Sherriff presents Stanhope as hard working, and this is mentioned various times throughout the two acts. Osborne says (when defending him against Hardy) - ‘He’s commanded this company or a year – in and out of the front line. He’s never had a rest. Other men come over here and go home again ill, and young Stanhope goes on sticking it, month in, month out.’ He is precise and meticulous in his duties as captain. When Trotter asks if he can go on duty half an hour later so he can finish his meal Stanhope refuses, unwilling to risk upsetting the schedule. He is also horrified at the state in which Hardy leaves the trenches, commenting that they smell like cess pits; all this adding to the image that Sherriff creates of him as a fine officer.
Stanhope is extremely worried about Raleigh’s appearance as he is frightened he will write to his sister and tell her what he has become. His quick temper becomes apparent as he demands Raleigh hands his letter over – he shouts, ‘Don’t ‘Dennis’ me! Stanhope’s my name!’ and even snaps at Osborne. Raleigh describes an incident at school, ‘I remember once at school he caught some chaps in a study with a bottle of whisky. Lord! the roof nearly blew off. He gave them a dozen each with a cricket stump.’ This is ironic considering what Stanhope has become, yet it gives the reader an insight into what he was like before the war and how it has affected him. It quickly becomes apparent that Mason is scared of Stanhope; we see an example of this when Mason accidently gets apricots instead of pineapples – he is extremely concerned about what the captains reaction may be. This further enforces the idea of Stanhope having a short temper.
Stanhope has a close relationship with Osborne, much like that of a father and son. Being twice his age, calm and level headed, Osborne is there to look after Stanhope when he gets too ‘tight’ or to comfort him when he fears for his sanity. The scene where Osborne tucks Stanhope into bed shows his vulnerability. He is only a boy after all, and this is demonstrated effectively as he says, ‘Yes – I go sleep.’ Osborne defends Stanhope against Hardy and says, ‘I love that fellow. I’d go to hell with him.’ Stanhope is a deep thinker - ‘It’s a habit that’s grown on me lately – to look right through things, and on and on – til I get frightened and stop.’ He see’s beneath the surface of things, one of the qualities that make him a fantastic captain. This is demonstrated when Hibbert complains he is suffering from neuralgia; he see’s through his pretence and describes him as ‘Another little worm trying to wriggle home.’ He believes it is wrong to feign illness - ‘It’s a slimy thing to go home if you’re not really ill, isn’t it?’ Despite his disliking for Hibbert, after his initial threat to shoot him he is understanding and comforting, even offering to accompany him on patrol. He has a real sense of decency, evident throughout the two acts.
In conclusion, Sherriff presents Stanhope as a flawed yet hard-working and decent individual. Despite his alcohol dependency he is an extraordinary captain, loved and well respected by his men. The reader learns all this through Stanhope’s actions, stage directions, what the other characters tell us about him and their responses to him. Sherriff presents him as a tragic hero, troubled and hardened by his experiences.
