Evaluation of John Osborne's Look Back In Anger

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Sian Goff 11e

Evaluation of John Osborne’s Look Back In Anger

On Thursday 8th November, I went with a group of drama students to see a production of Look Back in Anger by John Osborne, which was being performed at the Norden Farm Arts Centre in Maidenhead. This theatre is quite modern and has a spacious bar area, which has been upgraded to give the foyer of the theatre a contemporary look. The audience was seated either in the stalls, the raised back and sides, or on the balcony. The play, Look Back in Anger is set in post war London in the late 1950s, a time where the English society started slowly reforming itself to the new circumstances, after the war. John Osborne used a very naturalistic style for this play and he uses various slang words, which gives the impression of real life and brings out the characters and a genre of realism. Overall, Look back In Anger is quite a disturbingly realistic drama which provided a turning point in the mid fifties and could be described as post war modernism.

         The play features the characters of Jimmy, a frustrated sweet shop owner, Alison, Jimmy’s middle class wife, Cliff, their welsh friend, who also works in the shop, Helena, an actress friend of Alison and Alison’s Dad who only appears briefly. The play is about Jimmy Porter, a very “angry young man” who feels that the world is against him and how he takes this out on his wife by making her life a misery and seducing her best friend; a woman he originally despised. This play is a realistic, social documentary which gives an insight into society of the late 1950s.

        The play is set in one room, the dingy bedsit where Jimmy and Alison live, which is situated above the sweet shop that they own. Their friend Cliff also works in the shop and lives above it but in a separate room in the house. The room is very dark and drab; it is mainly coloured in brown and there is only one window. The furnishings and appliances are limited, there is a small kitchenette, a dining table with chairs, a double bed with a shelf holding books and a small old-fashioned wireless, one armchair, a dressing table and a small space for storing clothes, shoes, cleaning paraphernalia, etc. The bedsit is very dull and depressing; the old furniture and brown colouring of the room help create this atmosphere. The layout of the room and the cramped living conditions indicate claustrophobia and how the characters are trapped in this life style -which could be a source of Jimmy’s frustration and bitterness. One gets the feeling that there is no possibility of change or improvement in their situation.

        The lighting was on full throughout the majority of the performance and there were no special effects other than a spotlight on Jimmy and Alison in the final scene of the play. There was no particular dramatic effect created by the lighting. However, this does contribute to the idea of tedious normality and the lack change in their lives. The sound was also focused on the idea of everyday life; the only sound effects were from the outside world, emphasising their confinement. The lack of music in the play highlights the sense of documentary and demonstrates that the visual imagery was more important in creating the mood than the music. When the lights went down popular 50s tunes were played which indicated the period in which the play is set.  

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        The way in which the characters present themselves can give us an insight into their state of mind. Alison, for example, is always dressed in drab, frumpy and poor quality clothing and this tells us that she is not wealthy, she doesn’t focus on her outward appearance and she is suffering from low self-esteem. Her choice of colours, such as grey and brown, enhances this picture of her miserable life because it is in direct contrast to the way Helena dresses in bright reds and more positive colours. Alison is rarely made up during the play and her hair is ...

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