Form and Structure - A Dolls House

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By breaking away from the theatrical conventions of his day, Ibsen created “A Dolls House”. The playwright experimented with theatrical structures by: deviating from the “well made play” and by using his play as a medium to promote change in the world which in turn shocked audiences. Ibsen wanted the audience to be more involved with the play and used numerous devices to achieve this. His play is laced with symbolism and unusual themes which make the form and structure quite different from the typical play of that era.

Naturalism was the hallmark of Ibsen but naturalism contradicted elements of the “well made play”. The “well made play” was performed in one act and included an introduction followed by a complication. These complications arose from letters being read by the wrong person which lead to a climax near the end of the play and concluded with a happy ending. However, Ibsen did not believe that all stories had a happy ending. He therefore adapted the “well made play” to include naturalism. Ibsen kept the frame work of the “well made play” but changed the ending to an unhappy one. He also split his play into three acts, following each other chronologically, which meant that there were three times more complications, climaxes and unhappy endings. This took the audience on a rollercoaster of emotions which saw them relating to the characters of the play.

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The characters followed the recommendations of the “well made play” in that there was: a woman in distress (Nora), a confidante (Mrs Linde) and a cruel villain (Krogstad). However, he changed the domineering father into a domineering husband (Torvald) and a jealous husband into a jealous friend (Dr. Rank). Whilst Ibsen wanted his own style of play he knew that if the structure changed too much the audiences of that time would not understand the new structure. This is why literary genre of naturalism was mixed with the “well made play”

Another way that Ibsen’s style differed from ...

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