Shakespeare - The Merchant of Venice

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John Robinson

Shakespeare: The Merchant of Venice

The Merchant of Venice is a play that, like many of Shakespeare’s plays show characters at the edges of society. In The Merchant of Venice we see Shylock and Portia showing this by either being the minority or the least respected or in Shylock’s case both. What adds to their role at the edge of society is the way they subvert their roles because this focuses, in the case of Portia, the audience on her and, in shylocks case, the other characters on him.

In The Merchant of Venice we see Shylock, whose character can be seen in many different ways, this is due to the audience of the time. Up until the late 1700s he was played as a comic character but the 1700s onwards saw him played as more of a villainous character. In 1814 Shylock's role was depicted as a character to be pitied, and in 1879 he was first portrayed as a tragic character; this giving The Merchant of Venice its title of “tragicomedy”. Since then he has been depicted in many different ways and has reaped sympathy from the audience ever since the unjustness towards Jews in the Second World War.

The Merchant of Venice was almost certainly performed between 1596 and 1598 and was performed in front of an Elizabethan audience who were not particularly well educated or literate but they understood the complexities of the issues being raised in the play and the “rules” of the stage (Portia dressing as a man). The audience of this time would have been less sympathetic towards Shylock than a modern day audience.

The Elizabethan audience believed that females did not have any authority and once married they would belong to the husband; “one half of me is yours, the other half yours” is what Portia says to Bassanio so this is widely known and accepted in the day and this provokes Portia to dress up as a man, and subvert her “accepted role”. This “subversion” on Portia’s terms coincides with Shylock’s “subversion”, this is nevertheless the reason. This means that shylock who, even though a Jew, would have had every right, if not more than Portia, to be in court at that time. This ironic confrontation adds to the comedy of the play due to the accepted fact that no-one would reveal Portia’s identity, especially not Shylock and for Shylock to be defeated in a court by none other than a woman is in the least humiliating, but the fact that he never finds out is even worse.

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This subversion of Portia’s role is, in my opinion, extremely successful as, not only does she fool a courtroom into believing she is a man, but she wins the case (and a lands a blow for the women of society) and she forces her husband to give her their wedding ring that Bassanio says that he will be dead before the ring leaves his finger:

“But when this ring parts from this finger, then parts life from hence: O then be bold to say Bassanio’s dead!”

This not only shows that Bassanio was unwilling to ...

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