Comparison of 'The Bells' a melodrama written by Neoplod Lewis in the 19th century with the medieval morality play 'Everyman'.

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Part 1

I’m going to compare the two play’s ‘The Bells’ a melodrama written by Neoplod Lewis in the 19th century with the medieval morality play ‘Everyman’.

         Both these plays teach a strict moral message for ‘The Bells’ it is about the conscience of one man in relation to a terrible deed he has committed on his past. Whereas in ‘Everyman’ it is the conscience of every man in the world, in ‘Everyman’ it is how everyman has lived there lives and then comes in front of g-d and pretends to be clean and how the text relies on it being clever and ‘The Bells’ has a greater degree of spectacle terms. For example in ‘Everyman’ there is very little scene change but in ‘The Bells’ there is a lot of scene changes and lots of visually exciting things. In both plays each main character is faced with a decision. I both of the plays the language is different, ‘Everyman’ man is written on verse and the language is a lot older, whereas in ‘The Bells’ it is written in pros and the language is more modern and the characters all have a distinct German accent as it set in Alsace-Lorraine when it was in German control.

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        The characters in ‘The Bells’ are all very stereotypical such as the slightly mad doctor and the old drunken villagers and the notoriously evil genius villain. In ‘Everyman’ the characters are personified, such as all of man’s characteristics are put onto characters on stage, an example of this is how there are characters called Strength, Good, Good Deeds, etc.

        Everyman helped with my style of props in the way that it showed you don’t necessarily have to be in your face with your props any subtle props can have a huge effect on an actors performance, so when I did ...

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