Examine the relationship between the music industry and the radio in the promotion of music. The radio and music industry work symbiotically

Examine the relationship between the music industry and the radio in the promotion of music. The radio and music industry work symbiotically with each other, meaning that they depend on each other to help them grow, and be successful. The radio helps to influence music sales. Before the 1980's radio was the most important broadcast medium for determining the form and content of popular music. The radio compiles play lists which combine the favourite tracks of all the different DJs and producers to provide a varied mix of music and introduces exciting new artists along side those more established. They make deals with the record companies on how many times their song will be played within a certain length of time, in order to ensure maximum airplay. Radio 1's daytime programme is generally built around play list records, because they try to 'bring the best new music to the widest possible audience'. Unfortunately the songs that reach the play lists are decided upon by the Head of Music, so it is difficult for up and coming artists to really get enough airtime. The audience can only listen to what music is chosen, so the radio acts as gatekeepers to our taste. Radio 1 tries to ensure that they support new UK artists, but more commonly provide air time for the more established acts, mainly from the USA. It is often the British artists that do not get enough air time,

  • Word count: 871
  • Level: AS and A Level
  • Subject: Media Studies
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Eccentric is defined as being different, odd, non-conventional or strange. However being eccentric isn't entirely bad, it influences the society and makes the society realise that there is much more to life.

Eccentrics Eccentric is defined as being different, odd, non-conventional or strange. However being eccentric isn't entirely bad, it influences the society and makes the society realise that there is much more to life. There are several well known eccentric in the world today and in the past that give off such an influence. One of these people is Michael Jackson, the King of Pop. Michael is looked up upon and inspired by hundreds and thousands around the world. He not only delivers messages through song, but also stands proudly for what is right and what he believes in. With his multi-billion dollar fortune, he shocked but captured the world with his concern and charity to the unfortunate, young generation. His love for young children captured the music industry especially, for they never saw something like it before. Unfortunately, there is a horrible downside to Jackson, and that is his several facial and skin adjustments. Since day one when Jackson altered his nose, the media hasn't left him alone and just got worse, so did Michael. It seemed obvious to realise that Michael had issues, over 15 years he underwent so many changes. His fans began to question what he was doing to himself, some believed that he was over paranoid about his appearance and got carried away. These plastic surgeries scared Michael's life, because the media never let go and were onto every thing

  • Word count: 873
  • Level: AS and A Level
  • Subject: Media Studies
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Elvis Presley Coursework: His impact on twentieth century culture

Elvis Presley Coursework (1) Source A is an article from the "Billboard" U.S music magazine on March 3rd 1956. At the time the 'Billboard' magazine was a successful youth magazine paper which had mass readership; its main target audience was teenagers. The magazine says that Elvis is, '...the hottest artist on the RCA label'. The very fact that one of the most popular youth papers in America describes Elvis as being, 'the hottest artist on the RCA label' clearly shows that Elvis had a huge impact on popular music. In 1956 RCA was an extremely well known label, so for the 'Billboard' magazine to say that Elvis was 'the hottest artist on the RCA label' demonstrates how popular Elvis was. The article states that Elvis had 'six hit singles in the company's hit list of top-25 best sellers'. This shows me that not only was he supported by the 'Billboard' magazine; his music was very successful and liked by many fans. (The 'Billboard' magazine is directly linked to the charts). The article says, '...none other than the amazing country warbler, Elvis Presley'. The quote reflects Elvis Presley's routes and backgrounds because Elvis was influenced by Country music as a young child when he lived in Mississippi. (2) Source B shows extracts from newspaper articles describing Elvis Presley's appearance on the Milton Berle show on NBC-TV on 5 June 1956. The New York Times says

  • Word count: 1239
  • Level: AS and A Level
  • Subject: Media Studies
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Youth Sub-Cultures, Popular Music and Social Change

Youth Sub-Cultures, Popular Music and Social Change INTRODUCTION: From the Teddy boys to the Ravers, and from the Rockabillies to the Punks, the youth culture itself has undergone a rapid succession of stylistic and aesthetic changes. Young people's social, economic and cultural life has been concerned more than any other social groups. Youth culture sometimes could lead fashion that becomes the popular debate for a continuous stream of media investigations, government reports and academic literature. Actually, the study of youth sub-cultures tells that it is the production of era, and change itself along with the evolution and change of the society. It exists in any changing society, whatever capitalist USA, or communist China. At the meantime, the focus of youth as a social problem has moved from the issues of crime and delinquency to the symbolic of the scale and dynamics of wider patterns of social change. In the years following the Second World War a proliferation of style-based youth cultures, especially in Britain, as invaluable: 'It tells us not only about the social and economic experiences of young people, but also provides us with an insight into the broader climate of social and political opinion at specific historical moments.' (Osgerby, 1998) <1> It may be inevitable that conceptions of 'youth' will prominently figure in attempts to make sense of social

  • Word count: 1468
  • Level: AS and A Level
  • Subject: Media Studies
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From whatever perspective you choose, discuss the influence of music technology and its effect upon contemporary musical composition.'

"From whatever perspective you choose, discuss the influence of music technology and its effect upon contemporary musical composition." Ever since music was first recorded advances in technology have been used with and around music to make the production, recording and performance of music much easier for the artist(s) behind it. As more and more technology did, and is being released onto the music scene, creation of genres and new instruments has been great. Ranging from new types of stringed instruments, to virtual instruments which have made a massive impact on music in the past 30 years. A lot of genres depend on virtual instruments and computers to even exist such as Hardstyle and Hardcore (not to be confused with the metal 'hardcore.') For 100's of years music in the western world has been following a set example of rules. Such as, how a piece sound be composed and what notes can be used with which notes and chords and what not. It was always a very large focus on tonality. But, due to the introduction of synthesized sound these rules have been indirectly rewrote as a lot of electronic music uses its own rules and is more focused on the sound they create rather than their musicality. Although, this being said, they do not completely ignore the previous rules that have been set up, it is better said that they bend the rules of musical composition. Speaking of the

  • Word count: 1272
  • Level: AS and A Level
  • Subject: Media Studies
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'Life is a cabaret...' Do the events of the film support this view of Sally?

Cabaret 'Life is a cabaret...' Do the events of the film support this view of Sally? Sally's powerful closing song, in which she asserts that 'life is a cabaret', indicates her decision to turn away from reality. She chooses the world of the cabaret as a way forward in life over her real relationships with Brian or her father. The song's call to a frivolous life stands in stark contrast to the events portrayed in the film. Sally is characteristically ignorant of the fact that Berlin may be in any kind of serious trouble. She offers us a fantasy, for we can see that outside of the Kit Kat Club, life is anything but a cabaret. Bob Fosse depicts a politically unstable and economically depressed society on the verge of moral breakdown. Throughout the film, the audience comes to understand that the cabaret provides an escape from the burden of society's troubles. Fritz Wendel voices Berlin's exhausted attitude towards the devastating effects of inflation upon meeting Brian in the Kit Kat Club. The people's desperate need for change is also evident in the gradual acceptance of the Nazis, who offer stability, wealth, and a return to glory for a crumbling nation. Sally, however, revels in the 'divine decadence' of 1931 Berlin. Sally's defiant song challenges society's expectations of people. Her attitude towards all external problems throughout the film is to forge ahead in a

  • Word count: 878
  • Level: AS and A Level
  • Subject: Media Studies
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Creative Writing - We stood imperially on the summit of this wondrous peak.

Ananda Kumar English Creative Writing Coursework We stood imperially on the summit of this wondrous peak. We had conquered the mighty North face of the Eiger, the most treacherous ascent in the Alps. Daniel Anker and I sat astonished on the summit grinning insanely at each other, unable to fathom words to describe our exultation. We watched the sky in awe as clouds rolled by. Just then, Daniel, who was naturally anxious about practically everything, spotted a group of storm clouds approaching menacingly towards our position. "Stop being so worried, its just some minor storm clouds, they'll pass," I said trying to comfort him. He was a fantastic climber and companion, but easily traumatised. The clouds did look slightly perilous, and my slight trepidation bubbled to my usually ice cold exterior. "You look kind of scared" Daniel replied. I ignored him. I felt a tension that hung in the atmosphere. There was a fizzing, crackling feel in the air around us as we pulled on the hemp ropes and our jackets rustled in the electric atmosphere. I looked deep into Daniel's eyes. He was horrified at the helplessness of our situation. We were at the mercy of nature. My worst fears had been realised. A storm was upon us. Just then there was a colossal explosion of thunder. We stared in mute amazement as ostentatious lightning, the colour of burnished gold, burst in

  • Word count: 1378
  • Level: AS and A Level
  • Subject: Media Studies
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The 1960s.

G.C.S.E History Coursework Assignment the 1960s by Donna Whitfield The 1960s was the decade of change, revolution and freedom for both Britain and America. To many the 60's are remembered as the 'swinging sixties' a golden age, which was enjoyed immensely, but others blame the 1960's for some of the failings in society. In the mid 1950's Britain was recovering from a long period of economic hardship after a long and draining war. Shortages and austerity were still very much part of everyday life there was little mobility in Britain as most could not afford a car, the choice of radio stations could be counted on one hand all of which catered for adults not children. The concept of consumer choice was simply 'Can I afford it?' or 'do they have it in stock' the answer was usually no to both. Times were hard but this was soon to change. Britain suddenly seemed to emerge from its gloom, people believed for the first time in years that they could truly leave there troubles behind them. Like the USA, Britain enjoyed full employment and rising living standards. Things seemed to change very rapidly; fashions altered continuously, becoming more extreme. Skirts became shorter and shorter whilst colours became brighter and brighter. Music also changed, artists started to challenge traditional social views. They sang rock and roll music which adults strongly disapproved of, despite

  • Word count: 2995
  • Level: AS and A Level
  • Subject: Media Studies
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"popular culture in the 1960's did more harm than good" Use the sources and your own knowledge to explain whether you agree with this view.

Coursework 960's "popular culture in the 1960's did more harm than good" Use the sources and your own knowledge to explain whether you agree with this view. The 1960's has caused many split opinions as to whether it was a bad or good influence on the young people in that era. There are many people who thought the '60's were a good influence sources A, D and I support this view. The quote 'it was very heaven to be alive' sums up the 1960's for many people. The 1960s also brought a lot of new opportunities that the previous generation had not had such as television programmes in the advert in source D which shows the rising importance of the teenagers. Source I is very good at showing the good influence of the 60's on the young people. However in source A may not be totally reliable as it was written in the 90's and was from the opinion of someone who was looking at their childhood with fond memories. Some people had argument for both a good influence and bad influence. These sources are sources C, E and H. The writers of these sources had both good and bad things to say about the 1960's. Source C sys 'it was never as crazy as they used to say it was.' Which goes against the perceptions of bad influences of pop music, however this source also suggests that there was some crazy and wild behaviour such as Johnny rays coat. This source is good because it is reliable and from

  • Word count: 784
  • Level: AS and A Level
  • Subject: Media Studies
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Asses the claim that youth cultures are hybrid cultures

Multicultural Youth: A critical reflection Asses the claim that youth cultures are hybrid cultures Our presentation was based on the topic area of multicultural youth. The question asked us to asses the claim that youth cultures are hybrid cultures. As a group we decided that we would tackle this question by using popular music as our point of focus. We felt that popular music was something that brought people together in a semi unified fashion irrespective of age colour or creed. For this reason it was agreed that the question of hybridity could be addressed by using popular music as our main point of discussion. We also felt that it was necessary to address some of the points that were raised within the lecture that corresponded with the question, however we also felt that it was necessary to draw upon the information that we received from other topics within this unit. For example, club cultures, street style and consumption. We felt that the amalgamation of all these idea would provide us with a wholesome and informative presentation. The points that we wished to highlight were issues of race and ethnicity, style and consumption and aspects of rave culture. We also felt that it was important to show the hybridity of popular music in youth culture and as a result we paid particular attention to Madonna because we believed that her music provided a good example of

  • Word count: 1854
  • Level: AS and A Level
  • Subject: Media Studies
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