Drama Portfolio #2 - Response: We were presented with a text called "the fall of the house of Usher" by Steven Berkoff, 1st published in 1977 by John Calder Ltd.

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Aruman Hind 11P
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Drama Portfolio #2

Response: We were presented with a text called “the fall of the house of Usher” by Steven Berkoff, 1st published in 1977 by John Calder Ltd. The edition of the book we were given to work with was published in 1990, reprinted in 1996 by Amber Lane Press. The story itself is odd to say the least; I come across some of the strangest characters ever thinkable, you had Usher a seemingly mad middle-aged man, Madeline sister to usher her role in the play leaves you feeling empty, Friend and Oswald (servant) these two are two of the more civilised characters in the play. The story is so unpredictable it can be interpreted in many different ways giving avenues to countless different remakes of the book. We found exploring the text in the time we had difficult as we came up with a lot of different interpretations of our own of the play which in some way or another were altered to such a point we were starting from scratch again. We tried breaking the text down and switching the scenes of the play so it wasn’t so confusing but this turned out to be very difficult and several different interpretations all didn’t work so we just stuck with the text we were given as it was given and interpreted that as we wanted. While we were reading the text as a class we tried several strategies to help us explore the text, such strategies as spotlighting, improvisation and simulating, hot seating, games, trust work and a form of doubling in each case we were trying to manipulate the text or take out scenes from the text and turn into a role playing exercise. When we were spot lighting we were 1st asked to act as animals and then the class would freeze and watch and student carry on with his improvisation when asked by the teacher, we improvised and simulated madness and by improvising being mad, speaking to a wall, simulating riding a horse and being trapped in a invisible coffin, I tried hot seating within my own group to help get a better understanding of my character, we started a few lessons with games just to get us motivated or we had a game some where along the text as it had something to do with the text. The games helped us explore the text as the games themselves weren’t something you’d play with your mates on the play ground, we took to chair scene out the play to work on trust work, we paired up and one person from the would bend their legs and act as a chair as the other person sat on them, we used a form of doubling when asked to copy what someone else was doing in the class, we used all these strategies to help with role play and exploring the text. As the text was so bizarre we employed these strategies quite a few times whilst reading the text as a class. Most off these strategies were aimed at simulating madness insanity.

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Development: After going through the hold of the text with the class I paired up with Sam as he’s one of my good mates and a very talented actor, we flicked through the book again looking for some scenes we could use for our interpretation of the play. We spent a good hour on finding different scenes we could use, after choosing the scenes we decided to play around with the scenes and make our own script by moving the scripts to different places. After working on the idea he had established for about a week during rehearsals it ...

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