DEath and the maiden commentary

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DEATH AND THE MAIDEN

Analysis of an excerpt from Act 1 Scene 2

From - One hour later. Nobody on stage. Only the moonlight, weaker than before…Pg12…

To - Gerardo: You know women…Pg14….

     The title of Dorfman’s play comes from the quartet by Schubert which Paulina associates with her abduction and torture. She finds a cassette of this music in Miranda’s car. The theme is common in folk music such as the English song “Death and the Lady,” in which a rich lady who has failed to bribe Death into granting her a few more years of life sings of having been betrayed by him. The theme of the song (hence the dramatic context for Schubert’s quartet) is reflected in the characters themselves, with the shadowy doctor who raped and tortured Paulina existing as a kind of Death figure in her memory. However, Dorfman’s play presents a reversal on the theme — if the audience agrees that Paulina has found the right doctor, that is — for in the present circumstance it is the Maiden (Paulina) who holds the power of life over Death (Miranda).

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     For this commentary I have specifically chosen these lines because, in my opinion, this is the turning point of the play after which the play unfolds. There are a lot of facts that come out during this point in the play which help us put it in context. This part of the scene tells us about the historical/political context of the play by talking about the newly introduced democratic government and it also, through the conversation between Gerardo and Miranda, portrays the peculiar way in which Dr. Miranda speaks.

     The scene starts off with the description ...

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