Soap Opera Script and Treatment
Soap Opera Script and Treatment INT . FLAT (ROOM 52) - MORNING The adolescent students Owen, Lou and Roland, clearly in over their heads with life, sit in silence with the blinds drawn staring at the centre of their table crammed with empty breakfast McDonald carton foodstuffs hastily laid out. The sound of the latch of a door being released soon breaks this momentary attentiveness causing them to turn back in their seats with eyes now fixed securely on their front door anticipating the entrance to come. Watching it open, the lust of their lives Teri Dauson is revealed. Teri Hey boys. Teri ambles inside. Roland evidently feels caught-off guard by Teri's presence as he persistently attempts to smooth out his not yet blow-dried haircut for her sake. Teri takes her place standing with folded arms to the side of the table to where they are sitting. Teri How you all doin' then? INT . STUDENT MEETING ROOM (BOTTOM FLOOR) - MORNING In the biggest arm chair to be seen sits Rick. Wearing Bermuda shorts and with his 'flock of seagulls' haircut pushed behind his ears, he looks the part to be engulfed in what appears to be a surfing magazine. Tony Jumps from behind, slapping both his palms on Rick's shoulders, making him jump. Walking to the front of Rick's chair he sits opposite him on a coffee table, dressed in his customary expensive designer clothes he stares at Rick.
"Enslaved": An Explicative Analysis.
Camille Y. Gomez @01117935 African-American Poetry "Enslaved" Revision 03/02/04 "Enslaved": An Explicative Analysis Claude McKay's "Enslaved" discusses exactly what the title suggests, slavery. In this poem, McKay utilizes repetition of various hard and soft consonant sounds to contribute to the general theme of oppressive white power over the despondent blacks. One of the most noticeable patterns in the poem is the constant hissing sound produced by the "s" in various words in each line. This hissing sound generates the image of a snake in the reader's mind. Oh when I think of my long-suffering race In this line, the poet uses the words "suffering" and "race" in their connotative meaning to emphasize the importance of this opening line. These two words now assume different qualities, those of a slithering snake. For weary centuries despised, oppressed, The poet is taking the reader on a journey; the snake is the tour guide. In this line the repetition of the hissing sound is heard in the words "centuries", "despised", and "oppressed". However, the poet also introduces contrast between soft sounds and hard sounds. The "d" sound in contrast with the "s" sound represents the contrast between the white oppressors and the enslaved blacks. Enslaved and lynched, denied a human place The contrast between hard and soft (blacks and whites) continues. The reader
How does Thomas Hardy present men and women and their relationships in the three 'Wessex Tales'? The relationships between men and women are explored seriously and humorously
How does Thomas Hardy present men and women and their relationships in the three 'Wessex Tales'? The relationships between men and women are explored seriously and humorously in 'The Withered Arm', 'Tony Kytes - the Arch-Deceiver', and 'The Melancholy Hussar of the German Legion'. It is through the plot that concerns about marriage and social status are revealed, and through this Hardy presents a fictionalised picture of society and relationships at that time. Hardy's stories are based on many tales, which had been told to him as a young boy. They are mainly based on events, which happened before his birth in 1840. This therefore separates the time period of his contemporary readers from his characters lives, and therefore enables Hardy to create a fictionalised world that is based on social fact. Wessex is a fictional county that was closely based on the county of Dorset, which is why much of the dialect used in the three stories, is that of Dorset. The events relayed in the stories tell us that the social attitudes and values have not changed, and this also gives us a picture of how relationships between men and women must conform to society's standards. In each of the three stories, Hardy has chosen to use the pastoral voice, which is the common dialect throughout many of Hardy's stories. The use of dialect during his stories, occur at moments when Hardy does not
Compare the presentation of changing and contrasting attitudes throughout the First World War through Sebastian Faulk's Birdsong and Poems of the Great War. At the eve of the First World War in 1914
Question: Compare the presentation of changing and contrasting attitudes throughout the First World War through Sebastian Faulk's Birdsong and Poems of the Great War. At the eve of the First World War in 1914, the world was a different place compared to the one we live in today. Great Britain was at the height of its colonial power when the war first began and many men joined the military services in a hope to be a part of this patriotic war of good and evil. This is illustrated by the early literature such as the propaganda poems Flanders Fields and The Soldier. The war was expected to be a short one with a quick victory expected by both sides. However, as the war dragged on many people became disillusioned by it and the pieces of works that were being produced were a negative reaction to fighting for a cause most people had forgotten. "This is not a war this is an exploration of how far man can be degraded." Birdsong is a novel that brings out some of the horrific aspects of soldiery and war. Although Sebastian Faulks uses fictional characters he is able to construct a realistic view of trench warfare and life within the First World War. The novel is based around a central character called Stephen Wraysford and concentrates on his journey through the war. Birdsong is also populated with characters that represent different parts of society during the war period. Poems of
Comparisons made between two of Thomas Hardys’ 20th Century poems.‘The Darkling Thrush’ and ‘Snow in the Suburbs.’
Furqan Younes. Comparisons made between two of Thomas Hardys' 20th Century poems. 'The Darkling Thrush' and 'Snow in the Suburbs.' Both poems deal with the presence or lack of hope. Though hope may not be mentioned many times throughout the poem, it is clear 'The Darkling Thrush' optimises hope, whereas 'Snow in the Suburbs' does quite the opposite. 'The Darkling Thrush' begins with the introduction of an unknown character describing all that he sees and feels around him in negatively superficial detail. This is done by continuously using exaggerated personifications, 'The wind his death-lament.' These help give the poem depth and so when reading through the poem, it is very clear when the poem takes on a positive tone: 'At once a voice arose among The bleak twigs overhead' The introduction of hope can be seen as anything good or positive taking place when there is nothing but negativity around. In this part of the poem it comes suddenly, as emphasized by the 'At once' in the first line of the second stanza. It brings Warmth to a poem which in the previous two stanzas expressed nothing but cold and negative emotions, which were further enhanced by alliterations, such as: 'The Century's corpse out leant His crypt the cloudy canopy,' The character in the poem is clearly in a very pessimistic mood, this is made obvious in the first line of the last stanza
Of the short stories you have read by Thomas Hardy, which do you prefer and why?
Sam Royal, 04 July 2003 Of the short stories you have read by Thomas Hardy, which do you prefer and why? Thomas Hardy was born at Higher Bockhampton, Dorset, on June 2, 1840. His father worked as a master mason and builder. From his father he gained an appreciation of music, and from his mother an appetite for learning and the delights of the countryside about his rural home. Hardy was a frail child, and did not start at his village school until he was eight years old. One year later he transferred to a new school in the county town of Dorchester. When he was sixteen Hardy helped his father with the architectural drawings for the restoration of Woodsford Castle. The owner, an architect named James Hicks, was impressed by the younger Hardy's work, and took him on as an apprentice. Hardy later moved to London to work for a prominent architect named Arthur Blomfield. He began writing, but his poems were rejected by a number of publishers. Although he enjoyed life in London, Hardy's health was poor, and he was forced to return to Dorset. In 1870 Hardy was sent to plan a church restoration at St. Juliot in Cornwall. When he was there he met Emma Gifford who was the sister-in-law of the vicar of St.Juliot. She encouraged him in his writing, and they were married in 1874. Hardy published his first novel, 'Desperate Remedies' in 1871. The following year 'Under the Greenwood
Compare William Makepeace Thackeray's 'The Due of the Dead' and Sir Henry Newbolt's 'Vitai Lampada' in terms of their effectiveness of form, structure, language and context.
Q. Compare William Makepeace Thackeray's 'The Due of the Dead' and Sir Henry Newbolt's 'Vitai Lampada' in terms of their effectiveness of form, structure, language and context. As pre-First World War literary pieces, Thackeray's 'The Due of the Dead' and Newbolt's 'Vitai Lampada' share similar thematic threads, for example in the allusions to the ideals of honour and obligation, evident in the reference to 'gallant, patient hearts' and the personification of 'Honour' as 'a name' , in a contextual establishment where the majority of the upper class - to whom the poetic form of communication appealed most specifically to - lived behind an intricately fabricated façade of religious morality. Moreover, both poems also exhibit an emphasis on structure and rhythm, and while Newbolt opts for the effective poetic form of 8-line stanzas in a tight, regular structure, Thackeray utilises an ordered 4-line stanza structure with 8-syllable lines to maintain a constant rhythmic pace. There is also a prominence of rhyme with both poets employing the ABAB rhyme scheme, and the rhythmic structure explicit most especially in 'The Due of the Dead' provides an emphasis on the last words of each line, thereby complementing the poem's aural quality. Thackeray presents the central message of 'The Due of the Dead' effectively through the division of the poem into four distinct sections from the
War and Peace
Breaker' Morant - Major JF Thomas Thomas, played by Jack Thompson, was an intelligent man and well in his profession, although it didn ' t seem this way in the beginnings case. As is clear to the viewer, he is unorganised, aloof, and unconfident. This is seen in the scene that introduces him to the movie... scene). Notice how he is clumsy, and keeps dropping the papers. Further into the trial, Thomas ' s confidence grows. At first, he very confident, and this can be seen in his stance - note how he is leaning on the table for support, instead of standing up straight, with confidence. Yet his confidence grows. While the rules of war prohibited prisoners as shields from attack, prosecution witnesses admit under Thomas ' s effective cross-examination that placing railway cars filled with prisoners as the lead car for British trains stopped the bombing of rail Major Thomas forces Captain Robertson, a prosecution witness, to that he too had continued to use this tactic because "though irregular, it was effective. It is here that the viewer can clearly see his increased confidence, that is shown in his now confident stance, he is standing up straight and tall, and he raises his voice to make his point clear scene). Thomas felt that there were inconsistencies in the military code of the law trial, but mature consideration showed him that what was done in courtroom was
Interpretation of Shadow, Silence and the Sea by A. C. Swinburne
Interpretation of Shadow, Silence and the Sea by A. C. Swinburne From what we know about Swinburne's creativity, his poetry is a colourful mixture of philosophical statements, artistically painted images and ubiquitous alliteration. His principal theme in lyric is nature, which is used both as a material for the whole poem and as a detail to introduce other themes and images. Analyzing Shadow, Silence and the Sea, we first see the description of landscape. Swinburne is known to have been fascinated with landscapes, especially water scenes. The poet himself confesses of "a pure delight in the sense of the sea" (letter to Edwin Harrison on February 5, 1890). The fact, that the poem was written nearly a quarter of a century later after the actual voyage to Loch Torridon, suggests that the impression was still vivid in Swinburne's mind and seemed to correspond to his way of thinking. In addition, his choice of theme makes him a follower of the Romantic tradition. Image of sea and the peculiar devotion to night were crucial to the Romantic poets. As a person associated with the Pre-Raphaelites, Swinburne would highly value their creativity. The major artistic device used in the poem is alliteration. Swinburne builds it by repeating the sounds s and sh inside words which create an image of a spectacular yet peaceful starry night. It seems strange, as these sounds are usually
In this essay, I shall analyse the work of Louis MacNeice, entitled, The sunlight on the garden. It is a modern verse that offers a self-reflexive commentary on life and its key elements.
In this essay, I shall analyse the work of Louis MacNeice, entitled, 'The sunlight on the garden.' It is a modern verse that offers a self-reflexive commentary on life and its key elements. In similarity to the traditional epic verse, the poem is an expression of the speaker's particular personalities and motives. I intend to explore these two subjects in greater detail in my essay. According to the Oxford English dictionary, a poetic analysis is the process, or 'detailed examination of studying a poem...to determine its nature, structure, or essential features.' This is a common practice used by both reader and critic in the reading of prose and poetry and I will adopt this technique in my essay. MacNeice's poem from the thirties transcribes the period of great hardship in the Western World, as well as the speaker's self-hardship of love and death. The Wall Street Crash in 1929 started a worldwide economic depression that lasted for much of the decade and industries such as steel, ship-building and coal mining suffered. Moreover, unemployment in Britain soared which left a hollowed and pessimistic outlook on life. This had a strong impact upon poetry of the time, this particular poem illuminating the confusions and irresolvable issues of the common man. There are many social and political events that influenced MacNeice's work, the First World War being