Analysis of The Train from Rhodesia by Nadine Gordimer

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The Train from Rhodesia – Final Draft

Analyze the use of characterization in The Train from Rhodesia

        Poverty, prejudice, racism, and white-supremacy, are all controversial topics that Nadine Gordimer, an eminent South African writer, touches on through her writing. Being part of the anti-apartheid movement herself, her writing establishes a lot of the hardships that the native Afrikaans people underwent. The short-story, “The Train from Rhodesia”, is a perfect example of the manner in which Gordimer discusses controversial topics in her writing. Throughout the story, she elaborates on the great contrast between the white and the native Afrikaans people living in South Africa during the time of the apartheid. By reading this short-story, readers are able to gain an insight on the lives of the natives in contrast to the lives of the wealthy white South Africans. By contrasting the white, the natives, as well as the husband and wife, Gordimer communicates her intention of emphasizing the harsh realities of the natives’ lives and their roles in society through the use of the literary technique of characterization.

        By utilizing the characters in the story, Gordimer is able to express how powerless in society the natives are in addition to the severity of their living conditions. In the beginning of the story when “the stationmaster’s barefoot children [wander] over”(41) down to the track, they are referred to as “picannins”(41). Not only is referring to the children as picannins pejorative, but the detail included by Gordimer that they are barefoot suggests their poverty and inability to obtain the bare necessities to live sufficiently. As the paragraph progresses, Gordimer writes how the sand “close[s] over the children’s black feet softly and without imprint”(41). The choice of the diction used to illustrate the children’s feet as “black” emphasizes that Gordimer is forcefully trying to stress how dirty, thus poor, the natives really are. What Gordimer also deliberately implements is the imagery of the children leaving no imprint in the sand. Suggestively, the image created represents how powerless and non-existent they are in this society as they leave without an imprint in the sand.
        Similarly, new characters are introduced from the train and station to signify the helplessness of the natives and show their astringent lives. Desperately trying to sell their products, “all up and down the length of the train in the dust the artists [jump about], walking bent, like performing animals”(42). To begin with, the way in which the artists have to perform like animals insinuates that the natives are in great need of money in order to survive. Again, a derogative indication is made when they are referred to as “animals” which puts stress on their position in society. Seeing as the people that they are performing to are white, they have to act as though they are cheerful although in reality they are starving and unhappy. An example of the mock happiness is represented in the phrase, “[t]he old man held it up to her smiling, not from the heart, but at the customer.”(42) The old man is just another native trying to sell his products; however, he holds great pride in his work unlike the other desperate natives who hold money as their greatest concern. Thus, this sentence accentuates how hard the natives’ lives are as they have to try so hard to receive such a small amount of income. Since they do not have the means to survive in the environment they live in, they are so helpless and rely on the white people for hope of money.
        Moreover, many of the natives that are on the platform are young children who say “give me penny”(42) when they have nothing to sell. Their incorrect English indicates that they are not educated which is the result of their impoverishment. Also, readers feel more sympathy and truly see the privation of the locals as it has come to the point where even young children are begging for some source of money to survive in their infertile environment. Furthermore, Gordimer describes the station master’s children as “career[ing] over the sand, clutching the bread…through the garden in which nothing [grows]”(43). Since food is so scarce for the locals, Gordimer emphasizes the “clutching” of the bread to prove just how protective they are of the food they have. As the children cannot afford to lose the loaves of bread as they live in “the garden in which nothing [grows]”, it displays how they live in an uncultivable environment which specifies how much struggle the natives go through.
        Additionally, the powerlessness of the natives is further emphasized through the old man’s character. When he bargains with the lady and her husband, he refers to the husband as “baas” meaning master in the Afrikaans language. As the natives were inferior to white people during this time period, the old man calls him “baas,” indicating the praise and politeness shown to express the due respect for him. To successfully sell his products, the old man is required to belittle himself to make known that he is of a lower status. Once the train begins to leave, “the yells of the natives, running alongside, [jets] up into the air, [falling] back at different levels”(44). In this particular line, a strong image is depicted of the natives running with the train as a last hope for an exchange of their products. Gordimer purposefully portrays the image of the natives running to force the readers to understand their desperation. Realizing that he has no chance of selling his product for the price he has set, the old man succumbs and says “Here, one-and-six baas!”(44). He then proceeds to “[fling] his lion”(44) to the man in the moving train even though, initially, the lion is so precious to him. His pride in his work along with his dignity has been diminished as a result, displaying the lack of social power the locals possess.
        In addition, after the exchange has been made between the husband and the old man, he “[stands], breath blowing out the skin between his ribs, feet tense, balanced in the sand, smiling and shaking his head”(44). The image revealed shows how thin the old man is to the point where his ribs are protruding from his body. As readers, there is a sense of understanding of how the lives of the natives are corrupt as they are malnourished and persevering for survival. The old man smiles and shakes his head because he was able to sell his product; yet, he has not gained much to survive which reverts to the former idea that white people are more affluent compared to the inhabitants. However, despite the seriousness of his reality, the man opens his palm and appreciates the little money he receives. To conclude, the natives, including the old man, play a great role in communicating Gordimer’s intention, which is to display the true difficulties of the natives’ lives in addition to their lack of power in the apartheid society.

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        In contrast to the natives’ poverty and suppressed position, Gordimer applies characterization through the white characters to accentuate their authority and greater wealth in society. In the story, when the old man comes to sell his products, the woman urges, “[n]o, no”(42) and leans down towards him while she commands her hand to the lion. The way she is leaning down to him and commanding her hand shows that she is asserting her power over him as she is from a higher status. Even the position of the woman being above him explicitly indicates her status which is above his. ...

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