Once Iago has finished, Othello immediately dismisses Cassio as his officer, not even giving him a chance to give his side of the story. This is the first change we see occur in Othello. Influenced by Iago’s words, he acts unjustly towards the situation.
Desdemona’s speech in Act three is considered to be both ironic and tragic;
“My lord shall never rest:
I’ll watch him tame and talk him out of patience;
His bed shall seem a school, his board a shrift;
I’ll intermingle everything he does with Cassio’s suit”.
Desdemona states that she will not stop pestering Othello until he agrees to talk with Cassio. It is ironic because Iago later warns Othello to be concerned if Desdemona talks about Cassio too much:
“Note if your lady strains his entertainment
With any strong or vehement importunity –
Much will be seen in that”.
It is tragic because it adds to Othello’s suspicions, which eventually leads to Desdemona’s and his own death.
Othello responds to Desdemona’s pestering with: “I will deny the nothing”. This shows that Desdemona is a great weakness to Othello. Iago know this and uses it against him. Suggests does not state. Hanky.
The play moves from Venice to Cyprus. Venice is symbolic of truth and civility and, in contrast to this, Cyprus symbolises a terrible, war-torn place, and the location for Othello’s similarly restless inner-trial. The difference between both locations is really shown by Iago. His plan to bring about Othello’s downfall in Venice was unsuccessful when he tells Brabantio that Othello has married his daughter, while in Cyprus, he succeeds.
Iago’s talent for understanding and manipulating the desires of those around him makes him both a powerful and a compelling figure. Iago is able to take the handkerchief from Emilia and know that he can deflect her questions; he is able to tell Othello of the handkerchief and know that Othello will not doubt him; he is able to tell the audience, “And what’s he then that says I play the villain,” and know that it will laugh as though he were a clown (II.iii.310). Though the most inveterate liar, Iago inspires all of the play’s characters the trait that is most lethal to Othello: trust.
Iago is smart and an excellent judge of character.
He manipulates Roderigo to give him money.
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy.
When the slightest hint of suspicion or doubt is planted into someone’s mind, the noxious effect of jealousy is left to ensue. In William Shakespeare’s “Othello”, Jealousy and suspicion are Othello’s major flaws throughout the play and foreshadow to the audience his imminent downfall.
In Othello, Iago’s conversation with Roderigo, which is concerning Othello and Desdemona slowly, begins to reveal his true character. Through the elevated use of his language and allusions, his real motives become clear. Iago is a very deceptive individual, and through his elaborate speeches, he uses many literary devices to conjure and cajole individuals just to see his plans flourish. In this conversation, Iago tries to console Roderigo, whom seems to be heartbroken because of Othello and Desdemona’s rapport. He then later has a soliloquy, which he talks about destroying Cassio. In Iago’s conversation and soliloquy, his use of language reveals his true character and nature.
-> The first thing that can be examined is his relationship with Roderigo. He is consoling him because Roderigo wants to drown himself. Iago subtly tells him that it is pointless and uses another reference to animals and tells him to go drown cats and blind puppies. Through this Iago is showing how much he cares for Roderigo, and eventually hopes to manipulate him to do his bidding. Iago then goes on and tells Roderigo that the controversial bond between Othello and Desdemona will not last; hence he will have his chance to court the fair Desdemona. Later on, when he has his soliloquy, he is mentioning how Cassio will fall as a result of Othello. Iago is a despicable character, and continues to say that Othello’s free and open nature will be Cassio’s end.
-> The effect of Iago’s speech on Roderigo is highly effective. Throughout the speech Roderigo slowly starts to adopt Iago’s ideas. The main reason is his love for Desdemona, and Iago superbly plays off his weakness. Iago knows that Roderigo will do anything to win her affection, so he comes up with ludicrous plans and ideas. If Roderigo would have heard this speech from anyone else chances are the effect would not be the same. They both share hatred for Othello, but Iago’s motives include Cassio being one of Othello’s lieutenants. Iago’s message is not even full of substance; it is basically him “wooing” Roderigo to do his bidding. But his soliloquy traverses his perverted mind. Within him all that is going through his mind is getting rid of Othello and Cassio.
-> Iago has an elaborate use of metaphors. In one instance he calls the human body a garden, and therefore the will and desires of human beings as the symbolic gardener. This closely reveals how manipulative Iago’s true self is. Among other things, he alludes to the desires of Othello and Desdemona for one another as food, which will quickly tire. He therefore suggests that Roderigo should save all the money he can so that he will be able to court Desdemona in the future and win her affection.
-> In conclusion Iago reveals his true-self through his conversation with Roderigo and his following soliloquy. These allusions reveal what may come to pass at the hands of Iago’s deceitful schemes and ruses.
When the slightest hint of suspicion or doubt is planted into someone’s mind, the damaging effect of jealousy is left to ensue. William Shakespeare’s “Othello” supports this idea. Jealousy and suspicion are Othello’s major flaws throughout the play and foreshadow to the audience the eponymous hero’s imminent downfall.
When Iago's treachery is fully revealed, Othello asks "Why hath thou thus ensnar'd my soul and body?"+ Explain Iago's motives for hating both Othello and Cassio, analyse the methods he uses to ruin their lives and show how Shakespeare reveals Iago's thoughts and plans to the audience.
The play "Othello" was written by the playwright William Shakespeare, one of the best and well-known writers of that period and upto the current day. He wrote it in 1604 to be performed to the new King: King James I and for that reason he included themes in it such as Turkish history, witchcraft and black magic which he knew King James I liked. The play is named after one of the main characters who has a fatal flaw. The character in question is Othello, the Moor of Venice, a believing and honourable member of the Venetian community and a general of the Venetian army. Although the play was named after Othello, Shakespeare brings in a true villan whose name is Iago. At the time Spain was Englands enermy and Iago being a Spanish name makes the audience sure that Iago is evil. Iago could arguably be the main character, making the play a tragedy which is a play in which characters must struggle with circumstances in which most meet death and despair which in this case the Moor's torture and eventually his, and other innocent characters' demise. Shakespeare seems to suggest in this play that white Iago is a very negative character and Othello the black general is the hero. This would have been at a time when much of England would have questioned these views. Shakespeare may have been trying to make a social comment and putting forward a negative attitude towards racism.
The story is based around a tale by the Italian writer Giraldi Cinthio. It begins in Venice, a `nice', civilised city, and moves to the chaotic war in Cyprus. This change has a lot of significance and relevance in the play because it symbolises the changes in Othello's life and perceptions. Cyprus is an island that is exposed and can be easily attacked which brings in irony when Othello moves there Iago's plan succeeds. The play begins with a conversation between Iago and a Venetian nobleman Roderigo. They are discussing about how Desdemona, whom Roderigo loves, has eloped with Othello. Through this early conversation it is evident that that Iago is manipulative and cunning as he is already taking advantage of the rich and love struck Roderigo, whose money he has full use of: "Thus do I ever make my fool, my purse.." The first word we hear from Iago is "Sblood", a strong swear word in the British language at the time. We learn through the conversation that Iago uses crude language and is not well spoken, or noble, but a simple man, a soldier. Iago explains to Roderigo why he hates the general, Othello. It seems that he had pleaded with Othello for the position of lieutenant in the army, but despite his efforts Othello promotes Cassio, a nobleman: "One Michael Cassio, a Florentine,....That never set a squadron in the field" >From this statement we know that he despises Othello for this decision because not only is Cassio inexperienced, but he is also not from Venice but from Florence.
As Iago tells Roderigo of what he thinks as a mistake we become more aware of his bitterness. Iago here also gives a further reason why he hates Othello to the audience in the way of a soliloquy, a dramatic device whereby a character talks directly to the audience about his feelings and opinions. This way of conveying an idea to the audience is used by Shakespeare a lot because it builds up tension because the audience know things the other characters don't.
In this soliloquy, Iago tells the audience of his suspicion that Othello has slept with his wife, Emilia: "And it is thought abroad that `twixt my sheets He has done my office." At this point we start to become more aware of his jealous nature and suspect that it may be based mostly on his paranoid mind. Not only does he believe that Othello has slept with his wife he also believes that Cassio has as well,and with has good looks, his charm and his luck with women also the fact that Cassio got the promotion and not him makes Iago totally jealous of Cassio and this is why he hates Cassio so much. "He hath a person and a smooth dispose to be suspected - framed to make a woman false." He suggests in this sentence that Cassio is irresistible to women because of his charm and looks. Shakespeare is showing here how jealous Iago is but also showing that sometimes Iago can be honest.
In the first act of the play, Iago convinces Roderigo to help him arouse Brabantio, Desdemona's father, in order to tell him of the secret marriage between his daughter and Othello: "Even now, now, very now, an old black ram is tapping your white ewe." Iago again uses crude, racist language bringing sexual animalistic images which would have been despised in the city of civilised and sophisticated Venice. Shakespeare makes Iago does this to anger Brabantio into violence and to make the audience question their own views on racism. This method of manipulation is used by Iago as he knows how his words will affect others. He uses this method against Othello to convince Othello of Desdemona's affair and also uses it against other people during the length of the play.
"Were they as prime as goats, as hot as monkeys, As salt as wolves in pride and fools as gross as ignorance made drunk" (Act III Scene III) Here he compares Desdemona and Cassio to animals to bring into Othello's mind terrible and horrific images to make him angry. Iago is confident that his words will hit their target. Iago frequently uses racist terms. In the presence of Roderigo and to anger Brabantio, he is often being racist. He refers to Othello as a "Barbury horse", a type of Arab horse, which is not only racist but adding animalistic terms in as well. In the play, the scene changes from Venice to Cyprus. Shakespeare uses Venice to symbolise truth and civility and, in contrast to this, the setting moves to Cyprus, bad, terrible and war-torn, and the setting for Othello's similarly tumultuous trial. Whilst Othello's mind is at rest, the audience enjoys a Venetian setting, and when he becomes provoked and disturbed, we see the backcloth of Cyprus. The other characters in the play also seem pleased and contented of the implications of being in Venice. Brabantio himself explains: "What tell'st thou me of robbing? This is Venice; My house is not a grange." (Act I Scene I) This is just proving that the idea of robbery in Venice is just outrageous to a man like Brabantio, content with his Venetian home and his Venetian blood and not used to uncival behaviour.
The difference between Venice and Cyprus is really shown by Iago whose plan is unsuccessful in his attempts to bring comedown to Othello in Venice by telling Brabantio that Othello has slept with his daughter in no uncertain terms, while in Cyprus he succeeds, by breaking up Othello's marriage and then annihilating Cassio. He makes Othello believe that Cassio is Desdemona's secret lover, thereby ruining both of his enemies with the same liebut first of all he makes sure everyone thinks he is Cassio's friend: "Touch me not so near I had rather have this tongue cut from my mouth than it do offence to Michael Cassio." He does this so no one will suspect him of foul play. This brings a lot of dramatic irony into the play by characters such as Othello and Cassio continually calling him "honest Iago" while the audience know he's not. Therefore Iago can continue his evil plan without being suspected. Next Iago loses Cassio his position of lieutenant. In doing this he brings cleverly into the plan stupid, lovestruck Roderigo. Iago tells Roderigo that he should pick a fight with Cassio while he is on duty. Iago does this because he knows that this would hurt Cassio's reputation and ruin his friendship with Othello. Othello holds a party and Iago joins Cassio. Iago asks him to partake in a glass of wine. Cassio agrees, but insists that he can only have a little for he has "no brains for drinking". But he gives way and soon gets drunk. Iago gets Cassio drunk to help him with his plan. When Roderigo starts on Cassio, Cassio will respond, therefore upsetting Othello when he sees them, giving him no choice but to take Cassio's position from him. Iago then cunningly tells Cassio that to get his position back he needs to persuade Desdemona to speak to Othello on his behalf.
"Confess yourself freely to he ... requested" Iago does this so when he has filled Othello's mind with thoughts, having Desdemona coming up to Othello wanting to talk about Cassio will upset Othello further. While Desdemona is trying to speak to Othello about Cassio, Iago is planting lots of sexual animalistic thoughts in Othello's mind: "Were they as prime as goats, as hot as monkeys, as salt as wolves." While Othello is thinking about this, Iago also reminds Othello of Desdemona being disloyal to her father and leaving him in secret stating that she could so easily do it again. In the end, with Iago making more and more comments and Othello becoming more and more suspicious, Othello is pushed over the edge, killing his wife and himself. Act III Scene III is the most important scene in the play and is often called the Temptation Scene. it contains lots of tension and works up the audience a great deal. This is because this is where Iago's plan seems to change everything so quickly. At the start of the scene Othello says: "Excellent wretch: Perdition catch my soul But I do love thee: and when thee not, Chaos is come again." He means that if he didn't love Desdemona, it would be chaos. This builds up the tension because of the dramatic irony because we, the audience, know what's going to come. Iago continues to make Othello suspicious and then says: "Utter my thoughts? Why say, they are vile, and false?" Shakespeare again questions society by putting in he play what lots of people have done and will do. Here Iago is actually getting Othello to ask him what he is thinking, not directly telling him, but using his suspision against him making him ask what Iago thinks so that, cleverly, he cannot be blamed later on. He does this by telling him that he doesn't want to hear what he has to say. He does this, making Othello's suspicions work against him, making him ask and from there onwards puts concocted words into Othello's mind. The things he tells Othello mostly are to make his suspicions grow, but Iago does add the slightest of truths in to prove it a bit more: "She did deceive her father, marrying you.." Here he reminds Othello that Desdemona did deceive her father, so could deceive again. While Iago is reminding and telling Othello what has happened, and what could be happening, he is adding language in which he is saying how a lady could fall for Cassio, building up Othello's fatal flaw - jealousy. Here we see a big change Othello turning into someone almost like IagoThe audience see Othello's language change from gentlemanly to crude: "Damn her lewd minx..." Here is Othello uttering in Shakespearian times very bad words. Shakespeare makes Othello change his languageand thoughts just to show the audience how someone can easily change from mere suspision. Then the last statement Othello says in the scene proving the point for the audience that Othello has changed: " O damn her, damn her. Come go with me apart, I will withdraw To furnish me with some swift means of death" This changes the way the audience perceive Othello from Othello saying life would be chaos if Desdemona wasn't there at the beginning of the scene to damn her, get heraway from me and kill her at the end. This really starts the tragedy with the audience now knowing that evil Iago's plan has worked and the play will have a tragic ending, This builds up the tesnion as well, because the charaters in the play still refer to Iago as "honest" when the audience can see plainly he is not. The handkerchief scene is another important scene in Othello. The scene is full of tension, which Shakespeare keeps on cleverly adding to, to bring more furore from the audience. This tension is brought about by Desdemona speaking for Cassio which compounds Othello's fears and at the same time Othello asking for the handkerchief bringing in dramatic irony creating tension.
Throughout the scene, Othello gets more and more desparate making the audience sit on the edge of their seats even more and then at the same time Desdemona interrupting with words for Cassio. Here you can see that, even though Desdemona keeps on denying it, Othello won't rest and keeps on asking her, showing how well Iago has worked up Othello with evil lies.This scene and the temptation scene bring the play up to its climax full of dramatic tension Shakespeare has cleverly made. Lots of Iago's motives were based on suspicion and his truly wicked and cunning ways forced Othello's weakness to come from him - jealousy. Othello changed during the play from a polite general to a badly spoken murderer all because Iago thought Othello may have slept with his wife and Othello didn't promote him but Cassio. In this play Iago was prepared to ruin and end peoples' lives just because of his jeaousy. His motives were small and his actions huge and horrific. So what most people would wonder and what Othello asked on the brink of death was: "Why hath thou thus ensnar'd my soul and body?"
