Does Ian McEwan succeed in creating rounded, plausible characters in the novel Enduring Love?

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Faye Speddings 12AAR

Does Ian McEwan succeed in creating rounded, plausible characters in the novel Enduring Love?

From the very first chapter, Enduring Love is a gripping psychological thriller. McEwan's writing is always good, creating an atmosphere of tension and suspense, and his characters behave mostly in a very human and plausible way. At times the story becomes a little far fetched, particularly at the end, where events seem to unfold very suddenly and not entirely believably. However, for the most part the story is horrifying in its convincingness. The opening scene is brilliant; cinematically gorgeous, rich in tension, a lover's picnic is tragically ruined when a hot air balloon plunges from the sky.

What begins as an interesting character study of a man plagued by guilt becomes a mundane thriller. Ifans' over-the-top performance as mentally unstable zealot who becomes obsessed with the hapless hero is reminiscent of Glenn Close's knife-wielding jilted lover in "Fatal Attraction." This is one of McEwan’s best reviews from the BBC yet for the film adaptation.

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    McEwan introduces the narrator Joe, as a rational, scientific mind who appears to be a rather simplistic character representing a stereotypical science geek. However, as the novel unfolds, we see signs of paranoia and irrational behaviour coming from Joe, suggesting he is more rounded and has different sides to his personality that slowly become apparent when reading Enduring Love. I find Joe to be a plausible character from beginning to end, however towards the end when he begins to severely break down, it seems almost over the top and not plausible. Also, due to the fact that the ...

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