RECIPE OF LIFE

It is said that ‘Life is a combination of magic and food’ and there is nothing better than Laura Esquivel’s novel, ‘Like of Water for Chocolate’, that uses this combination to unravel the mysteries of life, its recipe and the ingredients that make it so special. As it is subtitled, this one is ‘A Novel in Monthly Installments with Recipes, Romances and Home Remedies’. This incorporation and interweaving of traditional food recipes make for a very and charming interpretation of life indeed, in the turn of century Mexico. Laura Esquivel has also employed techniques of Magic Realism very appropriately to link these recipes and the art of cooking with the main protagonist, Tita’s hopes, dreams and eventually her life. Thus, these food recipes seem to hold the secrets of love and life in this journey through Tita’s life and dreams.

Food and emotions have an inseparable relationship in this spicy tale of love and family bonds. Set in Mexico, this novel chronicles the life of Tita, the youngest daughter of Mama Elena through her teenage years till she grows up to be a woman. Laura Esquivel has effectively used a variety of dishes to relate and associate different themes and emotions throughout the novel, that make up one’s life, like love, lust, sickness, death, hatred, motherhood and affection. This has resulted in a bittersweet story about a woman’s love and loss and her search for her true identity and fulfillment. Esquivel’s special emphasis on food as an outlet for emotions also throws light on the limited options available to women in that period of time to fully express their deepest feelings, thoughts and desires.

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Throughout Tita's childhood, "the joy of living was wrapped up in the delights of food." [1] She is raised by Nacha, who brings her in touch with her culinary talents. However, her real mother is always cruel, irrational and unreasonable towards her daughter, who has to bear the brunt of her strictness and discipline. Always very inconsiderate, she hurts Tita the most when she forces her to follow the old family tradition that dictates that the youngest daughter must remain unmarried in order to take care of her widowed mother till her death. Thus, Tita cannot marry her beloved, ...

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