Beowulf - Original writing
30/03/01 BEOWULF Silence in the hall dark and deeper, another night for the men. One of the feasters sleeping in Heorot was doomed and soon to die... Grendels mother was worried that he had not come home for his supper, she comes out of her cave and shouts," Grendel, honey where are you? " The tree leaves moves and the voice echoes throughout the moors, still Grendel was no where to found or heard. Meanwhile back in the forest the party began. A huge fireplace was lit up surrounded by a table full of piping hot chicken, turkey and some beers. There was a delightful and cosy atmosphere. The feasters congratulated Beowulf on his victorious killing of Grendel. It was nearly midnight; suddenly the ground was shook just like an earthquake. The Geats bounded out of their chairs and ran to get their sharp and shiny spears, daggers swords and hot flaming torches. They put on their armour and looked around to see what had made the ground shake. Grendels mother Sheba appeared, She was as tall as a giraffe and so ugly that a mirror could shatter into millions of pieces. She was hairy, dirty and smelt like manure. Sheba had paws as sharp as a lion's and the look of a tiger targeting its prey. She looked as furious as the flaming orange/red fire reflected in her eyes. She started attacking the Geats. The atmosphere suddenly changed, it
Little Girl Lost
Little GIRL Lost William Blake uses an introductory stanza addressing the children of the future. Using the device of incredulity (disbelief), he describes the poem as an indignant protest that his own age, "a former time" was so unloving and unjust. In the next verse he refers to an "Age of Gold" in which love could be pure and innocent. This golden age is one of youth, lit by the natural and God made light of the sun, "the holy light", and is described as free from the darkness and cold of winter and experience. In the third stanza he begins to tell the story of a young and innocent couple "fill'd with softest care" who meet at dawn in a garden, as Adam and Eve met in the Garden of Eden at the dawn of time. They do not have to hide their love, as God has removed "the curtains of the night". The story progresses in the fourth stanza, describing how, without the oppression of parents and strangers their young, innocent attraction flourishes and blossoms in the fresh natural environment of the grass, in which the girl gains confidence. In the fifth stanza the couple agree to continue their tryst at night. The sixth verse describes how the girl went to her father feeling happy and joyful, "bright", but is greeted by his condemnation. His expression is described as "Like the holy book", a reference to the fierce and disapproving God who drove Adam and Eve from the
The narrative perspective of A Prayer for Owen Meany is first person, which is written in both the
Point of View The narrative perspective of A Prayer for Owen Meany is first person, which is written in both the past and present tenses. The narrator of this novel is also a protagonist in this novel. He, Johnny, reminisces on his experiences with Owen Meany when they were children. In these reminiscing sections, the narrator uses the past tense to tell the reader that the events being discussed already occurred, that they are, metaphorically, carved in stone. When Johnny, reads from his diary, the narrator changes perspective to the first person. Because dates are important in this novel (dates such as Owen's fated day of death and Johnny's diary dates) a time change illustrates a change in not only Johnny's physical world but also in his amount of maturity and knowledge. In the diary, Johnny is much more mature and knowledgeable; he seems to have a purpose for writing the diary. That purpose is his dislike of the US because of the Iran-Contra affair and its similarities to Vietnam, during which Owen was killed. The changes in perspective, from past tense to present tense, develop Johnny as a man filled with bitterness. As his diary entries progress, he becomes more resentful of the US. Therefore, through the use of the diary, the author achieves a litmus test of Johnny's attitude. That is, judging by date of the entries, one can measure Johnny's hate. The
William Shakespeare - Sonnet 130
Natalie Champagne Poetry Analysis William Shakespeare Sonnet 130 Sonnet 130, Written by William Shakespeare, is a beautiful poem that captures the realistic beauty of a woman Shakespeare refers to as his "mistress". Upon first reading this poem the conclusion that it is written about a woman he finds unattractive is easily reached. However, once further analyzed it is evident that this poem is actually about a woman he finds beautiful. It is assumed that the woman this poem focuses on was a woman that William Shakespeare personally knew. It is possible the woman in this poem, granted she is not given a name, could be created based on how Shakespeare felt about the unrealistic view of women in general. William Shakespeare may have directed his poem toward one woman, but it is possible he did that as to give his poem more focus. This poem utilizes many metaphors, an example of this is, "coral is far more red then her lips red; if snow be white, why then her breasts are dun; if hairs be wires, black wires grow on her head." The metaphors in this poem lend a realistic view to a poem that could be easily misunderstood. Within this poem the idealistic notions of feminine beauty are challenged with harsh lines, such as "And in some perfumes are there more delight, that in the breath that from my mistress reeks." William Shakespeare says that "my mistress'
Compare In Detail The Approach To Superstition Of Thomas Hardy In THE SUPERSTITIOUS MAN’S STORY And Penelope Fitzgerald In THE AXE. Think About The Nature Of Superstitions And The Ways That The Writers Have Chosen To Portray It.
Wide Reading Coursework Compare In Detail The Approach To Superstition Of Thomas Hardy In THE SUPERSTITIOUS MAN'S STORY And Penelope Fitzgerald In THE AXE. Think About The Nature Of Superstitions And The Ways That The Writers Have Chosen To Portray It. I am going to compare these two stories that were written 100 years apart. The Superstitious Man's Story is set in the 1830s but was written in 1891 when hardy was at the height of his fame like JK Rowling. The Axe was written by Penelope in 1977 and is set in an office and written in the style of a memorandum. They are both stories to do with superstition. Superstition n. belief in the supernatural; irrational fear of the unknown. 2 practices, belief, or religion based on this. Derivative: superstitious adj. superstitiously adv. [[Latin]] The Axe is not obviously a superstitious story, but in deeper analysis there are some vague superstitions e.g. damp smell in Singlebury's office. The superstitious Man's Story shows some more clear superstitions and is more of a traditional 'Ghost' Story. It set in more superstitious times when belief in witches and sorcerers. It also has a superstitious background because William Privett's son died and it's set on midsummer's eve a mystical date on the calendar where funny things go afoot. In The Superstitious Man's Story is about a man who is going to die. It has many well-known
Although Donne seemingly flatters his lover in"The Sun Rising," nevertheless she is effectively silenced.
"Although Donne seemingly flatters his lover in "The Sun Rising," nevertheless she is effectively silenced." In the light of this critical comment, explore the ways in which women are presented and addressed. In this Anthology, using, as your starting point an examination of "The Sun Rising" and including references to at least two other poems covering at least two groups. I disagree with the statement that Donne's lover is "effectively silenced." Donne's lover isn't even mentioned to have said anything so how could she have been effectively silenced? I think that at the time the poem was written society oppressed women. It was believed that women shouldn't talk unless they were spoken to. Therefore I think it would be more accurate to say that society "effectively silenced" women not Donne. In "The Sun Rising" Donne believes that him and his lover become the world and occupy the same position as the sun. They create an almost minature world which is more important than the larger universe within their bedroom, and everything revolves around them. "The Sun Rising" Donne objects of the Sun's intrusion "through windows" and "through curtains." Windows and curtains are what separate the two lovers from the physical world. "Love, all alike, no season knows nor clime, Nor hours, days, months, which are the rags of time" "The Sun Rising" reveals the motive to engage
Odes of Keats and Shelley
Odes of Keats and Shelley J.A. Cuddon, writing in The Penguin Dictionary of Literary Theory and Literary Terms, defines an ode as "a lyric poem, usually of some length . . . [which] features an elaborate stanza structure, a marked formality and stateliness in tone and style (which makes it ceremonious) and lofty sentiments and thoughts. In short, an ode is rather a grand poem, a full-dress poem" (Cuddon, 650). Because of this, one would expect odes to be very popular in the eighteenth century when poetry was very formal, and so they were. But surprisingly, we find that the ode was a favorite form of a number of Romantics of the nineteenth century, John Keats and Percy Bysshe Shelley among them. Both Keats and Shelley found in the formalism of the ode form a springing-off point for their Romantic thoughts. Keats' "Ode on a Grecian Urn" is a long poem extolling the perfection of art as opposed to real life, showing that art is timeless as nature can never be because living things are caught up in a cycle of change and death. To present this argument he compares the urn to an 'unravished bride', which belongs to him but yet he can never possess. He establishes a second metaphor as well, this time comparing the urn to a 'sylvan historian', in that it can record in its workmanship the details of a culture long extinct. In this way Keats shows that art exists outside of time,
Two Different Heroes
Two Different Heroes: A contrast between the ideals in Sir Gawain and the Green Knight and Beowulf A hero must always possess certain qualities such as bravery and honor, but the nature of heroism can vary greatly. Although superficially, some heroic figures may seem to be very different, these differences are accounted for because of the differences between the societies they lived in. The characters Beowulf, from Beowulf translated by Seamus Heaney, and Gawain, from Sir Gawain and the Green Knight, translated by Burton Raffel, the differences between Gawain's and Beowulf's heroism lie in the reasons for their bravery, the nature of their struggles, and their heroic codes, yet all of these differences can be explained in terms of their respective societies. In Beowulf, Beowulf makes a show of boasting his past deeds, as a form of self-advertisement. "...all knew of my awesome strength. / They had seen me bolstered in the blood of enemies / when I battled and bound five beasts, / raided a troll-nest in the night-sea / slaughtered sea-brutes" (Heaney, pg. 29). For Beowulf, heroic accomplishments are a way of proving himself in the eyes of others, and the reason for his bravery is the fame that he achieves. This is also seen when Unferth accuses Beowulf of vanity because of a competition with Breca, and then tells Beowulf that he will not succeed in his battle with Grendel.