How does Wilfred Owen portray the horrors of war through his use of language in Dulce et Decorum Est?
How does Wilfred Owen portray the horrors of war through his use of language in Dulce et Decorum Est? Dulce et Decorum Est, a poem by Wilfred Owen, explores the many horrors and cruel ordeals of World War One. Through his use of linguistic techniques, vivid imagery and dramatic descriptions, Owen seeks to convince the reader that it is far from honourable to die for ones country, as the title of the poem in fact suggests. He does so successfully, presenting his opinion through a series of images designed to obliterate the misconception that war is admirable, as well as differentiating and varying his techniques throughout the poem. In the first stanza, Owen describes the state of the soldiers to allow the reader to visualise the cruel reality that war was for them. Their situation is made more realistic through the use of first person plural as displayed in the line "we cursed through the sludge". Unexpected and contrasting descriptions of the soldiers such as referring to them as "bent double, like old beggars under sacks", and associating them with animals by referring to them as "blood shod", also changes the reader's perception of what conditions were like during the war. In relation to their harsh portrayal, Owen uses similes such as "coughing like hags" to help produce a pitiful sense of anguish for the soldiers, as well as, for emphasis on their weariness, and both
With specific focus on Wilfred Owen's Futility, Anthem for Doomed Youth, Dulce et Decorum est, and Mental Cases evaluate the methods the poet uses to bring across his convictions, feelings and ideas.
With specific focus on Wilfred Owen's Futility, Anthem for Doomed Youth, Dulce et Decorum est, and Mental Cases evaluate the methods the poet uses to bring across his convictions, feelings and ideas. "Who longs to charge and shoot, Do you my laddie." This jingoistic wartime poem by Jessie Pope ignites Owen's anger at these false impressions of war. This is evident in such poems as Dulce et Decorum est, originally penned towards Pope, hence the initial title, To a Certain Poetess. Owen's "senses were charred" at the sight of the "suffering of the troops", such accusations about the nature of warfare fuelling the malice of his work. Owen never openly retaliates, instead opting to include his resentment towards writers like Pope in his poems. Owen frequently conveys his convictions of lost youth in Anthem For Doomed Youth by referring to "the hands of boys", evidently refusing to acknowledge the maturity of the men. Owen's numerous references to religious symbols heightens the effects of his poems. In Anthem, we hear the "demented choirs of wailing shells." Angelic choirs are ironically reversed as Owen negates Christian ritual as being unfitting for those who die amid screaming shells. In Mental Cases, we also bear witness to Biblical images, asking if we are: "Sleeping, and walk hell But who these hellish?" Owen often compares war to Hell, comparing soldiers to creatures
An analysis of the poetry of Wilfred Owen with specific reference to language used.
Laura Harvey 4Ng 15th January 2004 Wilfred Owen.[1893-1918] The Last Laugh. The Send Off. The Anthem for Doomed Youth. An analysis of the poetry of Wilfred Owen with specific reference to language used. Wilfred Owen was an English poet who specialised in writing about the war. Owen was born on 18th March 1893 in Oswestry. He was the son of a railway worker and the eldest of four children. Owen started his education at the Birkenhead Institute and then continued his education at the Shrewsbury Technical School. Wilfred Owen then started work as a pupil-teacher at Wyle Cop School while he prepared for his matriculation exam for the University of London. After failing to win a scholarship, in 1913, he found work as an English teacher at the Berlitz School in Bordeaux. In October 1915 he joined the army. The next he knew was that he was fighting at the Somme. He returned to England and was put in hospital only two years after he joined up in 1917 because of shellshock. Explosions from nearby shells and the content of the war caused the shellshock in general. Owen was send to Craiglockhart Hospital, in Edinburgh, and met Siegfried Sassoon, another war poet. In August 1918 Owen was declared fit and returned to the Western front. He fought at Beaurevoir-Fonsomme, where he was awarded the Military Cross.
