Entertainment and Society

THE ROMAN ARENA

I have chosen Roman Gladiatorial Combat as a form of entertainment deriving from a historical period and geographical location. This essay will describe the origins, its development, transformations, peak and its present day forms of this entertainment. It will also include sociological theories that apply to this specific entertainment form.

Roman Gladiatorial combat originated as a religious event like other sporting events in many ancient cultures. The Latin term Gladiators comes from ‘gladius’, which means sword. The Romans called a gladiatorial contest a munus. It is said that the Romans believe that their tradition of gladiatorial games were taken from the Etruscans, after research I found little evidence to support this statement. The Greeks, in Homer's Iliad, held funeral games in honour of the fallen Patroklos. The games ended not in the literal death of the participants, but in their symbolic death as defeated athletes, unlike succeeding Roman gladiatorial combat.

The Roman historian Livy wrote about the first known gladiatorial games, held in 310 BCE by the Campanians. These games symbolized the re-enactment of the Campanians' military success over the Samnites, in which the Romans aided them. Marcus and Decimus Brutus held the first Roman gladiatorial games in 246 BCE in honour of their father, Junius Brutus, as a funeral gift for the dead. It was a comparatively small affair that included the combat of three pairs of slaves in the Forum Boarium (a cattle market).

From their religious origins, gladiatorial games evolved into defining symbols of Roman culture and became a deep-seated part of that culture for nearly seven centuries. Eventually gladiatorial games reached spectacular heights in the number of combats and their monumental venues.

For example, in 183 BCE it was traditional to hold gladiatorial games in which 60 duels took place. By 65 BCE, Julius Caesar had upped-the-ante by pitting 320 ludi, or pairs of gladiators, against one another in a wooden amphitheatre constructed specifically for the event. At this point, gladiatorial games extended beyond religious events, taking on political elements in Rome.

It was decided by the higher classes that gladiators were to be condemned criminals, prisoners of war or slaves bought for the specific purpose of their entertainment, the owner of the these gladiators was known as a Lanista. Free men also had the option of becoming professional gladiators purely by their won choice. Though free men were low on the social scale they became very popular in the eyes of wealthy Roman citizens by becoming gladiators. Condemned criminals who had committed capital crime were made to enter the arena weaponless, whereas criminals who did not commit capital crime were trained in private gladiator schools (Ludi), they were given weapons of their choice, the armour that best suited them, although it was not military armour as this would not send out the right political message and taught to disable and capture their opponents rather than kill them almost immediately. Their training included learning how to use various weapons including the war chain, net, trident, dagger and lasso. Later on the training of gladiators was taken over by the imperial state to prevent the build up of a private army. Gladiators only fought two to three times per year but to gain back their freedom they had to survive fighting between three and five years.

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 During the gladiatorial era humans were not only involved in battles, to keep the crowds and emperors entertainment factor high animals were introduced. This was called the hum (Venatio).  This Venatio acted as a warm up during the morning followed by the gladiatorial combats in the afternoon.

A venatio consisted of hunters stalking and killing ferocious and some not so ferocious wild animals in the arena. In 79BC Pompey gave games in which expert hunters were imported to kill twenty African elephants.

As a form of capital punishment for criminals during the morning venatio these criminals ...

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