Other Cultures and Traditions Assignment

I am going to write about a poem called “Nothing’s Changed” by Tatamkhulu Afrika and a story called “Desiree’s Baby” by Kate Chopin. Both the stories contain prejudice, oppression and injustice. “Nothing’s Changed” is set in Africa in a place called Cape Town. Desiree’s Baby is an old story set in the late 1800s, this story is set in America while the slave trade was taking place.

When the South African goes back to district six it's all overgrown. He steps through the rubbish and weeds. It says the weeds are 'amiable' which means friendly, as if the weeds don't know what he knows. He knows in his bones this is where he used to live. It's as if the feeling starts in his feet and works its way up through him, and he gets hotter and more intense, until he suddenly sees this 'brash' new building. 'Squats' makes you think of a toad, or something heavy and solid, and also squatting is when you live somewhere illegal, like the inn shouldn't ever have been there. When he peers in through the glass it's all cool and elegant inside, not the sort of place they would let in anyone. He says 'we know where we belong', meaning outside looking in. So although it no longer says 'Whites Only' on a board, like it used to, only rich white people would feel they had the right to be there.

The “up-market” inn is meant for white customers only. No sign shows this but black people, being poor, are not allowed past the guard. “Whites only inn” contrasted with “working man's café” which equals no tablecloth and nowhere to wash hands. There is a contrast between the smart inn “squats” along with “grass and weeds”.

In the final stanza, the poet is a boy again, his face and the “small mean O/ of small mean mouth,” pressed up against the window, unable to get in, filled with anger and violent intent, looking for a bomb or stone to destroy the white man’s monument; “nothing’s changed”. The whites are as they always were, just as this black South African character in the poem is.

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He uses onomatopoeia in the first stanza, “Crush”. He also uses a lot of repetition in the second stanza, “and”. The third stanza is interesting because of the way it leaves the identity of the centre of interest, the “whites-only inn,” until the end of the sentence and stanza. This increases the tension and the sense of the poet’s anger, like an inferno. Its, the new whites-only inn - is “brash”; its name stands out. In the fourth stanza we are told that there is no sign saying this is a whites-only inn, but the black people know it in ...

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