grief as a front for his revenge. By acting mad, he is unintentionally drawing attention to himself, his actions and will postpone his attempt at vengeance. The second manifestation can be seen in his treatment of Ophelia. She has done nothing to Hamlet, yet he attempts to scare her as part of his plan to seem mad. However, this is not ...

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