Another example for the theme of relationships and what tests them comes in ‘The Workbox’ where a man makes a workbox for his wife. She dislikes the box because it was made out of the same wood that was used to make a coffin for a man they knew, but supposedly did not know how he died. But Hardy introduces a mysterious, suspicious twist at the end, where it says ‘As if she had known not only John, But known of what he died’. This could leave the reader thinking that maybe the woman had been responsible in some way for the man’s death. Hardy was very interested in making mysterious situations, and this one goes with the theme of relationships, in particular secrecy. It shows Hardy believed relationships were hard, and secrecy is one thing that tests a relationship. The poem ‘Plena Timoris’ also shows a romantic relationship start off well, but when an event, in this case the sight of a dead woman who drowned herself as her man failed to meet her, the romance is totally lost from the originally idyllic setting (silver moon, shining ear-rings, his arm around her, all typically romantic things). Towards the end of the poem, Hardy writes of the woman realising that love is not everlasting, and she is scared that the same thing might happen to her, perhaps something Hardy felt himself in one of his relationships, that he originally felt his love life would be perfect and everlasting, then realising it is not.
The theme of trust also appears in the second story ‘The Melancholy Hussar’. We are introduced to a lonely setting ‘where a stranger had hardly ever been seen…’ (Hardy was also interested in writing about the behaviour of people who feel isolated and are outsiders) where Phyllis lives with her Father. She agrees to marry Humphrey Gould, although it seems not because she is madly in love with him, but more a feeling that she has no better offers for her future, and would prefer to marry this man she doesn’t truly love (“Love him…she assured me she never did”) then carry on living a lonely life with her father, who approves of Gould, and generally in those days, girls were expected to be obedient of the dominant male in their lives, as we see when her father orders her to not leave the house without his permission, she ‘had not the smallest intention of disobeying him in her actions’ . But when the Hussars come to her area, she starts to become friends with a Hussar called Matthäus Tina. The Hussars provide a contrast to the typical country man that Phyllis would have occasionally seen, and Hardy gets to write about one of his interests as he describes the Hussars; brilliant uniform, splendid horses, and large moustaches, giving the overall feeling they were very attractive to woman, and we see they provide a large temptation for Phyllis to be unfaithful. Whilst her and Matthäus become very close, and she even admits ‘She had lost her heart to Matthäus’, she respects the fact that she had made a promise to marry Gould, and couldn’t let her feelings for the Hussar go too far because of her engagement, and she ‘declined to permit the young man to overstep the line of mere friendship for a long while..’ This shows her faithfulness for her relationship with Gould. But are told that Gould may not have been as loyal – ‘He was not sure, indeed, that he might not cast his eyes elsewhere’. Although he presents Phyllis with an expensive gift, seemingly out of his love for her. Phyllis is very cross at herself, ‘bitterly reproached’ for believing any report she had heard that Gould had been unfaithful. Gould’s present however, turns out to be more of a peace offering – he had married someone else. After Phyllis restrained herself with the Hussar in the belief Gould would do the same, Gould has been disloyal, dishonest and unfaithful. To make matters worse, he is even asking a favour of Phyllis. This is how Hardy is communicating to the readers about relationships – trust is a two-way thing, and having no respect for someone else’s trust can severely ruin a relationship. By comparing the two men, we can see more clearly how Phyllis restrained herself; Gould is described as neither young nor old, or middle-aged, neither good-looking nor plain. Too steady-going to be ‘a buck’, approximately fashionable, of a mild type. The indecision (neither…nor…, approximately, mild) helps to get the feeling across the Gould isn’t very exciting, or has any distinguishable looks. Matthäus however, was particularly striking, especially to Phyllis, because as soon as she saw him, she thought about his face for the rest of the day. ‘Its aspect so striking, so handsome, and his eyes were so blue…’. Not only is Matthäus described as being a very handsome young man, instead of the indecision we got with the description of Gould, Hardy uses the word ‘so’ a lot, which makes his features sound much more handsome and noticeable. Secrecy is also evident in Gertrude’s and Farmer Lodges relationship, in ‘The Withered Arm’, and as we can see, their relationship came to a very unhappy end. As Gertrude attempts to find a cure for her withered arm, she hears of a mysterious man called Conjuror Trendle. Yet she doesn’t tell her husband of visiting him, perhaps unsure about how he would react to her visit such a man.
Hardy was very interesting in writing about fate and coincidence in his work for his readers. This happens often in the story ‘The Withered Arm’. Rhoda feels such a strong dislike for Gertrude, her ex-husbands new wife, that she subconsciously grasps her by the arm in a dream. Hardy explores the theme of witchcraft, a topic which would have been particularly exciting to the readers, by suggesting Rhoda has some sort of magical powers, as if she were a sorceress, as Gertrude’s arm has withered where Rhoda grasps in the dream. Also, another strong coincidence is that Gertrude is told to receive her cure for the arm by pressing it against the neck of a hanged person. The coincidence is that the hanged person turns out to be Rhoda’s own son, who had be hanged for stealing. The son of the woman who seems to have caused the illness, was the same person that offered her the cure, although Gertrude dies very soon after.
We also read of coincidence in ‘The Melancholy Hussar’. We are told that Phyllis lives quite a lonely, isolated life, living in a place where few people come. When she finally meets someone, Humphrey Gould, she agrees to marry him, although she isn’t truly in love with him. The coincidence is that after years of hardly any contact with eligible men, she meets two that she has feelings for. Even worse is that the man she truly loves comes after she agrees to marry Gould. Hardy uses this to write about the strong emotions of Phyllis as she restrains herself by keeping to her promise to marry Gould, and the Hussar’s strong feelings towards Phyllis and his longing to be back in his home country. Another coincidence is that just as Phyllis is about to run away with the Hussar, her fiancé Gould returns after his absence. And after Hardy has described how Phyllis has been unwillingly restraining herself, he tells us Gould has been unfaithful by marrying, as if he had hardly even thought about his engagement to Phyllis.
Hardy is also interested in communicating his ideas on fate – the thought that your life has been set before you and you can’t change what is going to happen. We see in ‘The Withered Arm’ and ‘The Melancholy Hussar’ that both the main characters are woman, Gertrude and Phyllis. They both feel out of place – Gertrude as she is from a higher class than the village she has been taken to, and Phyllis as she lives in a particularly lonely area, ‘There is no such solitude in country places now as there was in those old days’ suggesting it was a very isolated, lonely place. It seems the life of a woman in that situation is destined to lead a troublesome life, or so Hardy suggests in his stories. They both hide secrets, have complicated love problems, and ultimately die unhappy and alone (Gertrude dies still married to Farmer Lodge, but by the end he is cursing her and has very little to do with her).
An interesting subject to read in those times would be to do with the supernatural, and Hardy himself must have been interested in it, as it appears in his work Firstly in ‘The Withered Arm’, we have the strange, sinister event when Rhoda grasps Gertrude arm in a dream, and in real life Gertrude’s arm has marks where Rhoda grasped it, and it gradually becomes more withered until Gertrude is desperate for a cure. When people thought of the supernatural, often they think of it as being something that can harm you. Hardy has written that Rhoda did hurt Gertrude, without physical contact, as if she used some supernatural power to do it, as if she had ‘powers other folks have not’. The man Gertrude seeks advice from is a mysterious man, called Conjuror Trendle. Being a conjuror suggests he might experiment with magical powers, or does strange and unusual things. More evidence on Rhoda having supernatural powers comes because she is the only person that knows of the mysterious Conjuror Trendle.
‘The Homecoming’ is divided into 7 stanzas, and between each one there is a two line verse. These, sometimes repeated verses give the poem an eerie, spooky feeling, which adds to the lonely, poor feelings we get from the content. ‘Gruffly growled the wind on Toller downland broad and bare, And lonesome was the house, and dark; and few came there’ and ‘Rattle rattle went the door; down flapped a cloud of smoke, As shifting north the wicked wind assayed a smarter stroke. Words like gruffly growled, rattle rattle, lonesome and dark, wicked wind give the feeling the place could even be haunting as they describe strange eerie sounds.
Another theme we come across in Hardy’s writing is crime and punishment. He seemed keen to get the point across to his readers that if you commit a crime, you must face often harsh consequences. We see an example of this in ‘The Melancholy Hussar’, as Matthäus Tina, the Hussar of the story. He desperately wants to return home, and return to his mother. He hates the war, and he says that the only thing he likes about coming to England is the fact he got to meet Phyllis. As he hates the army so much, he decides to stay with Phyllis after he is called back to the army camp. Phyllis realised how he could be disgraced for doing this and she ‘implored him to leave immediately’. He has such a great dislike for the army; he does not care what they might do for him for being late, and wants to stay with Phyllis ‘I care more for a minute of your company than for all the promotion in the world’. Later we are told, when Phyllis next sees him ‘he was without the stripes that had adored his sleeve’. He had been punished for his lateness, very strictly, by being reduced to the rank of private, but as he committed the ‘crime’, and he realised he would be in trouble, he had to face his punishment. Another example appears in the same story, and the message of crime and punishment is emphasized by the drastic and harsh punishment at the end. Matthäus has asked Phyllis to run away with him back to Germany. He realises that this is a very risky thing to do, as he would be deserting the army, which is seen as a very serious crime. Phyllis however, is unsure what to do. Her cheating, unfaithful, disloyal fiancé has just come back, and after a long, plain, lonesome lifetime, she is suddenly faced with an incredible proposition, and she is afraid of taking such a random prospect – ‘so wild as it was, so vague, so venturesome’. She doesn’t go with him in the end, but Matthäus, along with his friend Christopher, leave, for he hates being in the army so much, and wants to get back to his mother, who he feels he has left lonely. But he is caught, and has to pay the high price for desertion, death by firing squad. Crime and punishment also features in ‘The Withered Arm’, as Rhoda Brooks’s son is hanged for committed the crime of theft. Some people may thing this punishment is a little harsh for the crime, but perhaps Hardy wanted to get his point of crime and punishment across strongly, so he choose to write of death as a punishment.
GCSE English & Literature Coursework
Unit 3 - Pre 20th century Prose and Poetry
Thomas Hardy
Task 1
What do you think Thomas Hardy was really interested in communicating to his readers? Find evidence in the stories and poems you have studied.
Peter Stagg
10F