The sole significant challenge (and it proved only a temporary sidestep) to Egypt's consistency of attitude and approach to representation and design in with Amenhotep IV of the Eighteenth Dynasty.

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                                                                Karla Fuentes-Rivera

                                                                HUM 1 Midterm

                                                                Glowes

3)

The sole significant challenge (and it proved only a temporary sidestep) to Egypt’s consistency of attitude and approach to representation and design  in with Amenhotep IV of the Eighteenth Dynasty. As Phaoraoh, he closed all the amen temples, displacing the current ruling deity Amen-Ra, and officially dispensing the pluthera of other Egyption gods. He proceeded with replacing the former polytheistic based religion, with a monotheistic system; worshiping the single god Aten. Aten was the sun disk, he allowed the god Re to be worshipped because he belived Re was part of the sunlight that came from Aten. In his worship of Aten. This move to a monotheistic culture seemed to have anticipated the ideas of later Hebrews and Christians.

Apart from changing the religion base of all of Egypt he moved the current capital from Thebes to a city about 175 miles due north called Akhetaten, “the Horizon of Aten.” Ruins of the city lie near what is now Tell el Amarna. Upon Changing Capitols, Amenhotep IV also changed his name to Akhenaton, “He who is effective on the behalf of Aten.” Just as siginificantly he liberated Egypt from convention. He had been described as a “mystic, a dreamer, a religious fanatic, and pacifist. Egypt, having followed is ancient radition for thousands of years, did not easily accept his revolutionary ideas.

Akhenaton's religious reforms, which historians call the Amarna Revolution, led to an outpouring of art and sculpture that glorified the Aton.  An example of the new artistic freedom can be seen with limestone relief Akhenaton, Nefertiti, and Their Children Worshipping the Sun. Instead of the traditional  idealized bodies, during Akhenaton’s reign, bodies where portrayed naturally. One is able to see the physical distortions that artist put in. There wasn’t an emphasis on rigid and dignified poses, but the was a sort of casualness and intimacy chared within the releifs. In the relief Akhenaten, Nefertiit, and Their Children Worshipping the Sun, his body is elongated, with ider hips and a slouched back. All depictions of Akhenaton had this physical distortion, so we can presume that it was not exaggerated by the artist.

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When Akhenaton died, Egypt returned to its polytheistic faith, the capitol returned to Thebes and the artist returned to the same routine.

6)

        In many ways, America has more in common with Rome than it does with Greece. The Greeks were a practical people, but the Romans raised the idea of practicality almost to a religion. For the Greek, what was good was the ideal; for the Roman, what was good was what worked. In much the same way, Americans pay tribute to the person who accomplishes things, the practical one, the one who can use what ...

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