Brechtian Performance- Combining Themes

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Brechtian Performance- Combining Themes

For our ‘Epic Theatre’ piece we decided to combine the Christian biblical story of ‘Adam and Eve’ with the social issue of safe sex. Our plan was to use the Roman Catholics’ views of safe sex (their view being that condoms are a ‘sin’ as every sperm is sacred and should not be ‘wasted’) but instead of encouraging anti-safe sex we attempted to ‘poke fun’ at this view (because in today’s modern society, safe sex is already accepted as a means of preventing STDs and teen pregnancy). We tried to turn the Roman Catholics’ views on safe sex into a comedy of sorts, bringing out how ridiculous we personally think it is to not have safe sex in order to influence our audience into believing safe sex is a good thing to be practicing (the act of being safe, not actually sex itself).

I played the narrator, my ‘job’ was to address the audience and explain the story by giving an introduction of what our piece was about. But instead of introducing our group’s piece in a conventional way, I spoke and referred to myself in third person while giving stage directions. This was to meet the criteria as well as to tailor our theatre piece into the style of Brecht. To go further with this idea we had ‘God, played by Jasmin, directly confront our ‘stage crew’ about her ‘theme song’ and the audience by directly telling them who she was (her lines were simply, “I am God”). This implied that the characters in the play had a semi-awareness that they were in fact in a play (all while staying in role). Also, during the same scene we tried to use a sort of juxtaposition in the scene by playing the well-known song ‘We Will Rock You’ by Queen. We consider this juxtaposition because general imagery of God is depicted as being serene and calm, whereas the song ‘We Will Rock You’ has more attitude, angst and overall grit (which is practically the opposite of what God ‘is’).

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Another technique from the list of criteria we used was the placards. Placards were incorporated into the scene where God is spouting what we tried to make sound like nonsense (but clear enough so that the audience could understand it was about Adam and Eve). While the God was blabbering on “go forth and multiply”, the narrator held up the a placard that had ‘make babies’ written on it to not only clarify what God was saying but to also add in some comic relief. Now referring back to the scene when Jasmin made her entrance playing God (the scene ...

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