Othello. Emilias monologue in act IV scene iii lines 82-99 articulate her views that women and men are not so different
But I do think it is their husbands' faults [82] If wives do fall: say that they slack their duties, And pour our treasures into foreign laps, Or else break out in peevish jealousies, [85] Throwing restraint upon us; or say they strike us, Or scant our former having in despite; Why, we have galls, and though we have some grace, Yet have we some revenge. Let husbands know Their wives have sense like them: they see and smell [90] And have their palates both for sweet and sour, As husbands have. What is it that they do When they change us for others? Is it sport? I think it is: and doth affection breed it? I think it doth: is't frailty that thus errs? [95] It is so too: and have not we affections, Desires for sport, and frailty, as men have? Then let them use us well: else let them know, The ills we do, their ills instruct us so. [99] [Emilia's monologue, Othello, Verse, act IV scene iii] Emilia's monologue in act IV scene iii lines 82-99 articulate her views that women and men are not so different, and that what is acceptable for the men, is too for women. In an attempt to unite the sexes with equality, her expression conveys a somewhat different meaning. The division between men and women is highlighted through the use of the colon "if wives do fall: say that they slack their duties."[83] The reference here to both husband and wife failing the
How Would You Stage The final Scene of Othello? Consider (a) Stage and Audience (B) Possible Meanings.
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Show how Shakespeare sets out the contrasting characters of Othello and Iago in Act 1 of Othello
Show how Shakespeare sets out the contrasting characters of Othello and Iago in Act 1 of Othello. The characters of Othello and Iago are central to the plot in the play Othello. They are two of the play's main characters, but couldn't be more dissimilar. The ways in which Shakespeare outlines these contrasts in character in Act 1 of the play will be analysed with examples from the text given as evidence of the contrasts. We know Othello is going to be a key figure in the play as it is named after him. However, we meet Iago first. Shakespeare indicates in Act 1 Scene 1 that Iago will also have a significant part to play in the play and in fact a lot about his character is revealed in his opening exchanges with Roderigo and Brabantio. We learn very quickly that he is two-faced in lines 59-65 when he tells us that he is only putting on an act of obedience to serve his own ends, while concealing his true feelings, which are of contempt and dislike of Othello. Shortly after this, we get our first glimpse of Iago's ability to mastermind and engineer plots, while at the same time arousing emotions in others, when he incites Roderigo to wake up Brabantio and destroy his peace. Once Brabantio is awake, he himself interrupts to tell him that Othello is having sex with Brabantio's daughter - lines 88-89 'an old black ram is tupping your white ewe'. Now we as the audience know this is
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"Othello in his magnanimous way, is egotistic…. A habit of self-approving, self-dramatization is an essential element in Othellos' make up."F.R Leavis - How far do you support each of these statements?
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In William Shakespeares Othello, we witness the tragedy of a man tormented by the fabrications of his own mind. Originally, Othello is tempted by Iago to believe in his wifes infidelity.
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The purpose of this paper is to introduce, discuss, and analyze the topic of jealousy
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